Pocket Treasures.

On this Sunday afternoon, my guest departs in the falling snow. When I head out for a walk, the cold has sunk in, deep enough that tendrils of snow cling to the grass and trees branches. The snow bends down last summer’s sunflowers in the garden. I leave my woodbox full, the cats sleeping, plates on the table. I intend only to return a handful of library books, but I head up the hill and around the high school and into the woods where the snow lies deeply and slows me down.

It’s December. Snow circles down, lovely and miraculous, this silent transformation.

Here’s a few lines for winter:

“Treasure what you find
already in your pocket, friend.”
― Ted Kooser

How to Reconcile Contradictions?

The November days end in early darkness. Late afternoon, I close my laptop, comfort the cats with a handful of kibble, and pull on my jacket. The village lights glow: the few restaurants, a garage, a laundromat, the library. When I’ve reach the high school, the darkness spreads ubiquitously through the town forest that spreads up the hillside. Nearly all my life I’ve lived in New England, and yet the profoundness of this late autumn darkness always amazes me.

Later, I’m in the neighbors’ house who need some aid. As we stand talking in the well-lit rooms, I feel the house around us, the century-old vessel of wood and nails, a metal roof. Around us, the wind stirs through the evergreens. I walk back in the dark, my head bent against the cold channeling through the valley. All night, wind howls, the inexorable thrust of our world into winter.

While I read on the floor beside the wood stove, the cats keep me company, thinking their feline thoughts. Eventually, I turn off the lamp, and we three beings watch the fire’s flames through the stove’s glass door. Encompassing us, this profound darkness I will never comprehend. In it, our hearts beat on.

Here’s a few lines from David Truer’s “The Americas They Left Me” I read last night, in The Best American Essays, 2023.

This country is a terrible country, and this country is not…. There is a great ugliness on the land and also a great beauty. This country would and will do its worst at the same time it embodies the most nurturing habits our civilization has to offer. There is no reconciling these contradictions; they cannot be reduced or done away with. I must, we must, find a way to contain both.

“Our stories from around here…”

I convince a friend to pull on her raincoat and meet me along the rail trail. The story this summer and fall has been rain, rain, more rain; the river runs high. Grabbing alders, we stumble along the edges, marvel that the two cars rammed deep into a bank have finally been removed. What remains is a sandy patch.

This amble is not conducive to talking: we toss bits of our lives between us as we struggle through the mud. Eventually, we make our way back to the trail. The bridge there is intact from July’s flood, but where the river rewrote its course the bridge hangs over the river, the bank jagged black earth. The rain falls hard now, streaming down my cheeks.

Vermonter Kenneth Cadow’s novel Gather (just named a finalist for the National Book Award) is fresh in my mind, a contemporary version of Huck Finn. Walking back in the rain that’s determined not to let up, my friend and I talk about growing up in New England: how powerful the autumn is, redolent with the scent of rotting leaves, the earth shaking off her pretty leaves, exposing the bones of mountains, rocks, the hungry rivers. Another friend sent word recently of this particular date’s power for him: the date his world shifted, spun from destruction to creation.

Walk finished, I’m grateful, ever so grateful, to return to my hot hearth, my wool sweater steaming, redolent of the sheep and grass that gave me these materials to knit….. and so it goes….

From Gather:

But I feel like you need to understand this. Our stories from around here come out like the way we keep our work shed: you go in there, see what you have lying around, some of it being old as hell, some of it being stuff you might even have had the money to buy for yourself. You move something, you find something else. You brush it off a little, then you use it or set it back down. But you need it all to piece together how things come to be the way they are now, how you come to be who you are.

Talking Past Dark.

A friend comes to visits, heads to my picnic table, and we commence talking. Hours later, a dewy dusk has descended. I’m shivering, my sweater cuffs pulled all the way over my hands. Inside, my cats are grousing for a fire in the wood stove.

I remember my friend’s oldest son sitting on my couch, about an eon ago. The boy was so small his legs didn’t reach the end of the couch. Now, he’s thinking of heading into a PhD program.

I haven’t seen this friend in months, since before I traveled to Europe and decided I was born on a continent that mismatches me. Yet, we start talking as though I was a young mother again, walking along the dirt road with a toddler, my hair unbrushed for days.

It’s a cliche of course, how the world changes and how it remains the same, that one long Heraclitus river — always the stream, never the same.

The foxes didn’t return to den behind my house this year. A few stray lilacs bloomed in late September. The harvest moon sails up in the sky. All our hours of talking and we solve absolutely nothing, not a single problem, except this, perhaps: a fattening of our friendship, this woman who assured me I would survive my divorce, that my life would continue. The sun heads down, and we keep on talking.

In Very Vermont Fashion….

… I stopped by an art opening in a former brick stagecoach inn. In the Vermont way, the art was eclectic and superlative, the cheese local, the diminutive cupcakes homebaked, and the company excellent. My friend is the easy kind of person who doesn’t mind stepping forward with a plate of olives in her hand and introducing herself to a former library volunteer of mine whose name I can’t quite place….

Across the dirt road is an old barn where a stone labyrinth was placed a few years back. While my friend and I were talking, we watched two strangers do an excuse me, no, excuse me, sorting out who was going to enter the labyrinth first.

Small pleasures, friends, against the inevitable chaos of life.

Small Reckonings.

I’m sitting in the back of the school library on the wall heater when a friend I haven’t seen for years walks in. A large school board meeting has started, and we whisper to each other until I suggest we leave and talk. Early evening, the school is empty, and turn on the lights in a room where my daughters both had classes. I pull out two chairs from the student tables.

Almost immediately, we start in on what should be a simple math problem — March 2023 to March 2020 — which yields an unbelievable three. Before the pandemic we worked together and spent hours talking about literacy and kids, about schools and families, but we also talked about canning tomatoes, about parenting, and being women. We ask how this or that turned out for each other — some decisions, some simply a bend in circumstance.

By the time we leave, the school has completely emptied out for the night. The weather has turned mild, and we walk slowly under the dim lamplight to our cars. A mist rises over the soccer field. I get in my car and drive down the hill and across the river and up the hill to my house. The village lights sparkle in the mist. The moon edges around a break in the clouds. In the darkness I stand there, thinking about the numbers we put together, marking places in our lives, then adding and subtracting our lives—people and jobs and books and houses. The numbers all mesh together, consumed in our shared stories.