Journey of many layers.

One of the best journeys of my life was when I was 19 and had long hair I rarely brushed. My then-boyfriend and I were hitchhiking (don’t hitchhike any more, folks) at the Greenfield, MA, I-91 exit, heading north, home to Brattleboro. A man driving an old convertible Cadillac, a great white Moby Dick beast, picked us up. In my memory, he’s smoking a cigar and grinning. While he and the BF sat in the front, shooting the shit, I sprawled in a backseat so enormous it could host a family. I surely wore no seatbelt. My god, on that July evening, I felt like I was flying.

This week, a grad school friend of mine invited me to spend a morning as a visiting writer with his students. All the layers of this trip—the journey south, the first solo I’ve taken since the cancer (my girls urging me to drive carefully, have fun), the stop in Brattleboro where I’d lived in my twenties and was happy, the visit with my dear friend and his wife who I immediately feel is a kindred soul, in their inviting house with a backyard vernal pool and singing peepers, a night of rainstorms, the morning’s magnolia blossoms gleaming pearly—all these layers folded into these writing students who arrived with questions and notebooks, hungry. In this breaking world, what a joy to swim for a bit with others in the passionate stream of loving literature, in all its myriad forms.

On my way home, I stop at a café near Dartmouth-Hitchcock Medical Center. By then, early afternoon, I’m worn down. The café was a favorite of my daughters, in all those months I was treated. Last June, when I was finally well enough to join them, no longer sequestered in a hospital room, they bought me a plain croissant, and I ate a few bites of its inner softness. This afternoon, on the sunny patio, I devour pickled vegetables, soaked in vinegar—something I could not eat last year. Delicious.

April, mud season, it’s just me and a young woman with an infant cradled on her chest. I read for a bit, and then as I’m gathering my things, a car pulls up with two young women. They run to the woman and the baby, laughing and shouting, gleeful.

Midafternoon, I have a ways to drive yet, along the wide river and over the mountains. I take a small walk first through the pine forest behind the café. Warm sunlight filters through the canopy. No ephemerals emerge yet, but soon, soon, as the trout lily leaves spread over the earth. My mother would have noticed the young mother, her sleeping babe, the joyous friends meeting this new life. Such satisfaction she would have taken. One more element folded into this journey. Then I head north.

…. And for folks around me, Helen Whybrow will read from her fantastic The Salt Stones and Jody Gladding from her translation of Jean Giono’s The Serpent of Stars at Greensboro’s Highland Center for the Arts, Saturday, followed an artists’ reception for a stunning group exhibition celebrating Vermont’s pastoral life. I was lucky to write about this for Seven Days.

I am beginning to understand that healing is not about returning to what was, but about accepting the change and adapting to the brokenness. This is happening all around us, for people, for the land. People have done damage to the earth and to each other that can’t be undone. We can lament what was, but that won’t help us take care of what we still have. In fact, it might just hold us back. ~ Helen Whybrow

The full extremes.

The days are hurrying right up to that mark of a year of healing from chemo. After that final treatment, I lived into a little lull where I allowed myself to believe that all would be okay again, but the need for surgery roared up, too. Much as I fought against this — and, honestly, my fighting was from fear of a horrible outcome and, perhaps even more, if I’m dead honest, was my terror of YET MORE PAIN — but as I said, much as I fought against this, I eventually ended up back at Dartmouth in a hospital bed, my daughters beside me wondering when the heck this was going to end. That huddle of surgeons appeared. It was, after all, a teaching hospital.

I said no. The surgeon said, I put you on Tuesday’s schedule. Doubtlessly, he was satisfied to finally, after those months, to get to work repairing me. I stared out the window and knew there was no way I would ever make it home. So I said yes.

But a year… a year ago, I was somewhat seeing a man who was more interested in me than I was in him. I was interested in admiring the daffodils and learning to walk again. I was interested in never returning to the hospital again. I had other things on my mind, too. I was rewriting a book, and, since I had lived, I had to start earning a living again.

It’s been a remarkable year, suffused with radiant joy, with gratefulness to walk and eat and read and write and sleep—without pain. And a year filled, too, with the darkest thoughts I’ve ever experienced, as if the cancer had broken every inhibition, allowed me to feel and fear all the rottenness I’ve kept away for so long. This is not something I’ve written about here, but I keep bearing in mind my oncologist’s prescription: Go and live your life, Brett. A year later, the word that surfaces is fragility. I live in a world that bandies resilience—resilience of soul, resilience of Flood Ready Vermont!, resilience of community and systems. A year later, I know intimately the thinness of energy and health, the scantness of my days, your days, our days. All of it, I know; live all of it, such largess.

“The society to which we belong seems to be dying or is already dead. I don’t mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, ‘Look at yourselves, you idiots!,’ but to say, ‘This is who we are.” — Anne Lamott

Stars as a trail of crumbs.

When I was a little child, age six or so, I lay awake before sleeping and wondered at the borders of the darkness. My sister, brother, and I shared a room that seemed vast, although now I remember the footprint of that townhouse and realize my memory of that room is child-sized. Above the kitchen and entryway, the room could not have been large. Across the upstairs landing was our parents’ room with a view of the interstate and, some nights, a flickering drive-in movie screen. While my younger brother slept, my sister and I discussed the limits of infinity.

We lived there for two years. Now, I realize my parents turned 40 in that townhouse with the orange-painted metal door. In those two years, I have no memory of the stars in that place, an odd thing given that the night constellations are my earliest memory, my father parking our Volkswagen bug on a roadside, and my mother admiring how the Santa Fe city lights mirrored the stars.

The night before I realized I had cancer I stood on a back road in rural Vermont. It was late autumn, and, my God, how the country dark gleams its power, how radiant the ineffably distant stars. I carried that memory with me as I descended into the depths of profound illness. A few nights ago, over a year after that autumn night, I parked in Montpelier and walked along the sidewalk that was mostly empty in the sharp cold. Small lights gleamed in the closed-up shops—the candy store, the bookshop, the AT&T outlet. The stars pierced the night: sacred and profane illumination. The cold drove me back to my car, and my headlights showed me the way over the low mountains, back home again. I’d left my porch light on. I stood on my step for a moment, shivering. I was more perceptive as a child, before language encouraged me to divide the world into categories. Wonder. For this moment, nothing but wonder.

“Sometimes I think we can learn everything we need to know about the world when we read fairy tales. Be careful, be fearless, be honest, leave a trail of crumbs to lead you home again.
― Alice Hoffman

Keep Reaching.

Dark as a pocket or the inner chambers of my heart — so goes these December nights. The nights descend earlier, more afternoon than evening. I randomly meet friends on Main Street with the darkness kicking around my ankles. We step into a community center, pulling off our coats and hats and talking about random things — the price of gas, the upcoming holidays. For those who don’t live in a northern climate, a public building in Vermont sometimes has a curtain just the inside the door to stave off winter’s wind and snow. I push aside the curtain, and we step into a well-lit room.

It’s a simple/not simple thing. We eat bowls of hot soup and chunks of fresh bread at a long narrow table. A couple I’ve never met sits beside me with a brand-new infant, gustily sucking. I refrain from bending my head and breathing in the child’s milky scent.

Darkness presses against the windows as we talk and keep talking, and eventually the three of us are all leaning our elbows on the table, our heads propped on hands, spent. People appear, say hello, offer a hug, disappear, and still we’re talking about what might happen with the schools and our old parents and the persistence of memory from early childhood. How do we reconcile our stories? Escape or rewrite our stories?

Eventually, sodden with sleepiness, I pull on my boots and step out. The weather has turned, and the sidewalk is slick. I head out of the village. The wet air is not so much clean but fresh, a mystery of fomenting things both lovely and fearsome. But for now at least, I carry these gems of companionship in my heart. A pleasure, a warm joy.

…. and a poem from a friend….

Keep Reaching

The trick is to keep reaching

for the light you will never touch,

and to be nourished by the stretch

toward impossible things.

The trick is to bloom where you are,

not calling it a failure because

you wanted a different outcome.

Live each day devoted to awe, 

so that when a monarch lands 

on the tip of a coneflower, seeming 

to swell with that sudden infusion 

of sweetness, you don’t miss it. 

So that, while you watch, a pair 

of hard-won wings seems to open 

and close, and open again in you.~ James Crews

Disease as Teacher.

About a year ago, a friend asked to borrow knitting needles, a request I almost certainly ignored as I could hardly walk up the stairs in my house, and forget the effort of opening the closet door and searching through my needles. A year ago, my family moved my bed downstairs, and I wondered, Well, is that? Am I now confined to one floor like an old woman? I was not, thankfully.

Half a year out from chemo and surgery, my family moved my bed back upstairs. The first morning I wake, I stand at the window looking down at the mock orange planted decades ago. In June, this giant bush is covered with small white blossoms, but in November, the bush is mostly sticks, save for a few withered leaves.

Standing there staring down, I felt suffused with profound grief. Almost immediately, I chastised myself. Why grieve when I survived a terrible illness? When this might have easily gone otherwise? And yet, grief.

Nearing the holidays, I think often of my mother who died not so long ago. She and I had years ago separated our lives for reasons both silly and profound. Only at the end of her life did I begin to have empathy for her and see her not merely as my mother but a woman in her own right. So that morning, thinking of her, my grief is for her absence, for what might have been between her and my daughters and myself. So many years I invited her to holiday meals, and all those years, she refused to join us. How I would love to invite her this year. Surviving cancer (thus far) broke me in so many ways, shoved me right up against the fragility of the world, revealed my own meager strength, but it also allowed me to grieve the loss upon loss that is not endemic to me but woven integrally through our mortal lives. Cancer empowered me to hold that grief without rage, to acknowledge simply what is.

But sadness, of course, is one variation of the complex symphony of our lives. Yesterday, walking along a hillside dirt road in the November sunlight, hat pulled off my head and in my hand, eyes on the spine of the Green Mountains in the distance freshly covered with snow, pure joy suffused me at simply being in the world. Six months ago, my companion had walked with me from my house to Main Street. It wasn’t at all certain to me that I could manage that short walk there and back. Now, the two of us moved quickly through the world, talking poetry and plans. How remarkable is that?

What if we embraced the messy, evolving, surprising, out-of-control happening that is life and reckoned with its proximity and relationship to death? What if, instead of being afraid of even talking about death, we saw our lives in some ways as preparation for it? What if we were taught to ponder it and reflect on it and talk about it and enter it and rehearse it and try it on? What if our lives were precious only up to a point? What if we held them loosely and understood that there were no guarantees? So that when you got sick you weren’t a stage but in a process? And cancer, just like having your heart broken, or getting a new job, or going to school, were a teacher? — Eve Ensler

The Survivable.

It’s dark as the inside of my fist at five o’clock. I’m driving into spitting snow, my brand-new studded snow tires grinding. My companion and I are talking about all kinds of things — how language shapes our worldview and the personalities of tuxedo cats and dentists. I’m driving more by faith than anything else, not particularly fast, headlight beams filled with snow. As if cued, a deer waits in the forested roadside. I slow, then stop, people and deer staring at each other. Then the deer vanishes into the woods.

On this backroad, I’ve passed no other vehicle save a UPS truck, so I wait for a moment for the deer to return, for a companion to leap across the road.

My passenger says, apropros of some conversational thread, that I’ve shed bad karma in my months of cancer treatment, of struggling to survive. My devotion has always been my pencil or keyboard, not the meditation cushion. And yet…

I roll my car forward through the swirling snow. I’ve long adhered to that ancient Aristotelian notion that action defines character. When I realized I had cancer, a year ago, I was rapidly veering towards sepsis. I could not indulge any opinion. To survive, I had to strip away illusion. What were the facts? What was the wisest way forward? None of this was simple.

Cancer narrowed my world. Through weakness and the possibility of a fatal infection, I was confined to my few downstairs rooms, to Emergency Rooms, and hospital rooms. But unexpectedly, cancer widened my life, too, gave me the gift of friendships forged in rough experiences, reinforced for me that this world is propelled by cause-and-effect, that actions have consequences, and that I often grasp only the slenderest knowledge.

New England November drives us into the season of early darkness, blackness so profound our eyes struggle to navigate. When I left Dartmouth-Hitchcock after that last long stay, I felt old, aged in bone and flesh, and concurrently, miraculously restored to my twenties, those years when my lust for living and creating was ravenous and I did not yet comprehend the immutability of time. At the end of this evening drive, I stand for a few moments in this velvety and freezing darkness, snow hissing on the hot car hood, a slender strand of white lights twinkling in my kitchen window. I clench my mittens in my cold hands. Around me, beguiling night.

“When you survive something that was thought to be unsurvivable, the obvious is gained. You have your life—you have time. But it’s only when you get there that you realize your survival has come at a cost.”
― Suleika Jaouad

And last… my story “Tiny Towns” appears in the new collection: 2050: Vermonters Take a Swipe at the Future. Reading tonight in St. Johnsbury….