Writing a novel, you pay attention to action. What are the characters doing? And why? At the midpoint, the action often switches; the protagonist ceases to react and, instead, acts — and not without mishap, without complications.

I’ve long thought of labor as a metaphor. The mother’s cervix dilates (helped, sure, by walking, by receptivity), followed by the uncertainty of transition just before the mother engages in the pushing phase, the brief or lengthy or sometimes stigmied phase of bringing this child into the world.

I’m in the transition phase again in my life, beneficiary of cancer treatments and so much medical care. Mornings this winter when I woke, I began each day with a survival mindset; I would endure my body’s illness. Now, June, the birds wake me, the feathered creatures intend on nest-building, procreation, survival, maybe the joy of communal singing. In the garden, the tithonia abruptly deepen their green, expand their leaves. The hydrangeas sprawl into a fortress.

At my desk, I lean into my day’s work, hours and hours unspooling.

Late afternoon, my friend arrives with her little girl, and the three of us walk in the cool town forest. The child removes her shoes and runs over the pine-needle-spread paths. She buries her bare feet in the shallow stream’s mucky mud. Yes, June…

Mostly, we don’t want to harm each other.

We want to be handed our cup of coffee hot,

and to say thank you to the person handing it… 

We have so little of each other, now. So far 

from tribe and fire. Only these brief moments of exchange.

What if they are the true dwelling of the holy, these

fleeting temples we make together when we say, “Here,

have my seat,” “Go ahead — you first,” “I like your hat.”

~ from “Small Kindnesses” by Danusha Laméris