Don’t let your cow get the upper hand, er, hoof…?

Ah, February, the month with the strange “U” that children stumble to spell. Two inches of a sugar snow this morning when I carried out the stove’s ashes, the cardinals whistling the day alive, a buttery full moon charming the evening sky. For the past few weeks, my life has overflowed with the challenges of faraway aging parents, with details mundane and immense, and all very very real. There’s that Tolstoy saying about families unhappy in their own way. Carrying in firewood, I remind myself: families endure the unspeakable in their own particular vernacular, swaddled in the way of all human life.

Sugaring season is hustling into Vermont now. The years I spent sugaring with a husband and two young daughters taught me to strip away the unnecessary, to bend into work when bending is required. It’s a habit I’ve carried to writing, and I’ve managed now to write three books against odds that even now seem not in my favor. But it was single parenting that honed my skills to grasp the nourishing in times of hardness, suck hard the marrow of the real. In a conversation with a young homesteader and poet today, she offers me a line of wisdom so pithy and wise I laugh out loud: Don’t let your milk cow get the upper hand on you. Yeah, think that one over.

Here’s a David Goodman interview with Elizabeth Price, mother of the young Palestinian man Hisham Awartani who was shot with two friends in Burlington, Vermont, last November. The family epitomizes courage, knowledge, and depth of heart — highly recommended.

Cats, Coyotes.

The return trip from my parents’ house in New Mexico to my own Hardwick, Vermont, house was 20 hours. When I stepped off the plane, I was effusively grateful to see my daughters waiting to drive me home, to wrap me again in our own particular kind of family — loving and funny, with the fierce rivers of stories that run between us.

A friend texts me and sweetly offers to make me a meal; these days, about all I’ve done is trudge into work, then lie on couch with my cats, reading Michael Crummy and soaking in Jon Stewart’s election update. When my daughters were babies, I lived in a rarefied kind of atmosphere, of warm milk and scant sleep and intense curiosity: what now? what next? As if bookended, my parents in very old age live in a unique world, too, suffused with New Mexican sunlight, and with a similar uncertainty: what next?

In that middle-of-the-night drive to Albuquerque, circling through the airport parking lot, I spied a coyote. I pulled over, opened the car door, and looked back. Under the amber streetlights, the coyote hurried along, brushy tail bouncing, not so much as glancing over its shoulder at me. Around us, so much cement, then the desert, undulating, spreading up into the hills, disappearing from sight.

The wild creature vanished into the dark.

“A body must bear what can’t be helped.”

— Michael Crummy

Boots on the Land, the Ice.

I’m meeting someone, late afternoon, who’s late, so I wait. The February sun has dropped into the horizon and clouds, and the day’s softening snow is tightening up, freezing again. I’m along one of the glacial lakes, a deep cut in the earth created by the planet’s unstoppable movements. It’s an old, old lake, not a newer pond formed by a human dam construction. Across from where I stand is the beach where I swam last fall, evenings and weekends. The water is shallow for a short stretch and then deepens quickly. My youngest had just gone to college. I would swim out as far as I could, then lie on the shore beneath the shaggy cedars, reading and watching the loons dive and reappear.

February exposes the bones of Vermont, the land’s steepness, the flatness of ice, the pale grace of a white birch in a hemlock forest. That afternoon, the stranger tells me a story of how the land was divided in families, re-divided and swapped, sold. Around this side of the lake, the state highway was built nearly on the water, and from here it’s easy to see the challenges of traffic and how the road hampers runoff from the mountains. It’s a familiar story that plays out in particulars in all but the wildest places.

On my way home, I stop at the town reservoir and walk a short distance over its ice. Walking on ice is always a kind of magic, a temporary thing. I don’t see the two bald eagles who live here: another day, perhaps.

Thin Ice.

On my way home, I walk down to the lake and stand at its edge. Such a warm winter this has been. There’s not a single ice fishing hut on the lake. Across the middle, two people walk, talking intently, their hands gesturing. As they stroll south, I head towards the center of the lake.

At the beginning of any year I’ve walked or skated on lakes, there’s an always initial angst, a discombobulation about the deep water beneath, the zone where I’ve kayaked or swam. Midwinter, the summer folks are faraway on beaches or cities. The walking pair disappears, and then it’s just me and a lone crow making its steady way across the sky. This winter has clouds and clouds and clouds. Out on the ice, however, the sky spreads wide, its permutations of blue dazzling.

Twenty-five years ago, I was descending into labor with my first daughter, a period when dawn and twilight intermingled, a space where time had no meaning for me. Near the labor’s end (and she came into this world courtesy of a surgeon’s scalpel), all light had vanished from my world save for a distant circle, like a full moon gleaming on still water at the bottom of a well. I saw my right hand reaching down, fingers outstretched, seeking that gleam.

In each of my daughters’ births, the world’s illusions were ripped back. The rawness of blood and tears, of the ineffable power of a newborn’s gaze, filled my world with sacred might.

The ice groaned, shifting. I was certain of its strength for no real reason at all. In my thin jacket, I stretched out on the ice, let the cold hold my bones and flesh, and that vast sky steal my breath.

Onset of Pre-Cabin Fever.

I shake stunningly beautiful snow from my mittens onto my cats. Mid-January. Winter’s loveliness has just arrived. My house is again the three of us, two fluent in Cat and one marginally fluent in Human. The one who speaks Human gets the deciding vote, so we get up very early. The Cat speakers are wholly in favor of this, as the wood fire is fed and the cat kibble rationed into bowls. Eventually, the dawn finds us, and the rest of the world creeps in.

If this keeps us, the prognosis is mad-as-a-hatter by Honest Abe’s birthday. No fear of that. Any hermiting is constrained around here. Two small excerpts from my novel are accepted by journals. The cats and I nestle into our narrative. I let them lick butter from my fingers. Snow silently fluffs around us, concealing the stars, the sunflower stalks, the ash bucket I left by the step.

A little chaos…

I call the mechanic back about my car who says it’s all good news, a replaced muffler, and the car looks fine.

Finally. Something repaired in the chain of a dying range, a done-in washing machine, my own washed-out and piss-poor attitude.

In one of the few sunny days I’ve seen recently, I’m standing on my back porch, listening to water dripping. We talk a little about the shitstorm of this decade so far, the election roaring up in nearby New Hampshire. He mentions he doesn’t know my political leanings, and I laugh. I’ve been writing him checks for years now, and I’m certain it’s no surprise who I didn’t vote for. But he bends our conversation a little further, kicking the standard gloom-and-doom away and remarks that we might as salvage some happiness in this life.

On this rainy midwinter day, I convince my youngest to drive north to a library in search of a Claire Dederer book. Here’s a few lines from the last chapter of Monsters.

Love is anarchy. Love is chaos. We don’t love the deserving; we love flawed and imperfect human beings, in an emotional logic that belongs to an entirely different weather system than the chilly climate of reason….