Courage Crumbs.

I began my Call It Madness book tour on a steamy June evening, traveled all summer around the state and into New Hampshire, and ended in Greensboro, a ten-minute drive north of where I live, on a late afternoon, the August day promising coolness as the day ended, a room full of people I know and some I don’t know. I was graced with affection and curiosity.

Along the way, I’ve been fortunate to have friends and family make this trek with me, take time from their lives — and sometimes I traveled alone — that well of solitude that both sustains and sometimes frightens me.

At this last reading, in the town where I walked around the lake, beginning to write Call It Madness in my mind, think through this story of a farm lost four generations ago and a young, rough-edged woman seeking her own salvation, the audience asked thoughtful questions. At one point, I heard myself say, when I had cancer, and of course that is not true. The pronunciation of cure, if I am so fortunate, is far yet in the future. But looking around the room, I knew pieces of so many people’s lives — losses of their own dear ones, of addiction and financial duress, of the persistence of juggling a creative life and earning a living.

This morning, reading David Biro‘s One Hundred Days, I chance upon his words (as a physician and patient of a rare blood disorder) that medicine is art and science. I benefitted from both: decades and decades of painstaking research provided me treatment and the complex art of my oncologist ushered me through the nightmare of that treatment. In the deepest nadir, he appeared at my bedside at a time when numbers meant nothing to me: before dawn or late evening, or maybe noon. I told him I didn’t think I could continue, and he simply studied me, silently, while I scraped down into that threadbare pocket of my courage and pulled out another crumb. He waited for my resolve to thicken.

Likewise — and yet utterly different — writing. Late August, the crickets singing down the end of summer, I’ve lucky to have a house of family and friends this weekend, and then perhaps some lying in the sun, reading my way through the stack of books I’ve acquired on my bookstore tour. I’d imagined my fifties as a decade of some calm after kid-rearing, divorce and the scramble to set my girls and myself steadily in a beloved house, on a financial footing where I was not always chewing a thumbnail. Instead: a life like a bouquet of sunflowers, staggeringly beautiful, the leaves’ edges fading.

After reading, I stood in the parking lot with a friend, our conversation continuing in the way of friends who have known each other for years. For this moment, I relished how I felt held in this Vermont village, one blossom in a handful of so much.

“At these moments sufferers desperately want to escape from their holes, the silence and loneliness, and return to the world we share with others…” David Biro

“… a definition of love…”

All afternoon, I work on my back deck. Hummingbirds dart at the hanging nasturtiums, rain sprinkling down around the porch roof. In the late afternoon, I swop jeans for shorts, tie on my shoes, and head out for a run. I run for maybe a mile, no more, then walk in circles, my hands on my hips. The mid-August world is a crazy abundance, hydrangeas and Queen Anne’s Lace reveling in their showiness.

I had thought I would never run again, that kind of energy and strength irremediably sapped by disease and treatment. Yet, this afternoon, I determine, Well, what you do know… Ahead lies a long evening of a Selectboard meeting in a particularly Vermont-vein: the nuts-and-bolts of the town’s daily business of salt and sheriff contracts, what to do about wastewater, and the passion projects of conserving land and eliminating streetlights. A microcosm of the country in a former schoolroom where everyone is on a first-name basis. Like it or not.

Long past nightfall, I’m home again, lying on the couch and reading Louise Erdrich, cats between my knees, the windows open and the crickets sizzling. Above, photo of myself with beloved daughters. After chemo, my hair returned in ringlets, the straight hair of my childhood replaced by exuberant happiness.

“Green Apples” by Ruth Stone

In August we carried the old horsehair mattress
To the back porch
And slept with our children in a row.
The wind came up the mountain into the orchard
Telling me something:
Saying something urgent.
I was happy.
The green apples fell on the sloping roof
And rattled down.
The wind was shaking me all night long;
Shaking me in my sleep
Like a definition of love,
Saying, this is the moment,
Here, now.

“The world is a complex fatigue.”

August appears, and I’m at work Saturday morning, trudging around a lake in a thickety forest with some of my favorite people in town, talking work and books and the edginess of this fleeting life, the puzzling conundrums of what people do.

Below, the Hayden Carruth poem I’ve posted before around August 1, during the years I’ve written in this space. Every year, when I read this poem again, different lines pop out. Here, “The world is a complex fatigue.” If I began a list of things I learned in my year (now, year and some) of surviving cancer and cancer treatments, gracious, I would keep writing and writing. The cats would not be fed this morning. The blueberries would not be picked.

But to return to August…. June, July, August, in my way of reckoning, these are Vermont’s high holy months, the long days of sweet roses and waving rudbeckia, the welcomeness of ice on your tongue, walking in twilight, the loveliness of sunlight chips and loons on pond water. Those worn clichés — savor every day, know your luck — are true of course, in the way that truth is multitudinous — in the way that Mac Barnett notes that Be Kind might be a given starting place, but not a plot. And human life, of course, is plot, plot, plot. Often, not of our own making.

Story, of course, is where I’m headed. These midsummer days, the glossiest greens already fading. As I’ve done for years, I hold to the strands that keep me sane in this world illusory and fragile and heartstoppingly thrumming with might far beyond any one or two or few of us… the chords of this mortal life. The gritty and sometimes joyous labor of writing, of walking in the world, the domesticity of family and friends. Brew coffee, weed the garden, ponder the sky.

AUGUST FIRST
by Hayden Carruth

Late night on the porch, thinking
of old poems. Another day’s
work, another evening’s,
done. A large moth, probably
Catocala, batters the screen,
but lazily, its strength spent,
its wings tattered. It perches
trembling on the sill. The sky
is hot dark summer, neither
moon nor stars, air unstirring,
darkness complete; and the brook
sounds low, a discourse fumbling
among obstinate stones. I
remember a poem I wrote
years ago when my wife and
I had been married twenty-
two days, an exuberant
poem of love, death, the white
snow, personal purity. now
I look without seeing at
a geranium on the sill;
and, still full of day and evening,
of what to do for money,
I wonder what became of
purity. The world is a
complex fatigue. The moth tries
once more, wavering desperately
up the screen, beating, insane,
behind the geranium. It is an
immense geranium,
the biggest I’ve ever seen,
with a stem like a small tree
branching, so that the two thick arms
rise against the blackness of
this summer sky, and hold up
ten blossom clusters, bright bursts
of color. What is it — coral,
mallow? Isn’t there a color
called “geranium”? No matter.
They are clusters of richness
held against the night in quiet
exultation, five on each branch,
upraised. I bought it myself
and gave it to my young wife
years ago, in a plastic cup
with a 19cent seedling
from the supermarket, now
so thick, leathery-stemmed,
and bountiful with blossom.
The moth rests again, clinging.
The brook talks. The night listens.

Singing a Love Song, Swimming.

It’s nearly 8 in the evening by the time I step into #10 Pond, the sun slipped down around this narrow pond surrounded by mountains, my only company two teenage girls who stand on the shore talking about a mother’s car—these girls and a loon calling.

I part the still waters and swim out. Despite raging heat elsewhere on the globe, Vermont’s summer holds a chill, and by the time I swim back, I’m cold. On the shore, the girls have disappeared, and under the twilight sky it’s just shivering me toweling off water, pulling on a sweatshirt. All afternoon, I’ve thought of this water, of the sky turning from blue to black, of the mud beneath my bare feet, the loon chorus. It’s been a day of work and laughter, nothing rotten that I’d like to leave at the bottom of the pond; nonetheless, July moves along, the relentlessness of time. I crave these moments of water and sky, of reading beneath the apple tree’s shade, dinner near the garden, as much sun and wind and, yes, cold water as I can bear. Sustenance.

“But some nights, I must tell you,
I go down there after everyone has fallen asleep.
I swim back and forth in the echoing blackness.
I sing a love song as well as I can,
lost for a while in the home of the rain. ”
― Billy Collins

On the Road…

My twenties were years of road tripping, Vermont to Washington state, lots of New Mexico, sleeping in the back of our black diesel VW Rabbit, 55 mpg, our Rand McNally shedding pages. Thirties were babies and learning to garden, raising high the roof beams, forties the scrambling decade of parenting alone and keeping kids shod and fed. Fifties, kids are paddling their own lives, and yet we’re tight, tight; cancer survivorship schooled us rapidly in what’s dear and what’s so easily lost.

Among these decades, my own unbroken thread of writing. Road trip with a self-made atlas.

A beloved friend hops into my car. We lived on the same dirt road for years. I would phone and say, It’s sleeting. Come walk with me. She was always game. This late afternoon, I drive south, that too familiar journey of Route 15 and I-91, heading towards Dartmouth-Hitchcock, but I park in pretty Hanover, NH, where I’ve been invited to read from Call It Madness — a title that reflects my own life — madness, madness, everywhere — both the crazy-making of divorce and cancer but also my own fierceness for my dear ones, for literature and the roses blooming around my house and the precipice I tread between ebullience and the frigid teeth of despair.

The loveliest of evenings at Still North Books. My reading companion, Shasta Grant, is true and gifted, the bookstore staff warm, the audience curious and kind. My friend and I are the last to leave, save for the cheery folks folding the chairs and emptying our water cups. I drive north into the night. The sun dwindles into gold and pink. We talk about cars and money, kids of course, drinking and books and death.

She gives me her apple. I eat and drive. Thirty years into our friendship, as the darkness folds around us, I think, What a long way we have come. In my driveway, we linger, the car’s engine clicking as it cools, the fireflies flickering. How happy I am to begin my own hand-crafted book tour for Call It Madness. In my youth, those decades when I leaned so hard into my life I hardly brushed my hair, I believed my life would flatten, temper into quietness. Oh friends, the world’s depths are revealed as bottomless crevasses and immense peaks, largely unknowable. What’s knowable is the stickiness of that apple’s juice on my fingers, the darting fireflies, the answer I gave to a stranger’s question at the end of the Still North Books reading: “My real flaw was cowardice.” I’ve long ago abandoned the flimsiness of that forgiveness concept, for myself or others. Life propels onward, word by word, sunset to sunrise, companionship in all weather.

A few things…. I’ll be on Bon Mot on Central Vermont Radio, Sunday, June 21, 5 p.m. Call It Madness book launch Tuesday, June 30, 7 p.m., at the Jeudevine Memorial Library in Hardwick, Vermont, sponsored of course by the hometown and most stellar Galaxy Bookshop.

Survive, professor! That’s all you really have to do. Keep the grass from creeping into eh carrots, deal with the woodchuck stealing the apples, patch up the pipes! — Makenna Goodman

Always, the question, which way?

For readers who haven’t lived in northern Vermont, here’s a keyhole view of June: heat and humidity move in, and the earth thrusts out into leaf and bloom. Overnight, the loosestrife blooms yellow, the chard gains an inch in leaf. The lilacs fade. The Siberian irises spread purple.

In the heat, listening to terrible news of the American Empire’s spread, I finish stacking next winter’s firewood. Sweaty and dirty, the cats and I admire my work, contemplating the frosty fall evenings. The cats, perhaps, are merely curious about my labor, or the next meal’s arrival, or perhaps a cat calculus I don’t imagine.

June, the songbirds serenade exquisitely. I mow the grass around the woodpile, the pink roses beginning to bloom, the brushy compass flowers that are now knee-high. Will the ancient mock orange leaf and bloom? Will the woodchuck devour the sunflower seedlings? Will I unclench my knotted heart and let myself fall in love, tumble into the next phase of whatever I may have in this lifetime?

Rain falls and the heat breaks as I finish mowing. I wander around, drinking a glass of water, the rain running through salt and chaff on my cheeks and biceps. 21 years ago, a friend labored to bring her baby into the world. I sat in her kitchen while our six-year-olds played under her front yard maples. Her mother-in-law made chicken soup that I ate while I nursed my own wee infant.

The world isn’t filled with ten thousand things. In the June afternoon’s rain, a rainbow elusive, math welds no teeth. A hopping robin in search of sustenance, unfolding hydrangea leaves, the bounce of a child’s basketball, the scent of sap bleeding from winter’s firewood.

For local folks…. I’ll be reading at Still North Books in Hanover, NH, Wednesday, June 17, 7 p.m. Yes — a lovely bookstore — and yes, a non-cancer visit to this lovely village.

Is not all the summer akin to a paradise? — Henry David Thoreau