Rave On

For days, I’ve inhabited the post-root canal world where a sledgehammer banged my jaw. This morning, my young daughter made me coffee and noted, You’re laughing. You must be coming back to life.

This first of May, a steady rain is muddying the woods, jamming the streams near to full, washing clean every bit of green in the garden. Bring it on, I think: frog eggs, emerging salamanders, the ephemerals untangling from the matted forest floor. New England winter is spare, stripped down to straight lines, but spring is all wild, unfurling mightily and messily.

Yesterday, in my broken tooth stupor, I drove to Montpelier to hear poetry. Dede Cummings, of Green Writers Press, read Birches extraordinarily well in that quiet, sun-filled room. Like numerous people, that poem has risen many times in my life, from the first I read it, in 8th grade, to most recently a few summers ago, when my friend Tim Smith had my daughter read it aloud before dinner one gorgeous Colorado evening.

This afternoon, my body unknotting from pain, the neighbors’ boy turning ten this very day, the children enmeshed in their imaginative worlds, our kitchen filled with the fragrance of baking cinnamon, I think, what sheer luck to live in a world where Birches is possible. What sheer luck, this down-pouring day.

So was I once myself a swinger of birches.
And so I dream of going back to be.
It’s when I’m weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig’s having lashed across it open.
I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.

– Robert Frost, “Birches”

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May 1/Woodbury, Vermont

Rough Draft

The ten-year-olds are at their fort building again; odd pieces of plywood have been scavenged, a long 2×6″, silver spray paint glistens a joyous arc in this early morning dew. The project is all rough draft. No terminal point of placing Ma’s china shephardess over the mantle will ever occur. Lacking the need for a finished project, the kids’ creation is all joy and curiosity. Could these old pallets be used? A split hose?

At select moments, the daughter opens her door and invites me in for a tour. What do you think? she asks. What more can I do?

And then: Pull up that bench I made. Sit down and enjoy.

So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers, go once again into the lonely march, mustering our courage with work, friends, half pleasures which are not whole because they are not shared. Yet still I believe in love’s possibility, in its presence on the earth….

Andre Dubus, Broken Vessels

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Photo by Molly S.

Hope Springs

Some unexpected events in our thawing patch of Vermont:

  • dinner guests of chatting children eating grilled eggplant and chicken wings, with gusto
  • exquisitely beautiful poems read at the Galaxy Bookshop last night – and adult companionship, too
  • clouds of frog eggs, knots of trillium blossoms, profuse sunshine and clothes drying on the line
  • a rotten tooth mended

But hope is not about what we expect. It is an embrace of the essential unknowability of the world, of the breaks with the present, the surprises. Or perhaps studying the record more carefully leads us to expect miracles – not when and where we expect them, but to expect to be astonished, to expect that we don’t know.

Rebecca Solnit, Hope in the Dark

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Brattleboro, Vermont/Photo by Molly S.

Frog Chorus

I hate it when my daughters bicker.

Stop, stop, stop, I demand. Are you listening to yourselves?

They look at me oddly, and insist, This isn’t fighting, mom.

Recently, I’ve been forcing myself to close my eyes and simply listen to the cadence of their voices. Not the words, not even the tone, but only the rhythm and motion of their voices together. They pick at each other; they laugh; their voices dive at each other again.

Late this afternoon, I walked to our woods pond. Before I could even see the water, I heard the cacophony of frogs, so rusty this early in the season I might have mistaken it for a few stray geese. When the frogs heard my footsteps on dried leaves, they vanished under the water. I remained crouched for a good long while before the frog-chatter chorus cranked up again, a tentative bleat here, then another.

Walking back, I challenged myself to think of my daughters as those calling creatures and listen carefully to the song beneath their singing.

Old pond…
a frog jumps in
water’s sound.

– Basho

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Woodbury, Vermont

Daughters

In my usual, take-your-kids-to-work-with-you way, the girls came, too, when I read at Vermont’s Norwich Bookstore, in the first real sunny day of spring.

Afterward, my daughters and I walked around Dartmouth College, where the enormous green was filled with students and flying frisbees. The young women wore strappy dresses; the daffodils spread their buttery petals; we ate homemade cherry gelato. All was budding and new in the world. Driving back along Vermont’s sparsely travelled interstate, we passed fields turning toward emerald from the dull brown they’ve held for weeks. The rivers and lakes had thawed, and flocks of birds darted in quick waves.

All the way home, needing no map, we laughed and told stories.

…You are born a woman
for the sheer glory of it,
little redhead, beautiful screamer.
You are no second sex,
but the first of the first;
& when the moon’s phases
fill out the cycle
of your life,
you will crow
for the joy
of being a woman,
telling the pallid moon
to go drown herself
in the blue ocean,
& glorying, glorying, glorying
in the rosy wonder
of your sunshining wondrous
self.

– Erica Jong

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Hanover, New Hampshire

Marriage is a Rope

Writer Andre Dubus, master of dialogue, of marriage and its dissipations, pulled over years ago on an interstate as a good samaritan, was hit by a car and never walked again. Last night, I again reread his novella We Don’t Live Here Anymore, and I was thinking of this story at my child’s school this afternoon.

The afternoon was breezy and sunny. The children, from little kindergarteners to the big sixth-grade kids, were outside, chalking on the pavement, playing basketball, swinging, avoiding the wasps stirring in the heat.

One element of Dubus’s genius is to illuminate marriage as a unique configuration between two people with no cliches – all the loving, lust, resentment, frustrated dreams – woven into a particular rope of a marriage. Any rope put to use has its strength tested: will the material fray or snap? Or it is woven well and truly?

When I was a child, jump roping on a school playground, I imagined infinity was the  blue sky, never envisioning our interior worlds are as mysterious as the endless sky. On the way home, I bought my daughter her first cremee of the summer.

In a marriage there are all sorts of lies whose malignancy slowly kills everything, and that day I was running the gamut from the outright lie of adultery to the careful selectivity which comes when there are things that two people can no longer talk about. It is hard to say which kills faster but I would guess selectivity, because it is a surrender: you avoid touching wounds and therefore avoid touching the heart.

– Andre Dubus, We Don’t Live Here Anymore

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Hardwick, Vermont