Courage Crumbs.

I began my Call It Madness book tour on a steamy June evening, traveled all summer around the state and into New Hampshire, and ended in Greensboro, a ten-minute drive north of where I live, on a late afternoon, the August day promising coolness as the day ended, a room full of people I know and some I don’t know. I was graced with affection and curiosity.

Along the way, I’ve been fortunate to have friends and family make this trek with me, take time from their lives — and sometimes I traveled alone — that well of solitude that both sustains and sometimes frightens me.

At this last reading, in the town where I walked around the lake, beginning to write Call It Madness in my mind, think through this story of a farm lost four generations ago and a young, rough-edged woman seeking her own salvation, the audience asked thoughtful questions. At one point, I heard myself say, when I had cancer, and of course that is not true. The pronunciation of cure, if I am so fortunate, is far yet in the future. But looking around the room, I knew pieces of so many people’s lives — losses of their own dear ones, of addiction and financial duress, of the persistence of juggling a creative life and earning a living.

This morning, reading David Biro‘s One Hundred Days, I chance upon his words (as a physician and patient of a rare blood disorder) that medicine is art and science. I benefitted from both: decades and decades of painstaking research provided me treatment and the complex art of my oncologist ushered me through the nightmare of that treatment. In the deepest nadir, he appeared at my bedside at a time when numbers meant nothing to me: before dawn or late evening, or maybe noon. I told him I didn’t think I could continue, and he simply studied me, silently, while I scraped down into that threadbare pocket of my courage and pulled out another crumb. He waited for my resolve to thicken.

Likewise — and yet utterly different — writing. Late August, the crickets singing down the end of summer, I’ve lucky to have a house of family and friends this weekend, and then perhaps some lying in the sun, reading my way through the stack of books I’ve acquired on my bookstore tour. I’d imagined my fifties as a decade of some calm after kid-rearing, divorce and the scramble to set my girls and myself steadily in a beloved house, on a financial footing where I was not always chewing a thumbnail. Instead: a life like a bouquet of sunflowers, staggeringly beautiful, the leaves’ edges fading.

After reading, I stood in the parking lot with a friend, our conversation continuing in the way of friends who have known each other for years. For this moment, I relished how I felt held in this Vermont village, one blossom in a handful of so much.

“At these moments sufferers desperately want to escape from their holes, the silence and loneliness, and return to the world we share with others…” David Biro

A few known things: sand, evening…

These August days are yet long, lingering exquisitely. Days of heat and sweat. Noon, we drag a picnic table beneath a maple tree, spread out our lunches, eat and talk with the sunlight dappling through the leaves, a small breeze kicking up. The nearby road is busy with pickups laden with ladders and mowers, suntanned arms crooked out unrolled windows, and the vacationers at their leisure. This August day hums magnificently, with that dappled sunlight and cicadas.

I receive an email about my novel Call It Madness from a woman in the middle of the country, not far from where my mother grew up, so many decades ago. We email back and forth a bit about class and working and how those two forces of writing and living can sharpen your eyes, if you lean into it.

Surviving cancer taught me countless things, too, made me both more tender and more ruthless, two things seemingly at odds but not. The world is a variated unfolding story of cause and effect. In my novel, a man mangles his hand in a sawmill accident. Decades later, his great-granddaughter struggles with the family fall-out of that accident: a farm lost, a penalty of impoverishment. I glean what I can of my own story — the murky details of my past (my mother’s changed name, a story my father shares of remembering his father burning his army uniform in a backyard fire) — and appraise how I fit into the terrain of the world around me. Swimming at twilight, the lake both golden and black, those elegant 1 Corinthians words return to me: When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.

I’ve been swimming at this sandy stretch for nearly thirty years, once upon a time with children and sand buckets. The water is yet magnificent. Sand clings to my wet bare feet. The day has cooled, refreshing as quaffing water when you are thirsty. The sand scatters on my kitchen floor. Something, I think, I’ll need to sweep. This morning, the sand remains.

July, Sweet and Sour.

I read in the New York Times that Catcher in the Rye turns 75, a novel my mother first shared with me. My parents owned little fiction; our house was mostly filled with philosophy books, David Hume (who I never read) and Plato and Aristotle. In those shelves was jammed a copy of Huckleberry Finn and Salinger’s Catcher in the Rye and Ten Stories, drug-store paperbacks held together with rubber bands. Books I love — and maybe you do, too.

In this lushly lingering month of July — filled with sun and swimming, with work and chores — I’m lucky to have scheduled a dozen readings for Call It Madness, this novel about Vermont and family and how the sodden past shapes our lives. Of all the books that reflects my life, Long Day’s Journey into Night surely ranks at the top. A reader pointed out to me recently that Call It Madness moves forward linearly, but is packed with the past, events that happened decades ago that remain as vibrant as this morning’s news.

I write in the world of cause and effect — our actions always propel consequences — but the past with its radiant joy and unquenchable sadness propels us mightily. Nonetheless, the pear trees previous owners planted in my front yard bear reddening fruit. The bees suck globe thistle. Sunday evening, I walk far along the river, the running water sunk low among exposed rocks. The sunlight lingers — so much light in these days sugary with freshly-mown hay. I’d like to pocket a handful of July and return in January: humans, we can launch ourselves to the moon but July-in-January is impossible. Nothing to do but quaff the present while it exists.

hydrangeas
pale blue in the rain
blue in the moonlight

By Masaoka Shiki | Translation by Lucien Stryk

Watermelon, Luck.

In this early July heat, there’s one clear path of wisdom: subsist on watermelon. So I’m opening my car door in the co-op parking lot when I glance over my shoulder and a friend from long ago is sitting in his pickup beside me, eating a sandwich. I set the melon on my driver’s seat and lean against my car, and we catch up, mostly about kids. I know, in the randomness of what my memory snaps tight, that he’s just about my age, 58, and between us we know plenty—about broken marriages and houses we’ve sold and a terrible tragedy in the town that now lies hovering beneath the surface. He is the kind of father who showed up at school board meetings in dirty t-shirts and wondered, existentially, what was transpiring.

He tells me that he’d just heard that I had (I suppose, technically, do not curse myself, yet still have) cancer. In the fierce sunlight, I cross my arms along his open truck window and tell him what that was like, news of metastatic cancer in the ER, my 19-year-old running out, her sister immediately following, and me in my sweater I’d knit and worn so hard it was felted, in my jeans, with these two strangers, an MD and an RN, and sorrow. Around me, the void. I had been naive for all of my life thus far: the Reaper always surrounds us, escorting us in and out of this world.

It’s July, and I’m well at the moment—so well—full of sass and merriment. The sorrow that wreaths me is not at all my unique terrain. In this parking lot, me still holding a tomato I’d bought, too, and he with that sandwich of shredded lettuce and mayonnaise, we linger, talking, about the ineffable joy of parenting little girls into grown women and its counterpart: grief.

On this eve of this American holiday, maybe lay down the slogans and dictums, speak up or be kind, the opinions and beliefs we hold so dearly. Maybe widen the frame.

He wishes me luck with my new book, and I wish him luck haying. My little town has temporary stoplights as a crew labors to guard against the next flood. Waiting, the scorching air blows into my car, and I blink. What luck. Another day of human life. And watermelon, too.

“Sometimes life is merely a matter of coffee and whatever intimacy a cup of coffee affords.”
― Richard Brautigan

On the Road…

My twenties were years of road tripping, Vermont to Washington state, lots of New Mexico, sleeping in the back of our black diesel VW Rabbit, 55 mpg, our Rand McNally shedding pages. Thirties were babies and learning to garden, raising high the roof beams, forties the scrambling decade of parenting alone and keeping kids shod and fed. Fifties, kids are paddling their own lives, and yet we’re tight, tight; cancer survivorship schooled us rapidly in what’s dear and what’s so easily lost.

Among these decades, my own unbroken thread of writing. Road trip with a self-made atlas.

A beloved friend hops into my car. We lived on the same dirt road for years. I would phone and say, It’s sleeting. Come walk with me. She was always game. This late afternoon, I drive south, that too familiar journey of Route 15 and I-91, heading towards Dartmouth-Hitchcock, but I park in pretty Hanover, NH, where I’ve been invited to read from Call It Madness — a title that reflects my own life — madness, madness, everywhere — both the crazy-making of divorce and cancer but also my own fierceness for my dear ones, for literature and the roses blooming around my house and the precipice I tread between ebullience and the frigid teeth of despair.

The loveliest of evenings at Still North Books. My reading companion, Shasta Grant, is true and gifted, the bookstore staff warm, the audience curious and kind. My friend and I are the last to leave, save for the cheery folks folding the chairs and emptying our water cups. I drive north into the night. The sun dwindles into gold and pink. We talk about cars and money, kids of course, drinking and books and death.

She gives me her apple. I eat and drive. Thirty years into our friendship, as the darkness folds around us, I think, What a long way we have come. In my driveway, we linger, the car’s engine clicking as it cools, the fireflies flickering. How happy I am to begin my own hand-crafted book tour for Call It Madness. In my youth, those decades when I leaned so hard into my life I hardly brushed my hair, I believed my life would flatten, temper into quietness. Oh friends, the world’s depths are revealed as bottomless crevasses and immense peaks, largely unknowable. What’s knowable is the stickiness of that apple’s juice on my fingers, the darting fireflies, the answer I gave to a stranger’s question at the end of the Still North Books reading: “My real flaw was cowardice.” I’ve long ago abandoned the flimsiness of that forgiveness concept, for myself or others. Life propels onward, word by word, sunset to sunrise, companionship in all weather.

A few things…. I’ll be on Bon Mot on Central Vermont Radio, Sunday, June 21, 5 p.m. Call It Madness book launch Tuesday, June 30, 7 p.m., at the Jeudevine Memorial Library in Hardwick, Vermont, sponsored of course by the hometown and most stellar Galaxy Bookshop.

Survive, professor! That’s all you really have to do. Keep the grass from creeping into eh carrots, deal with the woodchuck stealing the apples, patch up the pipes! — Makenna Goodman

Secret revealed.

Freakishly, by chance, I discover my mother’s given first name is different from the name she used. I’d never heard a whisper of this secret. As a writer, the discovery is material manna. As a daughter… well, strange news, indeed.

In the inexplicable alignment of fate, I’m a month away from publication of my third book, Call It Madness, a novel about young woman Avah who unexpectedly realizes her mother lied two decades ago when she claimed Avah’s great-grandfather died, his beloved house sold. Now, I unearth this secret my mother kept so well. I carry my mother’s name that was at once her name and not her name.

Where is the dusky line between fiction and life? Impossible, this seems, impossible, that I’ve written about my life in reverse. Kierkegaard wrote, “It is really true what philosophy tells us, that life must be understood backwards. But with this, one forgets the second proposition, that it must be lived forwards. A proposition which, the more it is subjected to careful thought, the more it ends up concluding precisely that life at any given moment cannot really ever be fully understood; exactly because there is no single moment where time stops completely…”

How meagerly we know this world, the littleness of the stuff that structures our own stories. Stacking firewood on Sunday afternoon, I listen to a NYT story written by a sighted man about traveling with the unsighted. The upshot? How we understand the world in pieces. The whole is an impossibility for any one of us.

And yet, fiction aims to manifest a perfect miniature world, a shimmering sphere, a handful of secrets and mysteries revealed one-by-one, like a matryoshka doll. At its center, is there a grain of rice or a chip of coal? A folded fortune like a slip of paper in a sweet cookie, a koan to clench in a fist and ponder. A way to reflect the whole of life, this impossible life.