family

Journey of many layers.

/ Brett Ann Stanciu / 4 Comments

One of the best journeys of my life was when I was 19 and had long hair I rarely brushed. My then-boyfriend and I were hitchhiking (don’t hitchhike any more, folks) at the Greenfield, MA, I-91 exit, heading north, home to Brattleboro. A man driving an old convertible Cadillac, a great white Moby Dick beast, picked us up. In my memory, he’s smoking a cigar and grinning. While he and the BF sat in the front, shooting the shit, I sprawled in a backseat so enormous it could host a family. I surely wore no seatbelt. My god, on that July evening, I felt like I was flying.

This week, a grad school friend of mine invited me to spend a morning as a visiting writer with his students. All the layers of this trip—the journey south, the first solo I’ve taken since the cancer (my girls urging me to drive carefully, have fun), the stop in Brattleboro where I’d lived in my twenties and was happy, the visit with my dear friend and his wife who I immediately feel is a kindred soul, in their inviting house with a backyard vernal pool and singing peepers, a night of rainstorms, the morning’s magnolia blossoms gleaming pearly—all these layers folded into these writing students who arrived with questions and notebooks, hungry. In this breaking world, what a joy to swim for a bit with others in the passionate stream of loving literature, in all its myriad forms.

On my way home, I stop at a café near Dartmouth-Hitchcock Medical Center. By then, early afternoon, I’m worn down. The café was a favorite of my daughters, in all those months I was treated. Last June, when I was finally well enough to join them, no longer sequestered in a hospital room, they bought me a plain croissant, and I ate a few bites of its inner softness. This afternoon, on the sunny patio, I devour pickled vegetables, soaked in vinegar—something I could not eat last year. Delicious.

April, mud season, it’s just me and a young woman with an infant cradled on her chest. I read for a bit, and then as I’m gathering my things, a car pulls up with two young women. They run to the woman and the baby, laughing and shouting, gleeful.

Midafternoon, I have a ways to drive yet, along the wide river and over the mountains. I take a small walk first through the pine forest behind the café. Warm sunlight filters through the canopy. No ephemerals emerge yet, but soon, soon, as the trout lily leaves spread over the earth. My mother would have noticed the young mother, her sleeping babe, the joyous friends meeting this new life. Such satisfaction she would have taken. One more element folded into this journey. Then I head north.

…. And for folks around me, Helen Whybrow will read from her fantastic The Salt Stones and Jody Gladding from her translation of Jean Giono’s The Serpent of Stars at Greensboro’s Highland Center for the Arts, Saturday, followed an artists’ reception for a stunning group exhibition celebrating Vermont’s pastoral life. I was lucky to write about this for Seven Days.

I am beginning to understand that healing is not about returning to what was, but about accepting the change and adapting to the brokenness. This is happening all around us, for people, for the land. People have done damage to the earth and to each other that can’t be undone. We can lament what was, but that won’t help us take care of what we still have. In fact, it might just hold us back. ~ Helen Whybrow

The full extremes.

/ Brett Ann Stanciu / 6 Comments

The days are hurrying right up to that mark of a year of healing from chemo. After that final treatment, I lived into a little lull where I allowed myself to believe that all would be okay again, but the need for surgery roared up, too. Much as I fought against this — and, honestly, my fighting was from fear of a horrible outcome and, perhaps even more, if I’m dead honest, was my terror of YET MORE PAIN — but as I said, much as I fought against this, I eventually ended up back at Dartmouth in a hospital bed, my daughters beside me wondering when the heck this was going to end. That huddle of surgeons appeared. It was, after all, a teaching hospital.

I said no. The surgeon said, I put you on Tuesday’s schedule. Doubtlessly, he was satisfied to finally, after those months, to get to work repairing me. I stared out the window and knew there was no way I would ever make it home. So I said yes.

But a year… a year ago, I was somewhat seeing a man who was more interested in me than I was in him. I was interested in admiring the daffodils and learning to walk again. I was interested in never returning to the hospital again. I had other things on my mind, too. I was rewriting a book, and, since I had lived, I had to start earning a living again.

It’s been a remarkable year, suffused with radiant joy, with gratefulness to walk and eat and read and write and sleep—without pain. And a year filled, too, with the darkest thoughts I’ve ever experienced, as if the cancer had broken every inhibition, allowed me to feel and fear all the rottenness I’ve kept away for so long. This is not something I’ve written about here, but I keep bearing in mind my oncologist’s prescription: Go and live your life, Brett. A year later, the word that surfaces is fragility. I live in a world that bandies resilience—resilience of soul, resilience of Flood Ready Vermont!, resilience of community and systems. A year later, I know intimately the thinness of energy and health, the scantness of my days, your days, our days. All of it, I know; live all of it, such largess.

“The society to which we belong seems to be dying or is already dead. I don’t mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, ‘Look at yourselves, you idiots!,’ but to say, ‘This is who we are.” — Anne Lamott

Mired in fog.

/ Brett Ann Stanciu / 12 Comments

I hole up for the weekend reading Wallace Stegner, a pastoral novel about friendship and mortality, about the pre-internet world when complicated events unraveled perhaps not more kindly but more slowly. Vermont March is the season of live-or-die, the fits and starts of spring, jagged with driving ice, whirling snow, delirious sun.

I drive home from a dinner out in a fog so thick that the car before me pulls off, turns on flashers, and maybe simply intends to wait it out. It’s not late, but there’s no one else out, the wind throwing twigs at my windshield, the radio jingling Lou Reed. I’ve not driven in a fog so profound since I was in my twenties, living in the wooded spine of the Green Mountains, in the years when I was brash with youth and amor. The edges of the road vanish. I pull over at the spring with its pipe where people gather water, and I stand just outside the beam of my headlights, the nearby stream gushing against what remains of its winter ice. I surely can’t stay here for the night, shivering, on the edge of my own mad solitude. The way back, the way forward, all around: pathless, and surely a metaphor for this time.

I’m still shaken to the core by lymphoma, by chemo, by the surgeons who sliced me open and removed those physical scars so I might live. I’m here for this moment, flesh over my slender shoulders, my now bony hips that once carried two babies, and flesh—well, so easily ruined. I spent most of last March in one ED or hospital room or another. While the world spun on, I leaned into treatment, propped up by dear ones, who ferried me to remission.

Now, shivering, nearly blind with fog, I turn off my car and the headlights. The fog wraps around me. I drink it in.

“In the gnostic gospel of St. Thomas, Jesus says, “If you bring forth what is within you, what is within you will save you. If you do not bring forth what is within you, what is within you will destroy you.” — Andrew Solomon

Dad, at 89.

/ Brett Ann Stanciu / 6 Comments

In the summer of 1980, my parents had the summer off. Dad was a college teacher, and my mother, an RN, was encouraged to take unpaid time as the hospital census was low. My parents owned a Jeep, and my dad loaded sleeping bags and two tents in an oilskin on the luggage rack, and secured the bulk with bungee cords. From New Hampshire, my parents headed west with their three kids.

Now, older than my parents were at that time, I wonder what the heck my parents were searching for. As a kid, of course, you simply go with the family flow, show up at the picnic table and eat chili from a plastic bowl. As a writer, I know that all life is propelled by desire, for that bowl of chili, for the wilderness my parents loved, for the far murkier desires that lurk in a human heart. We were never a Bobbsey Twin family (although good lord how I longed for that, a long-quelled desire), but three of us grew up and created our own complicated lives, never far from the wilderness.

Today, my old man is 89, a remarkable age. I woke thinking of him on one of those summer trips, back in the world before cell phones and internet, when no one knew where the five of us were, just us—dad, mom, the three kids—rattling around in that Jeep. Dad always packed tools, and he fixed our vehicle along the way. High up in the Wyoming mountains one summer, it was cold as heck. He got up before any of us, brewed coffee on the Coleman stove and made buttered toast. He unzipped the tent and handed in toast and hot coffee. Stay in your sleeping bags until it warms, he said. We’d been on the road for weeks by then. He was unshaven, bundled in a jacket, and he kept that makeshift hearth of the Coleman stove burning, feeding us toast. Happy birthday, dad. ❤️

And the Hayden Carruth poem that reminds me of my parents…

Birthday Cake

For breakfast I have eaten the last of your birthday cake that you
had left uneaten for five days
and would have left five more before throwing it away.
It is early March now. The winter of illness
is ending. Across the valley
patches of remaining snow make patterns among the hill farms,
among fields and knolls and woodlots,
like forms in a painting, as sure and significant as forms
in a painting. The cake was stale.
But I like stale cake, I even prefer it, which you don’t
understand, as I don’t understand how you can open
a new box of cereal when the old one is still unfinished.
So many differences. You a woman, I a man,
you still young at forty-two and I growing old at seventy.
Yet how much we love one another.
It seems a miracle. Not mystical, nothing occult,
just the ordinary improbability that occurs
over and over, the stupendousness
of life. Out on the highway on the pavement wet
with snow-melt, cars go whistling past. 
And our poetry, yours short-lined and sounding
beautifully vulgar and bluesy
in your woman’s bitterness, and mine almost 
anything, unpredictable, though people say
too ready a harkening back
to the useless expressiveness and ardor of another
era. But how lovely it was, that time
in my restless memory.
This is the season of mud and thrash, broken limbs and crushed briers
from the winter storms, wetness and rust,
the season of differences, articulable differences that signify
deeper and inarticulable and almost paleolithic
perplexities in our lives, and still
we love one another. We love this house
and this hillside by the highway in upstate New York.
I am too old to write love songs now. I no longer
assert that I love you, but that you love me,
confident in my amazement. The spring
will come soon. We will have more birthdays
with cakes and wine. This valley
will be full of flowers and birds.

Plunging through….

/ Brett Ann Stanciu / Leave a comment

I drive a friend home, and we linger in my car, talking. She asks me what makes an individual an individual. Early evening, darkness wraps around us, my headlights off, the day’s dripping icicles frozen again. The juncos and cardinals and finches that nip at my feeders have settled silently for the night. I am at the place of near-wordlessness again. I’ll be home again soon, too tired to brew tea, longing to lie down and let sleep wash over me for the night.

Nonetheless, we talk about memories and habits, the nature babies carry into this world, the inescapability of genetics. I lean forward and rest my forehead on the steering wheel.

Cancer, that relentless instructor, reshaped my appreciate for the common noun and verb—for the tangible—drove me inescapably into my body, far from ideology into the ineffable appreciation of swallowing water, the comfort of visiting friends, sunlight on my face.

In northern Vermont, we are again in the prolonged season of start-and-stop-and-start again, the loosening from ice on back roads, the freeze again, the steadily warming and lengthening light. On this road, I meet an acquaintance and his sweet little dog. We walk together for a bit, speculating about schools and consolidation and possibilities that perhaps will never transpire. Meanwhile, the dog sets her small muddy paws on my knee. I crouch down and rub her velvety ears. The cold breathes from the dirt road, the turning earth’s exhalation.

“… this life is not a gate, but the horse plunging through it.” — Jane Hirshfield

Another Plot Point.

/ Brett Ann Stanciu / 4 Comments

A friend inquires if my summer’s adrenaline, the post-chemo and post-surgery and cancer-remission wave of energy has waned, and, indeed, that has, the winter and cold and what’s called fatigue but is actually a lifeless bleak plain setting up quarters in my household.

Winter is a reckoning time. In a strange kind of way I begin to see the pieces of my life jostle into a pattern — childhood and college years and those years in my twenties when I ran back and forth across the country and then to northern Vermont, how I built a marriage and house, the young mothering years of children and friends, how we taught ourselves to sugar and run a business and I taught myself to write. Then I broke that life apart and took the children, created a new life, kept writing books, learned to view the world askance to keep danger from our door. Danger slunk in anyway. The world, indeed, is cause and effect, not a linear straight-shot but a dense sphere. Surely the human story is the same for you and me, with its endlessly profound and terrible and awesome variations.

This morning, the harsh cold has relented, just the slightest, snow sifting down, the blue dawn pushing away the night’s darkness.

I’m encouraged to seek “protective factors” which I glean as my daughters’ merriment, a purring cat on my chest as a I read by the woodstove, a walk with a friend on a snowy road. My heart longs for the season of those #10 Pond swims, with friends or without, the sun hot on my bare knees. Spectator to the loon world. Not iced coffee but hot coffee. Now, these days of small light. In a considered burst of optimism, I mail a carpenter a check in a card with snowy evergreens and seal our agreement. Come when the weather splits and put two more windows in my house. Open the view of the valley and the village. Another plot point.

What would people look like

if we could see them as they are,

soaked in honey, stung and swollen,

reckless, pinned against time? — Ellen Bass