The July after I graduated from college, I stayed in a cabin a short walk through the woods on a back road. The one-room space had been built as a studio with a wall of windows that faced what had once been a view and now was shaded by leafy maples. In winter, the cabin was heated by a woodstove. An outhouse had been dug behind the cabin. My friend was visiting her mother in California. I stayed in the cabin and fed her dog. The dog didn’t listen to me at all. He ran off and chased the sheep down the road, whose owners claimed they could shoot the dog. I was twenty-two and knew nothing about farming, but I was afraid of the angry farmer and didn’t argue. The dog still didn’t listen to me.

Despite the dog and the farmer, I loved the cabin. The economy was terrible; there were few jobs, and I was trying to figure out my next step. I read a lot of Ann Beattie who was popular in the 1990s. I remembered that small paperback Chilly Scenes of Winter I owned for years, when I stepped outside yesterday evening. I had been reading Tess Gunty‘s The Rabbit Hutch, a novel a far stylistic throw from Beattie. In the dark, a truck towing an empty trailer rattled by.

Down the sidewalk, a dog growled. A man tugged the dog’s leash. No: the dog snarled. I knew the mutually unhappy pair, the man’s sole dominance apparently through that leash. I crossed the street and cut down along the brook through the log yard, walking quickly in the tepid night. On my living room rug, that Gunty library book waited, spread pages-down, spine up. Sure, the world changes, moment by moment. And yet, sometimes not so. Overhead, stars and no moon.

“What will happen can’t be stopped. Aim for Grace.”

— Ann Beattie