Solitary Sailboat.

I make a difficult phone call to a family member. Late afternoon, the perennial sunflowers stretch above my head in my garden. I’ve walked barefoot from my house through the grass that’s already cooling in the shadows to my garden, the soil warm from the day’s sun and so dry it’s verging near dusty. Afterwards, there’s a second call, then a third. I find two zucchinis that need picking, an onion I’d forgotten beneath the tansy. I gather these.

I’ve had this worldview of cause and effect: make a decision, or not a decision, and the consequences creep up or roar upon you. No stasis in this world. A selfish view. Meanwhile, of course, the transient world churns along, F. Scott Fitzgerald’s ceaseless waves, the pollinators feasting lustily on these sunflowers whose petals are already beginning their autumn wilt-and-drop.

September: a month jammed with color and sadness, the fleetingness of this life. Two years ago, disease was rampaging in my blood. I did not yet know this, while already my ailing body was sailing me into faraway seas. That journey was me in a solitary life raft, cold winter starlight drenching my eyes. Swimmers tossed over the edge of that rickety inflatable boat the things that kept me alive: medicines of all kinds, tiny bowls of hot soup, books and money, the hands that propped me up and guided me on walks, the company of voices. Meals and kindness that sustained my daughters, and so sustained me.

Overhead, the bluest of a Vermont sky. I answer my phone again. What luck, immensity of good fortune, to be enmeshed in wildly unknown world, relishing fatty marrow.

Into My Own

One of my wishes is that those dark trees,
So old and firm they scarcely show the breeze,
Were not, as ’twere, the merest mask of gloom,
But stretched away unto the edge of doom.

I should not be withheld but that some day
Into their vastness I should steal away,
Fearless of ever finding open land,
Or highway where the slow wheel pours the sand.

I do not see why I should e’er turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.

They would not find me changed from him they knew—
Only more sure of all I thought was true. ~ Robert Frost

Good Soil.

I read Wendell Berry for the first time the 20th century summer I lived in a tipi we set up in a wild blueberry field. The land was owned by the widow of the well-known ecologist Robert MacArthur. Nights, when it rained, I stowed the library books in the VW Rabbit we drove all over the country, often sleeping in the back, from Montana to Arkansas. Recently, from an upstairs closet, I pulled out a photo of myself, circa the 20th century summer before grad school, when I painted houses and drank Genny beer. My best friend had taken up with a schizophrenic who collected rocks, so many he eventually buried his mustard-yellow Toyota Corolla beneath a pile of rocks from fist-to-large-dog-sized. I’ve long ago lost track of these people. They went their way, and I was swimming along in the current of my life, so young I didn’t realize the rising waters. I was headed out on my own long journey across the country, returning years later to the sweet and cold soil of Vermont to sink my roots deep.

Wendell Berry, Gloria Steinem, Dolly Parton… in their own unique way, each exuded pragmatism and optimism, perhaps the best of American qualities. Wendell Berry’s The Unsettling of America? Still ringing true….

“The soil is the great connector of lives, the source and destination of all. It is the healer and restorer and resurrector, by which disease passes into health, age into youth, death into life. Without proper care for it we can have no community, because without proper care for it we can have no life.”

Little and Great Things.

September 1, and the sudden gush of changing seasons, which is never simply a matter of weather and light, but habit and soul. After a summer of book tour and work, of road trips and hikes, swimming, of reconciliation and division, too, seed sowing and blackberry gathering, of the sweet satisfaction of a family marriage, now early autumn nibbles in these early mornings. All summer, I struggled writing, but the vision forward for this manuscript abruptly opens. I lean hungrily into the work.

On a recent evening, we visit an open studio evening, a dirt road site of a long-ago hill farm with a queenly view of the valley, a righteous post-and-beam structure with a stunningly opulent garden. The art ranges from sculpture to two charcoal drawings commissioned by Bob Dylan where I linger; the studio and gardens comprise a whole. Slowly, the rooms fill with people I’ve known for years and strangers, too, all curious. How much my mother, long passed from the earth, would have loved this evening. How implicitly she would have understood the present of art, its underpinning in the past. She would have noticed the old millstone now relegated beneath a young apple tree.

We drive home around the lake, then down the hills into Hardwick village, the sunset crimson and gold along the darkening horizon. Always, we’re plunging forward, into the night and sleep, into the morning. The next day’s noon, I walk with my daughter along a causeway far into Lake Champlain, balmy wind on our faces, small spits of rain in our hair. The good luck omen of white egrets.

All these are great and little things. The profound pleasure of pouring boiling water into a French press in my rosy dawn kitchen. Soon enough, the monotone of snow and ash and road sand, the immense might of winter, will settle here. For now, the bittersweet profusion of late summer—sunflowers and goldenrod, basil and tomatoes.

As it’s September 1, here’s W. H. Auden

There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Wedding Bells: Chop Wood, Carry Water.

Van Morrison’s Enlightenment begins with a riff on the Buddha’s Before enlightenment, chop wood, carry water. After enlightenment, chop wood, carry water. Didn’t I first stumble into that koan in Salinger’s Franny and Zooey, that little white paperback my sister and I checked out of the public library and handed back and forth between us? Those were the adolescent years when I devoured literature — Dostoyevsky, James Joyce, Sylvia Plath — so hungry, those years of amazement, at how literature could sing. So hungry I was in those years that merged into that Vermont mountainside college where I often stayed up most of the night, talking, drinking, often sleeping under the dazzling constellations. In the mornings, we trekked to seminars in the former cow barn and debated Plato and Kant.

Those years, I believed I could wrap my mind around life, that understanding was possible in more than ragged snippets. All my adult life I’ve leaned into a daily version of chop wood, carry water, that three-legged stool of raising children, writing books, earning a livelihood to keep shelter and home whole for my tiny family. An insanely complex equation.

With great merriment, my oldest daughter marries, we host a party, folks arrive, cake is eaten. The night before, we stay up late, the girls decorating the cake, my brother on a kitchen stool, shaking out the stories of our memories together. Such happiness to have a full house of youth and laughter. Monday morning, awake long before dawn, I labor at my version of carrying wood, those Van Morrison lines humming through my mind. Illusion? Nonattachment? Perhaps all my life I’ve thought about this koan in the wrong Western way, an either/or. Cold dew washes my bare feet.

As for the cake…. I’m still handing around leftovers, sweet luck.

the leaves believe
such letting go is love
such love is faith
such faith is grace
such grace is god
i agree with the leaves
― Lucille Clifton

“… a definition of love…”

All afternoon, I work on my back deck. Hummingbirds dart at the hanging nasturtiums, rain sprinkling down around the porch roof. In the late afternoon, I swop jeans for shorts, tie on my shoes, and head out for a run. I run for maybe a mile, no more, then walk in circles, my hands on my hips. The mid-August world is a crazy abundance, hydrangeas and Queen Anne’s Lace reveling in their showiness.

I had thought I would never run again, that kind of energy and strength irremediably sapped by disease and treatment. Yet, this afternoon, I determine, Well, what you do know… Ahead lies a long evening of a Selectboard meeting in a particularly Vermont-vein: the nuts-and-bolts of the town’s daily business of salt and sheriff contracts, what to do about wastewater, and the passion projects of conserving land and eliminating streetlights. A microcosm of the country in a former schoolroom where everyone is on a first-name basis. Like it or not.

Long past nightfall, I’m home again, lying on the couch and reading Louise Erdrich, cats between my knees, the windows open and the crickets sizzling. Above, photo of myself with beloved daughters. After chemo, my hair returned in ringlets, the straight hair of my childhood replaced by exuberant happiness.

“Green Apples” by Ruth Stone

In August we carried the old horsehair mattress
To the back porch
And slept with our children in a row.
The wind came up the mountain into the orchard
Telling me something:
Saying something urgent.
I was happy.
The green apples fell on the sloping roof
And rattled down.
The wind was shaking me all night long;
Shaking me in my sleep
Like a definition of love,
Saying, this is the moment,
Here, now.

“… the now of us…

The incomparable Mary Elder Jacobsen reads her poetry at Elmore State Park. A sultry August morning, I come alone, friends off doing one summer thing or another. Mary reads in the beach house with the doors and windows open, a breeze carrying in the lake’s lapping and children’s laughter.

Afterwards, because I’m there, I hike the mountain. My family and I have hiked this mountain many times, but I haven’t been here in a few years. Last summer, I was walking—short stretches at first, then longer—gaining strength from the trifecta of cancer and chemo and surgery, gaining strength week by week. This summer, I’ve pulled out my hiking boots, pushing. How far will my strength return?

The rocky outcropping is familiar, a bit more brushy, but the cement footings of a vanished cabin are as I remember, with purple asters and wild roses. A sweltering, sweaty day that recalls my New Hampshire childhood, the countless hikes with my dad. A couple arrives, and we talk about the lake below, the view of the forest and hayfield landscape. We share apples, handfuls of crackers, stories.

The story I don’t share is the January evening I parked at the lake’s edge and walked out on the ice beneath the piercing stars. I was on my way from a late meeting to pick up my daughter at a friend’s house, and I’d allotted myself exactly ten minutes. The cold came at me like arrows. Across the lake, the ice cracked like a shot in the fierce temperature. And the constellations? Ancient and present and promising a future…. Now, years later, in moist August scented with those roses…. This day bears no thinking of time. August, in her tumbling abundance.

That January night, my daughter was waiting for me, wanting home. We’d been gone for hours and hours, since early morning, and the wood stove had gone cold, our house inhospitable. Rushing — I was always rushing in those days — I kindled the fire, boiled boxed macaroni and cheese, carried in more wood. We ate in front of the crackling wood stove, sharing our days. All the seasons of a life. Now, this August afternoon, damselflies flicker.

Hours later, I swim in my favorite pond. A friend and I swap stories and books, crackers, tomatoes, cheese. A stranger swims, too, and the stories widen. In a pouring rainstorm, I drive home, then stand under my covered porch and lean against my dear house, drenched from swimming and rain. The earth drinks deeply.

Because, whatever Science says about some equal future moon, 
I know the rare particulars of this vast and intimate brilliance— 
the now of us—won’t ever, in our lifetime, come my way again. ~ Mary Elder Jacobsen