Small Thing

While my 13-year-old chatted with a woman in an office today, I leaned back, yawning, thinking about another cup of coffee.

The woman’s low leather boots were worn at the heels. She was well-dressed with a silk blouse and gray slacks, in a professional position, and I assume lack of money was not the reason for her worn shoes. Love, likely. The boots probably fit her well, and she loved them.

How hard we can wear the things — and the people — we love most. Like this bowl, broken at the edge, that I keep filling. Fresh salsa — peppers, tomatoes, onions, salt.

There are three rules for writing. Unfortunately, no one can agree what they are.

~Somerset Maugham

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Fat Garden

A monarch butterfly followed me to the post office. Since the store closed last year, the village is quiet — only a garage and the post office remain open, and the post office keeps merely afternoon hours. Save for the elementary school, the town feels emptied out.

With no one around, I walked with the butterfly along the dirt road, until the winged beauty turned and fluttered over the weeds along the stream.

September: with the weather still warm, the frogs sang last night. Just before dusk, the girls and I picked a mountain — and then a mountain more — of tomatoes from the garden. More to put up. The younger daughter keeps track, satisfied, with our harvest.

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Loving Yellow

Lador Day Weekend, we’re all home Sunday — both girls and myself — and I followed in the family tradition instilled by my father: painting the house. Our previous house was cedar shingled, with paint only on the window trim. That house had many windows, so, most falls, I painted some of the trim or old storm windows, always the same exterior deep blue teal.

My daughter, when she was three, called this Mama velvet-tealing, a neat way of turning a noun into a verb.

While gray is a traditional New England choice for steps, I had picked up a remainder can of exterior floor paint for a mural on the barn door. When I opened it up, the paint sparkled the glossy richness of spring dandelions.

No, the girls said.

Yes, I said.

Later, when the new neighbors walked over for cake, they asked how long the steps had been so brilliant. Since today, said my older daughter.

Once again, I find myself wildly painting. Next, a deep yammish orange for the upstairs floors. Color, the consolation of fall.

…What is yellow? pears are yellow,
Rich and ripe and mellow….
— Christina Rossetti, from “Color”

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Postcard From Hardwick: September 1

After an intense week of work and family — of wondering where is this heading? — my daughter locks her keys in her car and texts me. Can I bring my keys? And there’s a sketchy stranger near her, too.

When I arrive, she’s leaning against her car, looking up at the sky, and the sketchy somebody is a dad in the high school parking lot, teaching his kid to drive, in that jerking, slow way my daughter and I both recognize.

I mention that my brother can teach my second daughter to drive.

From a soggy patch in the weeds, a bullfrog croaks.

September 1 today, the anniversary of the fateful day Hitler rolled his tanks into Poland, beginning the war that destroyed so many lives.

September 1, the anniversary of my former inlaws.

This morning, all’s quiet on this green patch of Vermont, overcast, with cricket songs and bird calls, a day that begs reflection.

All I have is a voice
To undo the folded lie...
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

— W. H. Auden, September 1, 1939

 

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Being 13, Hardwick, Vermont

Turtle Visitor

A wildlife biologist smitten with wood turtles makes an evening presentation at my library, turtle in tow.

The room fills with people I know, and some I don’t know — a little girl from Montpelier with her grandfather whose family has owned a lakeside camp in Woodbury for 100 years. The trustees bring homemade desserts; there’s cold cider; we borrow chairs from the elementary school’s second floor gymnasium. In the humidity, I wipe sweat from my forehead with the school’s paper towels.

An older couple brings their dog, who otherwise would have cowered alone at home, if thunderstorms moved in.

These evenings are a microcosm of small town Vermont: one woman quietly counsels another about obtaining a medical referral. The kids pile a paper plate with brownies. Another woman raids my book sale, asks for a box, and says she’ll drop a check by later.

In the end, I lock up, saying goodnight to the silent 100-year-old schoolhouse. So many people have gone through these doors; so much living has happened here.

In my library, next door, I glance around at a bit of chaos — a pile of old buttons in a pie plate the children have strung into necklaces, picture books on the floor.

Enough for one day. I turn off the light, lock the door, and walk out into the cooling-down rain-sweet night.

And over the grass at the roadside a land turtle crawled, turning aside for nothing, dragging his high-domed shell over the grass: His hard legs and yellow-nailed feet threshed slowly through the grass, not really walking, but boosting and dragging his shell along.

— John Steinbeck, The Grapes of Wrath, 1939

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