poetry

Night Wanders.

/ Brett Ann Stanciu / Leave a comment

Late autumn means shortening days which means a reacquaintance with darkness. In sooty twilight, I slip through the narrow path in the pines and into the cemetery, a letter in my hand. Quickly, night settles in.

At the bottom of the hill where this back street joins Main Street, an elderly man leans against the railings on a second-floor landing. The storefront has six apartments above it, and the tenants linger on the covered back stairs in all weather, all times of the year. I pause, and we talk about the balmy fall, the fattening half moon. Then I wish him a good evening and head along.

In the way of small towns, I know pieces of his story—he’s a veteran who served in a war that may seem forever ago, or perhaps just a few breathfuls of air in the past—and he may know snippets of my life, too. I drop my letter in the mailbox and circle through the village. Darkness settles in, and I follow the sidewalk home, not tromping through the woods and the cemetery. Save for passing cars, there’s no one out, house windows filled with people moving about their chores. Ordinary evening under the splendid night sky.

“To have faith is to trust yourself to the water. When you swim you don’t grab hold of the water, because if you do you will sink and drown. Instead you relax, and float.”
― Alan Watts

More things in heaven and earth…. Eve of Midterms.

/ Brett Ann Stanciu / 4 Comments

Two years ago, the country churned towards an angry Presidential election. Now, mid-terms in a foliage season remarkable for vivid yellows, dazzling oranges, the natural world a common good exterior to government.

Two years ago, I (and, hence, my family) entered the medical system’s mighty beast of Ivy League Dartmouth Hitchcock. Just recently, I heard word of a long-ago friend and a stage 4 cancer diagnosis, and reflexively I thought how awful, that’s likely the end. Yet I had stage 4, a rotten diagnosis. Two years ago, kind strangers rallied around me, advising me to tidy up, consider your affairs.

My affairs?? Had I become a character in a middling English novel? I had a closet shelf of my kids’ high school handwritten math notebooks, the back side of my house needed painting, no directives and certainly no exit plan, a novel under contract, another book about class in Vermont I hadn’t yet written. I’d left my shoes at work. I’d been going about my life — working and writing, my heart divided in throbbing currents of love and loyalty, of rage and hurt, fear and desire.

Entering this darkening season now, as the days shrink and the nights lengthen, the trees drop their leaves and stick season emerges—the metaphor of light reigns. In that winter of illness, daughters and I had so many speeding drives down the icy interstate, and, always, the glowing red of EMERGENCY was a welcoming beacon, the promise of succor. Bit by bit, we figured out how to navigate the system, how to enter and ask for help, parse the complex layers of staff hierarchy, to learn names and procedures, numbers, billing, to ask questions, to understand when answers were impossible. To gauge risk. To endure, and endure, and endure more.

In all this, to know awe for the skill and art of complex medicine, to be supremely grateful for this first world privilege, and to be awed for so much light that surrounded my tiny family — from friends and strangers, from so much that arrived to me through this writing space: cards and sweets, books, letters, messages, poems.

Two years later, heading into another election, yes, of course, absolutely, politics matter. People in powerful positions weld decisions that affect everyday lives. But there’s that Hamlet line: There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy… In this quiet hour, the wind knocking an overgrown rose bush against my window, the woodstove crackling, profound satisfaction to be yet in the chaotic story of this world.

“I used to think healing meant ridding the body and the heart of anything that hurt. It meant putting your pain behind you, leaving it in the past. But I’m learning that’s not how it works. Healing is figuring out how to coexist with the pain that will always live inside of you, without pretending it isn’t there or allowing it to hijack your day. It is learning to confront ghosts and to carry what lingers.”
― Suleika Jaouad

Scrap of a love story: “…the only things you know…”

/ Brett Ann Stanciu / 6 Comments

Asters I planted in my garden, withstanding first frosts.

More indicative, perhaps, would be this:

Darkness lies deeply on each end of the day, cats rising hours before dawn to eat, myself to weld that fork and open my laptop. Afternoons wind down into early darkness. A friend and I walk through spits of rain, wander along Main Street, jammed with locals and leaf peepers, negotiate the two empty stools at a long bar, where she drinks beer and I drink club soda, eating the pip of lemons.

What does time matter? It might be six or ten, maybe nearing midnight. Night presses against the wide windows, as if hungry.

Later, walking home, the air touches my face with its scents of diesel and rotting leaves, woodsmoke. Every year, this pause. The need to gather coats, who needs new boots? and where are the mittens?, the price of snow tires, the aligning of ash buckets, the necessity of socks. All that long winter I was sick, I couldn’t navigate the porch steps and the ice by myself, darkness relegated to my windows. Only in those rushing nighttime drives to Dartmouth Hitchcock did I know the constellations arced overhead, Ursa Major, the gleaming Pleiades, the scrap of cold on my lips. How I missed this.

And a favorite Maggie Smith poem:

First Fall

I’m your guide here. In the evening-dark

morning streets, I point and name.

Look, the sycamores, their mottled,

paint-by-number bark. Look, the leaves

rusting at the edges.

I walk through Schiller Park with you

on my chest. Stars smolder well

into daylight. Look, the pond, the ducks,

the dogs chasing prized sticks.

Fall is when the only things you know

because I’ve named them

begin to end. Soon I’ll have another

season to offer you: frost soft

on the window. The first time you see

something die, you won’t know it might

come back. I’m desperate for you

to love the world because I brought you here.

“…hear your whole existence…”

/ Brett Ann Stanciu / Leave a comment

I hole up at my kitchen table to work, then go for a run in the late afternoon, then circle back to work. This work is a spreadsheet where I’m sewing and ripping out and stitching again numbers and more numbers. Numbers that signify things and actions. I use my same writing approach: ask questions (what does this mean?), be precise, question myself, care about what I’m doing.

Early October. I veer off my running path and wander along the seam of fallow field and riverbank. Geese wing south, honking. Inexorable.

I grew up in New Hampshire. Autumn, how apples on the trees smell both sweet and rotting, reminds me of childhood, when time meant nothing. Now, one of my oldest friends arrives for dinner, and she shares her retirement plan, a number not-so-far in the distance. She taught me the name of the flower closed gentian. I haven’t seen her in weeks, yet she sits down, and we pick up, talking. Inexorable, the motion of this material world.

In this dry spell, the river runs low, unkempt, crammed with human debris. Wild and human intersect: shorn cornfield, wild asters, bridges, the eagles I’ve spied here, all summer. I keep thinking not of those numbers and the mathematical patterns of addition and subtraction, multiplication and division, but of a recent New Yorker essay about writing and illness, the flimsiness of words in the wake of wrenching pain. Words upon words. The signifier and the signified. I crouch down and tie my shoe. Overhead, all that sky. Underfoot, the immensity of earth. I’ve five things I think I should be doing. The geese slice through the afternoon, then vanish, leaving me in this dusty field. The slow spin of this planet.

Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?

…. Be there to hear it, it will be the only time,
most of all to hear your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.

— Galway Kinnell

Illumination of Constellations.

/ Brett Ann Stanciu / 6 Comments

On the way home from a conference in Montpelier, I stop at #10 Pond. Late afternoon, there’s no one around, and I open my laptop and work, perched on a rock. For a good long while, it’s just me and two curious loons swimming by, the September sunlight dropping over the hillside full of hovering gravity-defying dust and damselflies.

A stellar autumn day.

I hadn’t intended to swim, but the afternoon turns sweaty. The water’s temperature hovers at perfection, the morning’s chill vanished this late in the day. Afterwards, I stand on the shore’s mud, drying off. A stranger appears and wades in. The sunlight moves between us, a great creature.

We talk about the clear water and the leaves turning gold, and waking in the post-midnight wee hours. The nights are cold, and we agree that we close our windows, now, to keep some warmth in our houses for the morning. A young mother and two small children scramble down the bank. The youngest child runs into the pond, splashing, hands outstretched.

19 years ago to this day, my youngest and I were at the ER, when my husband had a chainsaw accident. All’s well could be the pronunciation, nearly two decades later, but is that so? Another of these questions that only I seem to ponder—how much of our difficulties were caused by us, how much by fate? An impossible question with no answer. A human, not a loon, koan.

Mid-September, a day balmy-sweet. I drop my damp towel and wade out. I fear I may not swim again this year, maybe never, but as I stroke out further than I have this summer, far beyond shore, I let those fears sink down to the pond’s hidden bottom.

Much later, the day’s heat lingering, I lie on my splintering picnic table beneath the Milky Way and let the words wash out of my mind, sink down through the grass and sandy soil, the realm of worms and grubs and groundhog burrows. The constellations illuminate the darkness.

Metaphor.

/ Brett Ann Stanciu / Leave a comment

In a whirl of what I call doubt, I hole up, sequester myself from the clanging world and the roaring news that AI has escaped the sandbox and my own gnawing worries about how, anyway, am I spending my allotment of mortal days/weeks/hopefully years?

I wake hours before that that glowing rim of dawn rises over the cemetery, my fine silent neighbors, and begin the work of joining word to word, noun to verb. Writing, I return again to that morning nearly two years ago, when I stood at my bedroom window staring down at a mock orange bush. The upper branches had been broken when the house painter’s ladder fell on the bush’s crown. I had learned the evening before that I had metastatic cancer, later revealed as stage four lymphoma. I stared at the jagged branches and realized I might die that winter.

It was the morning of the 2024 Presidential election, which had and has disastrous consequences for so many people, but that morning, consequences were heading in a markedly different direction for me and my family.

Now, two years later, the place I live on the globe—northern Vermont—again bends towards the shorter, darker days. It won’t be all that long before snow settles in around us. The mock orange yet needs trimming. But the work before me is to write hard into metaphor: to parse the layers of mortality, of human good and ill will, the brokenness and beauty of the world through this human tool.

As for the photo above…. the Old West Church in Calais, September home to Words Out Loud, one of my favorite annual literary events.

We don’t suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you’re imagining a world in which you can become irreparably broken. If you choose the grass, you’re saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications. Do you know what I mean?”
― John Green