travel

Small Journey

/ Brett Ann Stanciu / 12 Comments

My younger daughter drives the two of us on a cold January afternoon to Montpelier. I can’t remember the last time I’ve been to the state capital, although (pre-pandemic) I was in Montpelier at least once a week.

We’re in search of a birthday present for my oldest daughter — a single present, that’s all I’m looking for — and we go into only one store. At the register, the owner tells me how happy she is to see people; the city has been a ghost town for the last week.

In the downtown’s heart, we pass empty storefronts. I’ve never seen so many vacancies in Montpelier before. On one main corner, my daughter notices the bakery where I once bought her chocolate chip cookies is locked, too.

Where I can’t bear to pass by is the library, the beautiful stone building where a year ago I often spread out my laptop and papers and worked for hours. In the large reading room, the well-heeled snapped on lamps and read and wrote. There was a couple who always appeared who seemed to be gambling online. The homeless and college students filled chairs. After school, children ran through.

At my daughter’s request, we walk through Hubbard Park in the cold and up the stone tower to see the city surrounded by mountains.

When we walk down the snowy steps, a mother and her daughter are sitting on the tower’s stone floor. There’s only openings for windows and doors, and the girl is crying with cold. The mother struggles to tie an icy lace on the girl’s ski boot.

Been there, I think, done that.

I no longer have the keys to my own car. My daughter drives past the state house where no one is out. Not a single person on the granite steps. Driving home, she suddenly says, The good thing about living in Vermont is spring. Even if winter seems forever, there’s always spring.

[Kintsugi], the Japanese method of repairing broken pottery [uses] gold to bind the pieces together. In this way, the break becomes what is beautiful, what is valued. It is a way to embrace the flaw, the imperfect. In place of the break, there is now a vein of gold.

— Nick Flynn, This is the Night Our House Will Catch Fire

Photo by Gabriela S.

Walking

/ Brett Ann Stanciu / 6 Comments

Rural Vermont is often (and embarrassingly) a car culture. So walking along the railbed yesterday, it was a pleasure to walk from one village to another — a great big expedition from Hardwick to East Hardwick, along the river and through the forest.

It was a reminder for me that walking from one world to another is an ancient method, and that slowing down and looking at the sky and the river current are meaningful parts of life, too, especially in good company.

We’re somewhere in October, the days marching along towards the election and winter. Take the time to lift up a curious stone and see what’s beneath — a centipede, a tiny pebble, or the loose and sweet-smelling dirt.

Many people nowadays live in a series of interiors…disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.


― Rebecca Solnit

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Small Joys

/ Brett Ann Stanciu / 1 Comment

Friday afternoon, I knock off work early and stack wood with my youngest.

She’s a far better wood stacker than I am, precise in her ends, creating long tight rows on our porch. About the only thing I have going for me is endurance; I’m determined to stack it all, on this fine sunny day — that endurance, and my utter pleasure to be working outdoors, breathing the sweet smell of sap.

She rakes the piles of bark and the slivers we’ll use for kindling, as we talk about little things, nothing much. Later, she swims with a few friends, the three happy. Seeing her happiness fills me with joy.

On the cusp of school reopening, uncertainty is palpable. Will school open for a week? A month? What kind of crazy plan is this? Like most parents, I’m wondering what’s the way forward? What’s the way to feed her desire for learning and friends — in a pandemic? Who knows?

When I set the rake back in the barn, I find our hatchet. Its head is dull and loosened, in need of repair. Years ago, ax repair would have been my husband’s purview. I hold its hardwood handle. Okay, I think. Find a different solution.

The neighbor’s cat sprawls on our woodpile, gray belly up to the sun, purring.

The cool breeze.
With all his strength
The cricket.

— Issa

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Photo by Gabriela S.

Rain for Dinner

/ Brett Ann Stanciu / 11 Comments

In a steady rain, my daughter sets the table for dinner. For months, we’ve eaten on our deck. I suggest, as I’m sautéing onions, that she set the dining room table.

Giggling, she lays plates on the glass table outside, sets out forks, and then digs in the drawer for napkins.

Really? I say, napkins? They’ll get wet.

I don’t mind eating outside by myself, she answers, still giggling.

This has been a long day, a long however many weeks that have widened into months of coronavirus, that will likely be a long year or years. We’d planned to be in Maine these days, soaking up sunlight and the sand, but quarantining upon return isn’t feasible. She knows this; she doesn’t argue.

Still laughing, she takes a jar of pickles and sets it on the table. From inside, I see raindrops bounce off its unopened top. When she comes back, I say, Don’t forget cups. I’m eating outside with you, too.

All who have achieved excellence in art possess one thing in common; that is, a mind to be one with nature, throughout the seasons.

― Matsuo Bashō

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My daughter’s companion

Wilderness

/ Brett Ann Stanciu / 12 Comments

On a humid Sunday, we walk into Peacham Bog. When I suggest this, my youngest clarifies, A bog? That’s your idea of fun?

It’s Class I wetlands, I answer — as if this is even the remotest tease of fun.

What does lure her is the car keys. Driving there, I mention, Hey, you should always check the gas gauge before you leave home.

What’s the point? she answers. I always drive with you.

We’re driving over a particularly lousy piece of pavement then, and she carefully avoids a pothole — diligent learner.

I answer, But you won’t always drive with me. Isn’t this the whole point here? Because before long you’ll be driving on your own?

She takes that in — thinking over what’s obvious but of course isn’t — that she won’t be a child forever, that even as we’re talking she’s hurtling toward adulthood — a glacial pace for her, a rocket pace for me.

All that hike into the bog and back — exquisitely beautiful, bordering ethereal with its wildness — she carries those keys in her backpack. I can imagine she’s thinking, and I won’t be driving to any flipping Class I wetlands, but she humors me.

But I did not want to go,
not yet, nor knew what to do
if I should stay, for how

in that great darkness could I explain
anything, anything at all.

— Hayden Carruth, The Cows at Night

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Photo by Molly S.

Members Only

/ Brett Ann Stanciu / 10 Comments

Sunday afternoon, rain showers fall intermittently. In between, the sunlight sprinkles the garden — the most delicious weather for the garden. I read on the front porch couch, the cats wandering between me and my daughter.

I bought this novel to add to the library’s collection — Members Only, by Sameer Panda — after listening to the author on NPR. It’s clever, sharply written, utterly relevant, and its plot hinges on what seems to be a single slip up by the protagonist, but gradually a whole story of circumstances and choice is revealed.

This July, like my garden, I’m soaking up sunlight and rain showers — as if my daughters and I can store these lovely days in our DNA for the long winter yet to come. Why talk about my daughter’s sophomore year? Who knows what will happen in American schools this fall and winter? Like just about everyone else I know, I’ve accepted we’re not headed anywhere, anytime soon or not soon. The ubiquitousness of the disease is a strange kind of leveling field — there’s no longer the wealthier kids my daughter knows who are headed on extended vacations while I suggest to my daughter that she repaint the north side of the house.

While it’s day by day here, as the parent I’m always eyeing that future, and that, perhaps, more than anything else, brings me back to day to day, in this sweet July.

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