The Pouring Glory of the World.

Saturday, I’m on the bridge in Winooski taking pictures of my daughters, in a strange, almost dreamy smoke-tinged sunset, the kind that’s become more par for the course than not these days. The river snakes through Winooski, a former mill town beside Burlington. Such effort has gone into this town, converting mills to upscale housing, the downtown bustling with restaurants that spread onto the sidewalks. My brother asks me if the town is on the rise. Wrong question, I think.

We’re at the end of a day of walking and sunlight. My brother owns a brewery, and so, while it’s been many years now since my drinking days ended, we’ve gone in and out of bars and breweries, and I’m reminded that the bars I once loved were such good places, full of the people and their stories, their weariness and joy, these things that have always tugged me.

Oh Vermont, my beloved state, in the gem of October. Walking through the woods with friends, golden light falls through the trees. Roads defined my twenties, mountains and rivers my decades after that. I’m well aware that living in Vermont, living in my hillside house with one foot in the village, the other hidden in a wild ravine, is a kind of undeserved luck. Yet the rivers, jammed with debris of broken buildings and busted vehicles, human junk, are a visible siren call of so much and so many things.

Sunday morning, we drink coffee and eat cornbread on my back porch, and solve, as my brother says, not one whit of the world’s problems. October: redolent of wet soil, broken leaf. Yellow and scarlet, a finale of gray. The month when the leaves will fall, the world open up.

From Jessica Hendry Nelson’s Joy Rides Through the Tunnel of Grief:

Wonder is accepting what we cannot control, which is damn near everything. This, the pouring glory of the world. It goes in all directions.

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