Break That Cliche: Writing Lesson from the Kids

My ten-year-old came downstairs the other morning dressed in shorts although it was only 39 degrees. No. I immediately said. But it might warm up, she insisted.

In this afternoon’s rain, the kids have headed down the road to the neighbors’ trampoline because it’s fun in the rain, apparently, even in a cold May rain.

These Vermont kids, like the unfurling leaves in my apple trees, are vigorously unstoppable with their own flowing sap. At ten and eleven, the world is as new to them as this magnificently unfolding spring. Lacking rigid expectations, why not leap in the rain? – Although I did notice the girls had the foresight to pull on extra pairs of socks.

 

The artist, and particularly the poet, is always an anarchist in the best sense of the word. He must heed only the call that arises within him from three strong voices: the voice of death, with all its foreboding, the voice of love, and the voice of art.

– Federico Garcia Lorca

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Vermont dusk

Weeding

Before I’ve barely begun planting the garden, wilderness has taken hold of this ground. This afternoon, with my weeding tool and hands, I dug in hard. The younger daughter came to see if asparagus tips had emerged, then wandered away. On this Saturday afternoon, I listened to the frogs rocking  out in the hidden woodland pond.

Maybe this reclamation via weeding should be a battle. But it’s not. Surrounded by woods, the wilderness spreads into my garden through an infinity of ways, in a weed I can’t name, a wildflower I’ve never seen. Every year, my obscure patch of this earth surges with life – the geese winging overhead, the peepers’ chorus, ten thousand variations of green that shift and mutate daily. Not so long ago, I planted a garden with my baby cooing sweetly, laid on her back on a blanket spread beneath an apple tree, her bare toes stretching out toward the sun. This earth is so much larger then me and mine, and that knowledge is as steady as the tool in my hand, a knowledge to take comfort in.

When we marvel at that blue marble in all its delicacy and frailty, and resolve to save the planet, we cast ourselves in a very specific role. That role is of a parent, the parent of the earth. But the opposite is the case. It is we humans who are fragile and vulnerable and the earth that is hearty and powerful, and holds us in its hands. In pragmatic terms, our challenge is less to save the earth from ourselves and more to save ourselves from an earth that, if pushed too far, has ample power to rock, burn, and shake us off completely.

– Naomi Klein, This Changes Everything

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my garden/Woodbury, Vermont

 

 

 

Old Receipts & Agriculture

Unraveling a long trail of receipts today, I realized how poorly that paper trail tells our story. How can an equipment receipt for nine thousand dollars illustrate what those nine thousand dollars really cost our family? How many gallons of syrup I poured, steaming, from a three-gallon stainless steel pail into a giant barrel? With a baby on my back, I was always steeled to keep those tiny fingers from the golden flow of scalding maple syrup. How many of my fellow female sugarmakers, sweaty and beleaguered, have labored in sugarhouses, filled with curling smoke and steam, little ones on their backs?

How can any living, creative endeavor at all be measured in those figures?

Thisthisthat?

Certainly, our children cannot. A puzzle piece, neither more, nor less.

For where your treasure is, there your heart will be also.

– Matthew 6:21

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Photo by Gabriela

Stormy Spring Fever

Not only the children have spring fever; I’m afflicted, too. In this rainy afternoon, the children are outside, equipped with boots and splashed bright cheeks.

In the woods, the rain lessens. Green trout lily leaves sprinkle the forest floor profusely now, although the coltsfoots’ golden blossoms are folded up, napping away the deluge. In the cold, damp earth, my freezing fingers tugged free a few of my garlic sprouts, their pale white roots clinging deeply in the soil, winding around rouge pebbles. I chopped their savory greens and tender shoots for a salad, a taste of liquid chlorophyll, I imagine.

This is the season of secrets unearthing – last fall’s decaying fungus belly-white, frog eggs fattening near the pond’s stippled surface, the children too big for last year’s summer clothes.

We need the tonic of wildness…. At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be indefinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature.

– Henry David Thoreau, Walden

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Woodbury, Vermont

Rave On

For days, I’ve inhabited the post-root canal world where a sledgehammer banged my jaw. This morning, my young daughter made me coffee and noted, You’re laughing. You must be coming back to life.

This first of May, a steady rain is muddying the woods, jamming the streams near to full, washing clean every bit of green in the garden. Bring it on, I think: frog eggs, emerging salamanders, the ephemerals untangling from the matted forest floor. New England winter is spare, stripped down to straight lines, but spring is all wild, unfurling mightily and messily.

Yesterday, in my broken tooth stupor, I drove to Montpelier to hear poetry. Dede Cummings, of Green Writers Press, read Birches extraordinarily well in that quiet, sun-filled room. Like numerous people, that poem has risen many times in my life, from the first I read it, in 8th grade, to most recently a few summers ago, when my friend Tim Smith had my daughter read it aloud before dinner one gorgeous Colorado evening.

This afternoon, my body unknotting from pain, the neighbors’ boy turning ten this very day, the children enmeshed in their imaginative worlds, our kitchen filled with the fragrance of baking cinnamon, I think, what sheer luck to live in a world where Birches is possible. What sheer luck, this down-pouring day.

So was I once myself a swinger of birches.
And so I dream of going back to be.
It’s when I’m weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig’s having lashed across it open.
I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.

– Robert Frost, “Birches”

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May 1/Woodbury, Vermont

Rough Draft

The ten-year-olds are at their fort building again; odd pieces of plywood have been scavenged, a long 2×6″, silver spray paint glistens a joyous arc in this early morning dew. The project is all rough draft. No terminal point of placing Ma’s china shephardess over the mantle will ever occur. Lacking the need for a finished project, the kids’ creation is all joy and curiosity. Could these old pallets be used? A split hose?

At select moments, the daughter opens her door and invites me in for a tour. What do you think? she asks. What more can I do?

And then: Pull up that bench I made. Sit down and enjoy.

So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers, go once again into the lonely march, mustering our courage with work, friends, half pleasures which are not whole because they are not shared. Yet still I believe in love’s possibility, in its presence on the earth….

Andre Dubus, Broken Vessels

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Photo by Molly S.