Maize v. Corn

When I was ten, my family and I camped one summer all the way from New Hampshire to Wyoming to Mexico. One of the places we visited was Mesa Verde, in Colorado. In the visitors’ center, we saw an ancient urn found in a cave (as I remember), filled with corn seed. The archeologists planted some of the precious seed; the kernels germinated. The seedlings grew and thrived.

A few summers ago, I returned to Mesa Verde as a grown woman with my family, and that urn was still there, in that same visitors’ center. For a few days, we stayed with friends, who took us to one of the many once-upon-a-time villages, which had been excavated and filled back in, and now seemed traversed mainly by wildlife. We walked among the remains of walls and abode houses, theorizing where these families might have planted crops, how they harbored water, what kind of lives they might have lived.

Water and maize: clearly the narrative of life for these people: material and undoubtedly spiritual, too. As I begin planting seeds again this season, I can’t help but think of that ancient clay vessel, so reverently crafted and painted, its dear contents preserved. And, 21st woman that I am, I can’t help but remark what a far distance those precious seeds have travelled to the industrial giant of King Corn.

This is the yin and yang of the earth, an energetic feedback. What happens below relates directly to what is happening on the surface and in the atmosphere and vice versa. Tectonics does not end at the ground beneath your feet. It is a dynamic system from the earth’s interior all the way into the sky and back.

–– Craig Childs

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Koyaanisqatsi: Unbalanced Life

Not long ago, one of my daughter’s friends remarked that everyone desires the warm feeling of home. And yet, why is it so darned hard to keep the home in balance? The stuff of literature is family, never wholly at ease, always shifting and turning, brimming with hunger and unmet desire…. the stuff of life: this material I write about; this very matter I live.

This winter, even a mouse came to die beneath my wood stove, spreading out its little furry body, relinquishing fear of us in its desire to expire on the hearth. The snow is all gone but the hard ugly leavings of dirtied lumps. Vermont in March should be heavy winter, sun bright over fresh snow, and we should be skiing in t-shirts, sunburning. The wind has been blowing every night, bringing neither spring nor storm. It’s off, all of it, this winter that never was.

Long after dinner tonight, the girls and I sat at the table, talking, myself knitting, pulling together through language. They tell me, this happened today, and we did that, while I’m thinking of those sunny faces of coltsfoot, the deep yellow blossoms that push up through the rockiest and poorest of soils. When will they return? I rely on language and story, yes, to bind us together, and my other old stand-by – resilience – thinking…

Surely some revelation is at hand…

– Yeats

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March, Vermont

How To Write a Story….

Any writer knows a story can be told a myriad of ways. Today, visiting a school that once hovered near the brink of disintegration, I realized that school’s story could once have been told in numbers that reflected too much poverty, too little resources and not enough skills: too little – and too little again, and again, and maddeningly again – all the way around.

Instead, this is now a story of growing gardens and colorful classes – and thriving children. Who decides when a story needs to be rewritten? For a school? Or for yourself?

I remember Mary Oliver’s line posing the question about what to do with your one wild and precious life. Create at least one or two fine things, I thought. Leave one or two marks for better, and not for worse.

Sometimes I go about pitying myself, and all the while I am being carried across the sky by beautiful clouds.

– Ojibway proverb

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Hardwick, Vermont

Spring Fever

Since the time change, my ten-year-old daughter cannot sleep. At 10:30 last night, she peered from her bunk bed, cheshire cat-like in the dim room, insisting she couldn’t sleep because she was excited. But I don’t know what I’m excited about!

I reached up and held her slim, warm fingers. It’s spring fever, I told her.

But I don’t have a fever….

All day long, as much as possible, she’s outside, poking a stick in running streams, painting her fort beneath the pine trees, biking up and down with road with her friend. The two of them run into the kitchen, breathlessly excited about spying on her father and his friend in the sugarhouse. Their stories spill out about biking through icy puddles and finding turkey tracks along the road. Beneath our boots, more of the earth reappears in its muddy glory every day, shaking off winter. Spring!

….And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?
– Robert Louis Stevenson, “Bed in Summer”
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Molly S. Photo/Woodbury, Vermont

A Starlit Night

Last night, my daughters and I walked the neighbor’s child home in the dark. We had been outside for a while, playing a variation of tag with flashlights and laughter, resulting in the older daughter slipping on ice and lying elbows-down in mud. With the flashlights off, we walked along the muddy road beneath the starlight. The night was balmy for mid-March, suffused with the scent of thawing earth: a rich odor so pervasive it was a constant companion. The moon, a white curve, shone a pure, yellow-white light.

On the way home, we saw our house through the bare hardwoods, the strings of little lights the girls nailed along the eaves twinkling. We passed just one house along our road where a single light shone; they must have been gone. It was just the girls and the star-and-moonlight and the mud and I. The peepers are not stirring yet, and none of the woodland creatures called. Beneath our boots, the earth shifted, softening, giving up its winter frost. My older daughter said, I could walk forever, on a night like this.

This morning, watching a single robin tugging at our lawn, I thought of my older daughter, and how, before long, this girl will be on her womanly journey, walking different patches of earth – in boots, or sandals, or heels – beneath this same exquisitely beautiful sky. I opened the window and listened for birdsong, relishing the season we’re in.

What a strange thing! to be alive beneath cherry blossoms.

– Issa

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Vermont, Mach 2016

The Vermont Season of Pre-Spring

A number of years ago, I conceived an idea that our family’s financial salvation lay in wedding favors. With our maple syrup, colored card stock, a paper cutter, and raffia, I filled tiny bottles with syrup and bow-tied on little cards printed with hopeful things like Julie and Josh, July 8, 2001, Eat, Drink & Be Merry. Or: A sweet beginning. In the long run, my fortune didn’t lie there, but I met interesting people at profoundly pivotal junctures in their lives.

One April, in an intense mud season, a couple unexpectedly drove out to our house. We were deep in the midst of sugaring with a three-year-old. On our back road and driveway – and all around the house where the snowbanks were fiercely melting – lay mud that sucked at our knee-high boots with an audible glop. The winter had been its usual terror, and immense snowbanks mounded all around the house, interspersed by our trodden paths. My gorgeous little girl, with unbrushed hair, walked around shirtless in overalls and mud boots, a yellow plastic sand toy shovel in one hand.

The couple had heard about our wedding favors and had arrived to order in person. He and my husband talked about Ford pickups while I chatted with the woman. She kept looking around, distressed. It’s just so muddy, she kept saying. How do you stand it? Where she cringed from dirt and inconvenience,  I saw sunlight so intensely bright it lay like shining gold coins on the shallow dips of water that spread out all around our house, as though we were a ship on a rippling sea. I knew mud as the world’s thrust from winter to spring, the give from one season to another. My heart lightened with joy at the end of a bitter cold season and the imminence of wildflower season. I knew coltsfoot would shortly bloom.

…Soon it will be the sky of early spring, stretching above the stubborn ferns and
violets.
Nothing can be forced to live.
The earth is like a drug now, like a voice from far away,
a lover or master. In the end, you do what the voice tells you.
It says forget, you forget.
It says begin again, you begin again.

– Louise Gluck, from “March”

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