Vermont

Wild and Human Worlds, Intersection.

/ Brett Ann Stanciu / 3 Comments

In New Hampshire for a book reading, visiting bro — all the New Hampshire things: granite boulders and thickety woods, the clear Saco River where we alternate post-hike lying in the pebbly river and warming on the water-polished rocks, so much talk and laughter, all the things.

A fellow hiker stops us on the trail and points at two black bear cubs in a tree, the great mama below, brown-nosed like a creature in a child’s picture book, but of course not at all like a child’s tale. Wordlessly, we admire the animals, one cub climbing a branch, round in limb, enchanting. Then slowly we make our way off the trail and through the forest, a great half-circle, to leave these creatures to their own wild way.

In my own corner of Vermont, I’ve spied so many bears this summer. Always, this flash of awe, this sense of luck to know this sliver of wild, immediately followed by caution: keep our human realm away from these creatures in their own bear domesticity.

It is a mystery to me where each word begins and ends, let alone each phrase. ~ Jean Said Makdisi

July, Sweet and Sour.

/ Brett Ann Stanciu / 9 Comments

I read in the New York Times that Catcher in the Rye turns 75, a novel my mother first shared with me. My parents owned little fiction; our house was mostly filled with philosophy books, David Hume (who I never read) and Plato and Aristotle. In those shelves was jammed a copy of Huckleberry Finn and Salinger’s Catcher in the Rye and Ten Stories, drug-store paperbacks held together with rubber bands. Books I love — and maybe you do, too.

In this lushly lingering month of July — filled with sun and swimming, with work and chores — I’m lucky to have scheduled a dozen readings for Call It Madness, this novel about Vermont and family and how the sodden past shapes our lives. Of all the books that reflects my life, Long Day’s Journey into Night surely ranks at the top. A reader pointed out to me recently that Call It Madness moves forward linearly, but is packed with the past, events that happened decades ago that remain as vibrant as this morning’s news.

I write in the world of cause and effect — our actions always propel consequences — but the past with its radiant joy and unquenchable sadness propels us mightily. Nonetheless, the pear trees previous owners planted in my front yard bear reddening fruit. The bees suck globe thistle. Sunday evening, I walk far along the river, the running water sunk low among exposed rocks. The sunlight lingers — so much light in these days sugary with freshly-mown hay. I’d like to pocket a handful of July and return in January: humans, we can launch ourselves to the moon but July-in-January is impossible. Nothing to do but quaff the present while it exists.

hydrangeas
pale blue in the rain
blue in the moonlight

By Masaoka Shiki | Translation by Lucien Stryk

The WHAT IS.

/ Brett Ann Stanciu / 4 Comments

My brother and I break off the rail trail and hike up a spur trail. I haven’t been here before, but I once lived on the side of the moutanin where we now head. July, neither hot nor cold, we’re in shorts and t-shirts, walking and talking, laughing about things only siblings seem to hold. It’s just us and the hermit thrush and mosquitoes. We’ve left phones and work behind; maybe it’s 1978 again.

A few hours later, we descend steeply into the other end of town, where Cooper Brook runs by the liquor store, Dollar General, a snack shack. Through goldenrod, we walk along the sandy former railroad bed. A dense forest shelters around and turns the trail to muddy ruts, stones washed slick with recent rain. Frogs leap from puddles. I step around a wide toad.

My brother’s visited many times, most with me, some alone in my house while I was in the hospital. In the evening, we pick up the tour again, walking through the brushy path to the cemetery that seems to delight only me. Ticks! Blackberry brambles! It’s just a short stretch, and I strangely revel in this tangled passage, as if a portal from home to village, sweetened with black raspberries. We stop and visit a new neighbor, then trek again downtown, to the river where workers have been re-armouring the granite walls all summer, pouring footings for a suspension bridge.

I point out the shop where friends feed feral cats—one sleek creature sitting in the driveway, watching—and the house that burned and a woman died. My map of the town unspools: the apartments with the overdoses, the former inn where, in a garret room, I once met a therapist in a rainstorm whose dogs lay on the floor and I begged her to salvage my life from a chaotically breaking marriage. As I stared out the window at the rain crashing on the porch roof below, I realized whatever salvaging was going to be done had to be done by myself. Downstairs was a now closed-up bakery where I bought donuts with my youngest daughter. The superintendent’s office where I attended a hundred school board meetings. The river’s edge, where I gathered white pebbles with my daughters and created a rock garden.

Countless treks around this little town. Mid-July, neither hot nor cold, the wind still, the river low. I’ve seen the town flood, brutal cold descend. Atlas I’m creating of manifold layers.

…. and a thank you to David Goodman of VTDigger for this podcast with the writer Catherine Tudish.

“Prayer” by Galway Kinnell

Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Watermelon, Luck.

/ Brett Ann Stanciu / 4 Comments

In this early July heat, there’s one clear path of wisdom: subsist on watermelon. So I’m opening my car door in the co-op parking lot when I glance over my shoulder and a friend from long ago is sitting in his pickup beside me, eating a sandwich. I set the melon on my driver’s seat and lean against my car, and we catch up, mostly about kids. I know, in the randomness of what my memory snaps tight, that he’s just about my age, 58, and between us we know plenty—about broken marriages and houses we’ve sold and a terrible tragedy in the town that now lies hovering beneath the surface. He is the kind of father who showed up at school board meetings in dirty t-shirts and wondered, existentially, what was transpiring.

He tells me that he’d just heard that I had (I suppose, technically, do not curse myself, yet still have) cancer. In the fierce sunlight, I cross my arms along his open truck window and tell him what that was like, news of metastatic cancer in the ER, my 19-year-old running out, her sister immediately following, and me in my sweater I’d knit and worn so hard it was felted, in my jeans, with these two strangers, an MD and an RN, and sorrow. Around me, the void. I had been naive for all of my life thus far: the Reaper always surrounds us, escorting us in and out of this world.

It’s July, and I’m well at the moment—so well—full of sass and merriment. The sorrow that wreaths me is not at all my unique terrain. In this parking lot, me still holding a tomato I’d bought, too, and he with that sandwich of shredded lettuce and mayonnaise, we linger, talking, about the ineffable joy of parenting little girls into grown women and its counterpart: grief.

On this eve of this American holiday, maybe lay down the slogans and dictums, speak up or be kind, the opinions and beliefs we hold so dearly. Maybe widen the frame.

He wishes me luck with my new book, and I wish him luck haying. My little town has temporary stoplights as a crew labors to guard against the next flood. Waiting, the scorching air blows into my car, and I blink. What luck. Another day of human life. And watermelon, too.

“Sometimes life is merely a matter of coffee and whatever intimacy a cup of coffee affords.”
― Richard Brautigan

Eating Roses.

/ Brett Ann Stanciu / 4 Comments

I’ve just finished stacking a fallen-down section of woodpile when a friend texts and asks if I’m interested in a twilight walk. Heck, yes. With my thumb and fingernail, I snip a rose and carry the fragrant pink beauty cupped in my hand as I walk towards my friend’s house, trailing tender petals.

We meet at a halfway point between our house. To my surprise and delight, she eats the rose.

In the lingering light — June’s gold and green beauty — we walk along the rail trail and pause at the bridge over the river. Leaning on the railing, we talk about all the things — family and money and loneliness — while the river runs over and around the boulders and bends around the forest, heading through the village.

Darkness drifts down when I finally head home through the scent of clipped lawns, the roses along the Catholic parsonage, the seduction of garlic from the downtown restaurant, its door propped open, a woman rubbing a cloth over the bar.

Vermont June. Mighty, magical month.

And…. book launch for Call It Madness, this Tuesday, 7 p.m., hosted by the Galaxy Bookshop at the Jeudevine Memorial Library’s amazing addition. If you’re around, come!

Looking into the Longevity of Our Stories.

/ Brett Ann Stanciu / 8 Comments

Writer Tom McKone called me last week for a CALL IT MADNESS interview. We spoke for longer than either of us had expected, as I leaned over my back porch railings. His review ran in yesterday’s The Bridge. McKone is my ideal reader: curious, thoughtful, precise. Writing a book requires years—years of labor that has zero relevance to a time clock; labor that demands writing through doubt and kismet; labor that gleans from ebullience, nihilism, and that broad plain of gray uncertainty. There’s a splash when a book is released, a flurry, but the goal? The real desire? Have a reader sink into a hammock or lean against a swaying subway wall and read.

An excerpt follows.

“Our memories, where and when we’re born, and our family, social environment, and economic situation can shape who we are,” Stanciu said. Mentioning the work of mythologist Joseph Campbell, she said it is very hard to “step out of that repetition of the past,” especially when that past is burdened with poverty and alcohol.

“One of the things I hope people get out of this book is the ability to ask questions (and) to be curious,” she said. “Why do people act the way they do? What do I not understand about them — both when they behave well and when they behave in infuriating ways? I think it’s always been a relevant question, but it’s super relevant right now — not to see each other in two-dimensional ways, but to really look into the longevity of our stories.”