Hearth

This morning, the house grew cold as I let the fire in our wood stove dwindle. When it was nearly dead, I pulled apart the stove pipe and stretched my arm deep down its throat to loosen the rattling creosote. With a shovel, I removed the ashes from the stove, then vacuumed the damper vents at the back, so the air will flow again. In the baffles at the top, I reached between the metal and fireproof insulation and pulled out handful after handful of silty, warm brown ashes, silky as kittens. I kept thinking of Megan Mayhew Bergman’s story “Housewifely Arts.”

This evening, after a day of snow and freezing rain and sleet, our hearth is rich with heat again, the children sprawled luxuriously on the rug. One of the interesting aspects of writing is a tendency to turn things upside down and inside out. Our stove is not merely a source of heat, but also consumer of wood and air, creator of ash, its lungs linked to the chimney funneling through our house. I once spent the greater part of an afternoon with a heating specialist who explained the inner workings of a nearby hospital, the channels of electricity and oxygen and water and waste, the circulatory system of an enormous building, generally unseen but vital.

Maybe it’s a day like this, when winter relinquishes its hold reluctantly, hurling ice at our windows in fury, that brings us back to our hearth again, gratefully.

There is no need to explain to our daughter the death of her first dog. Poppy, better than any of us, understands the urge to have what you must have. She can still wring what she wants from the world. It has listened to her cries and delivered. She still trusts the raw pull of desire. One day it will tear her away from us, take her down a dirt road to a place she does not recognize, and there she will make her home. Away from everything she understands, and close to everything she wants.

– Megan Mayhew Bergman, “The Two-Thousand Dollar Sock”

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Winter Garden, Vermont, 2016

 

 

Maple

This week, I gave away maple leaves, small shapes of pure maple sugar. For so many years, maple was queen in my life. Maple is all taste and scent, literally the life of the tree boiled into steam or crystallized into sweetness. Both my babies, when I carried them back to the house after long afternoons-into-night of boiling had a satiny patina of maple sugar glazed on their cheeks, from condensation descending through the sugarhouse.

For years, maple was livelihood in our house, but also a gift, particularly sugar which is harder and dearer to make. For numerous reasons, this year queen maple has laid her scepter down in my household – and yet, the other day, eating crumbles of this candy, I remembered this world in a grain of amber sugar: the immense fire’s roar, the billows of steam that stretched across the road, the daughters’  play tea sets and how they chalked on the cement floor and rough wood walls – and the satisfaction in drinking good syrup.

To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour….
– William Blake, Auguries of Innocence
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Woodbury, Vermont 2013

 

Midwinter Hunger

A sizable deer appeared in my garden this morning among the bean stalks I never pulled, lifting its head, listening. In the woods around our small field, a flock of wild turkeys comes and goes, bent over dark creatures who remind me of Puritan old women dressed in black, crouched at their work. In the kitchen, my daughters mix pork, scallions, garlic, vinegar, for soup dumplings.

This stillness of winter is a false cliche; overhead, the crow flies for its meal. Squirrels run rampart over the compost. Even the wood stove devours. The children, asleep in their beds, dream of journeys. In the morning, sleepy at breakfast, they appear to have grown in those dark hours.

When we eat a steak, we build its proteins into our bodies and become part cow. Eat an artichoke, become part artichoke. Drink a glass of orange juice, become part orange tree. Everything eventually corrupts: from our first draft of milk, we are corrupted, the world is corruption, time is corruption, and we are forever hungering for more.

–– Anthony Doerr, Four Seasons in Rome

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West Woodbury, Vermont

 

 

Midwinter Lady Moon

Winter moon… in my novel, the Lovely Lady Moon appears from the beginning so frequently I think of her as a character, too. The other night, I lay reading in bed for the longest time, and then my brother started that texting thing again. He has this way of texting like no one else I know: as if he wraps his deepest, pithiest, and often funniest words in a rag, knots it up with twine and rock, and chucks it over the Connecticut River to me. Afterwards, I lay in the cold room under a thick wool blanket, staring through that uncurtained window, thinking of those words of my brother’s, his phrases of what had given him a sweet, rare joy that day.

I learned to follow the moon’s phases all those myriad March nights of sugaring, as I hurried back and forth from the house to the sugarhouse, over treacherous ice and sucking mud, beneath her radiance…. which channeled into all those nights I was awake with nursing or sick children, my eyes watching the moon as she rose and arced and descended through my slender view of the cosmos.

Those nights, in my rural house, I wondered about other women all over the planet who were awake with their babies, feeding and tending these tiny beings, their faces turned up to Lady Moon’s pristine presence – utterly familiar, uncrackably mysterious, infinitely beyond the touch of our hands. Steady as clockwork, infallible, she beams on: a beacon.

Bright Moon

                                                                after Buson  #843

Cold is the bright moon
All those trees
and this vast sky.

David Budbill, from AFTER THE HAIKU OF YOSA BUSON

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Photo by Molly S./West Woodbury, Vermont

Living Sonnet for this Holiday

In my daughter’s geometry homework, she’s struggling to take a flat diagram and turn it into a three-dimensional object – harder than might be imagined, even for an art-minded kid. In this holiday break, with a teenager and a savvy ten-year-old, we talked with my brother about who we know and how their lives shape out, and the choices people make in their lives. That clarity of hindsight notion…

Sometimes it appears as though our lives unfold into myriad geometrical shapes, complex beyond any imaging. Walking in the garden this afternoon, around the beds banked over with raked leaves, we saw two fluttering moths, blooming johnny jump-ups, and purple ground ivy flowers in the hoop house. Those petals are a dimension not so long ago I would never have imagined in the month of December. What way will this story bend? All around us appears this mighty world, seemingly all-powerful, greater than any of us: and yet, here we are, a handful of people – my family – walking in our kitchen garden. Who is the folder of this shape?

 

Life, with its rules, its obligations, and its freedoms, is like a sonnet: You’re given the form, but you have to write the sonnet yourself.

– Madeline L’Engle

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Christmas Eve, December 2015, Woodbury, Vermont

Bookselling & Stories

December is the best month to be a bookseller, because it’s the month when people give stories to one another. All day, folks stamp in from the cold and ask for a book for their ancient aunt who enjoys knitting and local history, or a baby not yet born who has a whole world yet to love. My favorite today was the young uncle who bought Roald Dahl for overseas nephews, but went home to reread James and the Giant Peach before mailing the novel.

Today, with the ground finally covered in our familiar snow, the light returned in the solstice kind of way we New Englanders know and love. This evening, a half moon glows on our piece of the earth, the clouds scudding back and forth over its pristine illumination.

Like this light, stories came in all day at the bookstore, not simply flowing out in wrapping paper and bags. We heard stories of the babies on their way, of the old who were babies themselves in this town; one, two, three stories that made me want to weep, the story of a woman buying an auto repair business in the Northeast Kingdom, and many more simply funny and joyous. Taken together, this was a bouquet of stories, all across the human realm. Fitting in a place for literature.

You can speak as though your life is a thread, a narrative unspooling in time, and a story is a thread, but each of us is an island from which countless threads extend out into the world.

— Rebecca Solnit, The Faraway Nearby

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Photo by Molly S.