Winter Things.

On the cow shed

A hard winter rain;

Cock crowing.”

— Buson

My daughter “relocates” a plastic pink flamingo. The prank is insanely refreshing to me. I’m on a long string of evening meetings, negotiating the adult world in all its complexities, and I surface now and then, checking back into the kid realm. She makes hot chocolate, complains about a lengthy reading assignment.

Early winter: ice over the compost bin. A red cardinal noshing at the feeder. The hard whack of an ax through firewood.

Here’s a link to my commentary in VTDigger.

Elmore, Vermont

Bits of Colored Glass.

Hardwick, Vermont

I step out in the morning dark to get kindling from the barn. I’m grateful for many things, but a hot hearth is high on my gratitude list. The sprawling cats concur.

In the night, snow has fallen, a cold wind blows, and winter has spread out her garments. She’s here to stay.

At Thanksgiving, my daughters asked why I didn’t stay in the Pacific Northwest, where I went to graduate school. One reason was that I missed the drama of New England’s seasons. On this late November morning, I remind myself of this love for Vermont, that the need for winter’s stillness and beauty is driven as deeply into my body and soul as May’s blue squill around my house.

Here’s a link to a radio show at WDEV in Waterbury, Vermont, I did with my former US Attorney Christina Nolan, who appears in Unstitched — a woman I greatly admire.

And, a few lines from poet Adelaide Crapsey:

‘November Night’

Listen…

With faint dry sound,

Like steps of passing ghosts,

The leaves, frost-crisp’d, break from the trees

And fall.”

A Miniature Temple.

A number of years ago, my friend and I were sitting near a lake watching our little kids play in the sand when somehow our conversation drifted to fear. I began rattling off what I feared — and the list was long. My friend had her long list, too.

Years later, my list might be shorter, but the items are all darn scary.

I wake in the dark as our cats creep around the downstairs, fearful and entranced about my visiting brother’s dogs. Over the millennia of human history, countless people have lived — and are living — through periods when the world around them was crumbling apart or being blown to smithereens. On this Thursday morning, here’s a few lines from a recent poem in the The Writer’s Almanac.

Wishing happiness to all of you, in whatever way the light finds you….

Isn’t it enough to be a person buying

a carton of milk? A simple

package of butter and a loaf

of whole wheat bread?

… I look outside,

but I can’t see much out there

because now it is dark except

for a single vermilion neon sign

floating above the gas station

like a miniature temple.”

— Marlena Morning

Sink.

Sunday morning, I took my broken sink drain pieces to the hardware, laid them on the floor, and asked for help. At some point, I realized I’d need to be an active brainstorming participant, although, let’s face it, in the scheme of things, this isn’t exactly brain surgery.

I paid my twenty bucks and headed home.

Here’s the thing — when I began screwing these puzzle pieces together, I realized I’d have to go off script again. The floor drain was epoxied together, and then spraypainted white, as added glue.

I reached in my kitchen drawer and pulled out the super glue. Will it hold? Who knows.

But here’s the more important thing, the water’s flowing. Our kitchen is humming with cooking and cleaning again.

In these dim November days, I often find myself thinking back on my life, wondering what would have happened had I gone this way, or that way. Foolish, maybe, and definitely nonproductive. And yet, like a wound, I can’t help touching that.

Late Fall Mud.

This photo sums up November — little remainders of green, intermittent mud, and a long road ahead. It’s not all bad news, for sure. November twilights are the loveliest — pale blue and blood red.

On Anne Sexton’s birthday, a line from this poet: “Put your ear down close to your soul and listen hard.” 

What could be better advice for November?

Planting Bulbs…

On this frosty November morning, a few lines from Rebecca Solnit’s newest book:

To garden is to make whole again what has been shattered: the relationships in which you are both producer and consumer, in which you reap the bounty of the earth directly, in which you understand fully how something came into being. It may not be significant in scale, but even if it’s a windowsill geranium high above a city street, it can be significant in meaning.”

Woodbury, Vermont