Making Things…

Mid-January, the earth is covered with ice and a crunchy snow a few inches deep. The meditative qualities of walking are swallowed up by fear of slipping or the grinding of hard snow beneath boots. People complain. Complaining is a normal winter’s activity, so are ice and snow, and yet — I’ll reiterate for what seems like the hundredth time again — we’ve slipped out of the cog of normalcy.

What I do:

I finish painting the bathroom (one Sunshine wall, the others Vanilla Ice Cream).

I’m diligent at my work.

My daughter and I go out for coffee, struggle through the CSS profile on financial forms, talk and talk and circle around.

I rise early every morning and rewrite my novel, snip, stitch, elaborate, with my imagination and my hands. In the night, I wake and lay more wood on the fire, pieces of my life arising in words: loons and dahlias and betrayal and desire.

On a Jane Alison bender (Meander, Spiral, Explode: Design and Pattern in Narrative), I inter-library-loan Alison’s memoir of how her parents switched partners with another couple, The Sisters Antipodes. Alison writes, “Making things helps make you.”

Sunlight on Sunday, a stiff breeze that jangles the wind chimes.

Pique.

Anyone who knows me knows that winter pulls out my mania for painting. In a fit of what I can only describe as sheer irritation, I bleach mold from the bathroom ceiling and then ask for primer advice at the hardware store.

The store is darn near empty, save for two clerks and a black cat who rolls on its back on the counter and flicks a pearl-tipped tail at me. A clerk walks back with me to the paint section. She and I have been on a first name basis for years. While my gallon of primer is on the shaker, she shares her bathroom ceiling painting experience, and I offer this small problem and ask her to solve it. We walk back slowly to the front counter. She’s been my height for years, but as we walk and talk, I realize she’s slipped down below my height, and my height is definitely (as my brother might claim) substandard.

A man in logger’s chaps pays for discounted Christmas tree lights and a Twix bar and grouses about the rain and the mud, and how can there be a January thaw when we’ve had no winter?

The clerk spreads my paint samples over the counter and asks if I’ve narrowed down any color choices. She lays one finger on the color named Sunshine. “This one,” she suggests.

I gather my primer, stir stick, the lightbulb for over the kitchen stove, and head out. Ahead of me lies an afternoon of careful work, of NPR and stories from around the world, so many places hemorrhaging in ways that far outstrip my tiny mold project. As I’ve always done, I join my head and hands in a creative project. My own imagination won’t heal the world, but surely it won’t harm.

Travels into the Past

My daughter and I stop briefly in the New Hampshire town where I grew up, as part of a much longer day trip. Although Goffstown is three hours from where we live, my younger daughter had never been there. My parents have long ago moved back to New Mexico, my siblings spread out in their own adult lives.

The little village, where I haven’t been in years, is surprisingly unchanged. There’s some sprawl here and there, but not as much as I expected. A town ballfield has been converted to a cemetery, planted with saplings and marked, so far, with a single tombstone. Below that, the small pond where I learned to ice skate is still encroached by weeds and brambles, making for tricky skating but immensely interesting viewing for a child lying on the ice.

The snow has mostly melted here, and the earth is an amber-brown. Not a single shoot of spring green is visible yet. Walking around, I see the places that I loved: the gone-to-wild swathe behind our neighborhood houses — places a child could endlessly explore for years — the Ucancoonuc Mountains, the woods with huge glacial erratics surrounding the town. The library where I read out the children’s section and held my first job as a library page has been expanded. We walk through the library. Tom Wolfe famously wrote that you can’t ever go home. I can’t quibble with that wisdom, but walking through this library I loved so dearly, I step back into my childhood for a few minutes. Crammed with books, the library was both alive for me with the social chatter of the town but also ineffably fed my hungry imagination.

On this Wednesday morning, the library staff says hello and good morning to my daughter and me, and I feel, again, that same hum of life, endlessly unspooling, utterly fascinating. The shelves now stretch far up to the high ceilings, and this makes me so happy, to know the library is loved and funded.

Likewise, walking past my former house, I see a treehouse in the backyard and a tire swing from one of those enormous maples. Every summer, my father — and then his three children — painted the clapboards. Whoever lives there now does the same, I see.

I had expected to be sad, maybe nostalgic, about this town I never visit any longer. But walking around with my teenager, I see immediately that I’ve taken that town with me, that the child and teenager I was then carried that love of woods and wild, of imagination and dreaming, the same quirky family story and laughter with me.

At my parents’ former house, I see children play in that mixture of tended domesticity and the small patch of woods behind that old house. It doesn’t make me feel old; instead, I feel resilient. Driving, we listen to Coronavirus news, to the stock market careening, to the political uncertainty of this world. My daughter and I talk and talk and talk. Listening, I don’t second-guess myself, I don’t wonder what I’ve failed as a mother. I know, instead, I’ve given her a fertile, imaginative childhood, and I know it’s hers, to decide her own course, too.

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Teenagers Recite Poems

Reluctantly, my daughter drags herself to a required high school poetry recitation.

While I chat with parents I haven’t seen in ages, I see her laughing with a boy she’s known since third grade.

Adolescents and poetry — how fun! One boy gives a comedic performance of “Stopping by Woods on a Snowy Evening,” beginning by asking the prompter, Where am I stopping now?

Another boy’s fingers tremble as he reads a particularly beautiful poem. A shy girl comes alive.

Afterwards, talking in the dark on the short drive home from the theater, my daughter tells me about each student, how they chose their two poems, and what their voice was like. My daughter’s second poem was Frost’s Two roads diverged in a narrow road, so familiar, such a beloved poem. Nervous for her first poem, Emily Dickinson, she gained her voice with the second, her eyes on the upper balcony, her voice clear, melodious, utterly her.

Tonight the bear
comes to the orchard and, balancing
on her hind legs, dances under the apple trees,
hanging onto their boughs,
dragging their branches down to earth.
From ‘The Bear” by Susan Mitchell
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Kid Tracks

Tuesday, I’m at the Vermont Department of Libraries for an all-day workshop in the enormous, former high school — the loveliest of buildings in Barre. Built on a hill with a view of the town, every time I walk through the doors I wonder when we thought it was wiser to educate kids in ugly brick and nearly-windowless buildings instead of spacious and high-ceilinged rooms, with a sweeping staircase and polished woodwork.

How the world changes. The building is largely quiet now.

Midday, I walk on slushy sidewalks around a nearby park, a perfect square fronted by enormous ornate Victorian houses. On a snowbank, I see where a child’s mittened hand pressed ripples into the fresh white. The waves are low, and so I imagine a small child walking along in a snowsuit, thinking of not much at all but the pleasure of pressing fingertips into snow. The bank ends, and there’s no more sign of the child.

Here’s one more poem from Buhner’s book…..

People possess four things
that are no good at sea:
rudder, anchor, oars
and the fear of going down.

— Machado

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Photo by Gabriela. Hazen trails, Hardwick.

Teen Dreaming

What’s up with the lilies in Vermont this summer? Even my kids noticed they’re crazy tall — like an advancing army of flowers, about the coolest thing imaginable, in a summer that’s turning not so temperate.

Now fully a teenager, my 14-year-old is not a street-legal driver, which in rural Vermont makes a real difference. She and her friends have their eyes on the road, anxious to spread beyond this small town.

Summer to her now seems interminable; I remember that sense as a small town girl myself, as though the hot days would just keep appearing, one after another. While I’m at work, I leave her alone for long periods of time, with two cats and a list of chores and the freedom to do what she wants, within these physical confines.  I don’t know if that’s wise or not — but at the very least it gives her the space to imagine….

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