Wild and Human Worlds, Intersection.

In New Hampshire for a book reading, visiting bro — all the New Hampshire things: granite boulders and thickety woods, the clear Saco River where we alternate post-hike lying in the pebbly river and warming on the water-polished rocks, so much talk and laughter, all the things.

A fellow hiker stops us on the trail and points at two black bear cubs in a tree, the great mama below, brown-nosed like a creature in a child’s picture book, but of course not at all like a child’s tale. Wordlessly, we admire the animals, one cub climbing a branch, round in limb, enchanting. Then slowly we make our way off the trail and through the forest, a great half-circle, to leave these creatures to their own wild way.

In my own corner of Vermont, I’ve spied so many bears this summer. Always, this flash of awe, this sense of luck to know this sliver of wild, immediately followed by caution: keep our human realm away from these creatures in their own bear domesticity.

It is a mystery to me where each word begins and ends, let alone each phrase. ~ Jean Said Makdisi

July, Sweet and Sour.

I read in the New York Times that Catcher in the Rye turns 75, a novel my mother first shared with me. My parents owned little fiction; our house was mostly filled with philosophy books, David Hume (who I never read) and Plato and Aristotle. In those shelves was jammed a copy of Huckleberry Finn and Salinger’s Catcher in the Rye and Ten Stories, drug-store paperbacks held together with rubber bands. Books I love — and maybe you do, too.

In this lushly lingering month of July — filled with sun and swimming, with work and chores — I’m lucky to have scheduled a dozen readings for Call It Madness, this novel about Vermont and family and how the sodden past shapes our lives. Of all the books that reflects my life, Long Day’s Journey into Night surely ranks at the top. A reader pointed out to me recently that Call It Madness moves forward linearly, but is packed with the past, events that happened decades ago that remain as vibrant as this morning’s news.

I write in the world of cause and effect — our actions always propel consequences — but the past with its radiant joy and unquenchable sadness propels us mightily. Nonetheless, the pear trees previous owners planted in my front yard bear reddening fruit. The bees suck globe thistle. Sunday evening, I walk far along the river, the running water sunk low among exposed rocks. The sunlight lingers — so much light in these days sugary with freshly-mown hay. I’d like to pocket a handful of July and return in January: humans, we can launch ourselves to the moon but July-in-January is impossible. Nothing to do but quaff the present while it exists.

hydrangeas
pale blue in the rain
blue in the moonlight

By Masaoka Shiki | Translation by Lucien Stryk

July, in stillness and fury.

Restless, these July days long and, I kid you not, fragrant with fat pink roses in my yard, I’m at a nearby pond not long before twilight, craving company and coolness. I crouch along the shoreline. Save for one sole swimmer, the water lies flat. From the one house along this wooded stretch, laughter spills.

As a child, my sibs and I had a picture book by Leo Leonni about a mouse named Frederick, an artistic rodent soul who saved up the colors of the summer to share in storytelling, hunkered down in the mouse nest, to get his tribe through the dark winter. Likewise, July. In a patch of mucky reeds, forget-me-nots stretch up, teeny blue blossoms. Surely these flowers fit into the biological world for some specific and clever reason. This evening, they’re simply delightful.

Far down the pond, the loons call, exquisite tremolo. This evening, I’m yet humming from Ocean Vuong’s recent reading in Greensboro, how he did that rare thing: in a theater of hundreds of souls, he read simply to me, as I let my knitting fall into my lap and I leaned forward against the balcony’s railings, listening and marveling, his words a river of shoveling snow and absent fathers, of napalm in the jungle and American factories, and how history and bloodshed and the resilience of poetry bind us as a species—each of us a unique drop in that river of flowing time.

The pond’s chill gnaws my flesh. On the sandy mud, we eat cherries. Talking, we will solve exactly none of the world’s conundrums tonight. The loons appear, two parents, two fledglings, on an evening swim and fish hunt. I’ve been here before, stark winter, silent ice, the crunch of snow beneath my boots. Now, the biting insects cluster along my bare legs, claiming bite-sized sips of my blood.

Last, a few readings for Call It Madness coming up. Please come, if you’re around my edge of Vermont, in sweet July.

Meadow Meeting House, in Corinth, VT, Sunday, July 12, 3 pm, with the remarkable Sasha Hom.

Norwich Bookstore, Norwich, VT, Tuesday, July 14, 7 pm.

A novelist, however, sees the idea of ‘a leisurely life’ as practically synonymous with ‘the waning of one’s creativity.’ For novelists are like certain types of fish. If they don’t keep swimming forward, they die. — Haruki Murakami

Looking into the Longevity of Our Stories.

Writer Tom McKone called me last week for a CALL IT MADNESS interview. We spoke for longer than either of us had expected, as I leaned over my back porch railings. His review ran in yesterday’s The Bridge. McKone is my ideal reader: curious, thoughtful, precise. Writing a book requires years—years of labor that has zero relevance to a time clock; labor that demands writing through doubt and kismet; labor that gleans from ebullience, nihilism, and that broad plain of gray uncertainty. There’s a splash when a book is released, a flurry, but the goal? The real desire? Have a reader sink into a hammock or lean against a swaying subway wall and read.

An excerpt follows.

“Our memories, where and when we’re born, and our family, social environment, and economic situation can shape who we are,” Stanciu said. Mentioning the work of mythologist Joseph Campbell, she said it is very hard to “step out of that repetition of the past,” especially when that past is burdened with poverty and alcohol.

“One of the things I hope people get out of this book is the ability to ask questions (and) to be curious,” she said. “Why do people act the way they do? What do I not understand about them — both when they behave well and when they behave in infuriating ways? I think it’s always been a relevant question, but it’s super relevant right now — not to see each other in two-dimensional ways, but to really look into the longevity of our stories.”

On the Road…

My twenties were years of road tripping, Vermont to Washington state, lots of New Mexico, sleeping in the back of our black diesel VW Rabbit, 55 mpg, our Rand McNally shedding pages. Thirties were babies and learning to garden, raising high the roof beams, forties the scrambling decade of parenting alone and keeping kids shod and fed. Fifties, kids are paddling their own lives, and yet we’re tight, tight; cancer survivorship schooled us rapidly in what’s dear and what’s so easily lost.

Among these decades, my own unbroken thread of writing. Road trip with a self-made atlas.

A beloved friend hops into my car. We lived on the same dirt road for years. I would phone and say, It’s sleeting. Come walk with me. She was always game. This late afternoon, I drive south, that too familiar journey of Route 15 and I-91, heading towards Dartmouth-Hitchcock, but I park in pretty Hanover, NH, where I’ve been invited to read from Call It Madness — a title that reflects my own life — madness, madness, everywhere — both the crazy-making of divorce and cancer but also my own fierceness for my dear ones, for literature and the roses blooming around my house and the precipice I tread between ebullience and the frigid teeth of despair.

The loveliest of evenings at Still North Books. My reading companion, Shasta Grant, is true and gifted, the bookstore staff warm, the audience curious and kind. My friend and I are the last to leave, save for the cheery folks folding the chairs and emptying our water cups. I drive north into the night. The sun dwindles into gold and pink. We talk about cars and money, kids of course, drinking and books and death.

She gives me her apple. I eat and drive. Thirty years into our friendship, as the darkness folds around us, I think, What a long way we have come. In my driveway, we linger, the car’s engine clicking as it cools, the fireflies flickering. How happy I am to begin my own hand-crafted book tour for Call It Madness. In my youth, those decades when I leaned so hard into my life I hardly brushed my hair, I believed my life would flatten, temper into quietness. Oh friends, the world’s depths are revealed as bottomless crevasses and immense peaks, largely unknowable. What’s knowable is the stickiness of that apple’s juice on my fingers, the darting fireflies, the answer I gave to a stranger’s question at the end of the Still North Books reading: “My real flaw was cowardice.” I’ve long ago abandoned the flimsiness of that forgiveness concept, for myself or others. Life propels onward, word by word, sunset to sunrise, companionship in all weather.

A few things…. I’ll be on Bon Mot on Central Vermont Radio, Sunday, June 21, 5 p.m. Call It Madness book launch Tuesday, June 30, 7 p.m., at the Jeudevine Memorial Library in Hardwick, Vermont, sponsored of course by the hometown and most stellar Galaxy Bookshop.

Survive, professor! That’s all you really have to do. Keep the grass from creeping into eh carrots, deal with the woodchuck stealing the apples, patch up the pipes! — Makenna Goodman

On not splitting.

A number of years ago, I was eating lunch in a friend’s kitchen while the kids played in the yard or barn or spread out on the living room floor with some game involving shards of bark from firewood. Whatever the kids were doing.

A man I had just met was eating lunch, too. His wife was expecting her first baby, and he was eating his quesadilla nervously. My friend’s husband counseled him: You’re going to feel like splitting at some point during the labor, but whatever you do, don’t do that. Stick around.

My god, the work that goes into parenting. My oldest married her beloved last weekend. Life is so many things: long as an hourless day, short as an inhale. Changeable. I had expected joy. What I had not expected was profound contentment, like an afternoon of sunlight. There’s all those platitudes — of watching this daughter learn to run and walk, the years of mothering through all weather — but for this afternoon, our world paused. For a moment, just two families at a round table, raising drinking glasses, cheering life.

Today when rain leaps to the waiting of roots in their dryness

Today when starlight bends to the roofs of the hungry and tired

Today when someone sits long inside his last sorrow…

Let the vow of this day keep itself wildly and wholly

Spoken and silent, surprise you inside your ears

Sleeping and waking, unfold itself inside your eyes

Let its fierceness and tenderness hold you

Let its vastness be undisguised in all your days — Jane Hirshfield