Ordinariness.

On a day of yet more snow, of wind and cold, I’m reminded that people still keep on with their lives. Living doesn’t wait for convenience.

At the post office, I mail off a copy of my book. The woman who weighs my small package insists this is “sugar snow,” an early spring snowfall that will lengthen the maple syrup season. We sugared for years, and this kind of snow always meant a break in boiling and a chance to wash filthy snowsuits. The upcoming forecast is for as near-perfect sugaring weather as possible. Sugaring is the epitome of day-to-dayness — be smart, keep your eyes open, do the best you can — with no guarantees of a good or even decent season.

We talk for a few more minutes about shoveling snow, and then I head back out into the town’s Saturday morning. On my walk home, I stop in at the coffee shop and stand in the window drinking an espresso and staring out at the traffic struggling on snowy Main Street. There’s the usual confusion of the three-way intersection so many don’t understand — two stop signs and a blinking yellow light — as if the calculus of two stops and one yield doesn’t make sense. Standing there, I wonder if it makes sense mostly to those who use these streets day after day.

A year ago, the coffee shop’s tables and chairs were closed for seating, and I wondered if I would ever bring my laptop back here, to my favorite table where I once wrote a book. A year later, here I am, drinking coffee, surrounded by maskless people laughing and talking, writing notecards, going on about their lives. On this inclement Saturday morning, that seems nothing shy of a miracle.

“The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.” 

~ Annie Dillard

Q&A.

My teen and I are in an office filling out paperwork and the last question asks her how apprehensive she is about dental work.

She stares at me. “Why on earth,” she asks me in her reasonable way, “would I reveal anything like that?”

I note it’s a standard question. Her answer: that’s a ridiculous question.

It’s another cold afternoon — a mostly sunny day in Northern Vermont — in a winter where cold has now dragged on well beyond its welcome. We’ve driven a little distance and taken a detour along a river whose middle has thawed. Only its shores are frozen.

A couple of decades now into parenting, I’ve observed children are formed by their parents’ lives — and not, too. She’s driving, and I seem to have taken up residence permanently in her passenger seat — a place I inhabit uneasily and definitely gracelessly. We drive and talk. Youth, I think, repeating the word soundlessly, like a mantra; I’m drawn to its utter ebullience and brashness, like the sunlight we all desperately need.

We remark on the price of gas. Our sheer luck at the happenstance of living in the Shire of Vermont right now. Of the war in cities and villages and homes on the other side of the globe.

At our house, the icicles on our covered porch are exceptionally skinny and long this year. In the early morning, the ice begins falling in spires that break on the wooden porch. So many questions, and my answers are so poor. Keep asking.

Somewhere in February. Dirt Road Land.

Kents Corners, Calais, Vermont

Every so often, a friend and I make plans to meet at a rural crossroads, at a brick inn that was once a stagecoach stop. I imagine in those days the crossroads was populated with chickens and horses, with people coming and going, not Priuses, but in wagons and on foot. My friend and I began this habit in the summer of 2020, and so the inn has been shuttered to the public all this time.

Walking, we pass a few other Sunday walkers bundled in coats and hats. But few people are out, and there’s scant traffic. In contrast, our conversation is packed — about raising kids and planning spring gardens, about relationships, about navigating the working world as a female in a patriarchy (why are these conversations still necessary, anyway??)

The thing about Vermont in midwinter is the stillness and what breaks that quiet. Icicles drip, freeze, and then thaw and drip again. Birds appear at our feeder in increasing numbers, then whisk away again. A rouge wind blows in a squall, soon chased away by the emerging sun.

Pandemic notwithstanding, robins return to our crabapple trees.

“Things are as they are. Looking out into the universe at night, we make no comparisons between right and wrong stars, nor between well and badly arranged constellations.” 

— Alan Watts

(And many thanks for Erika Nichols-Frazer for a review of Unstitched in the Valley Reporter.)

Holy Language.

Montpelier, Vermont

On a rainy day last week, I parked on a Montpelier side street and walked into town to attend an opioid summit as a writer.

The last time I had been in the conference space in the Plaza Hotel was nearly precisely two years ago, when I attended a conference as a journalist, charged by my editor to “make connections,” and spent most of it drinking coffee and eating sugar cookies and talking with a para-educator at my daughter’s high school about his experiences. Like darn near everyone else in Vermont, he has a side gig for income, and runs a seasonal bakery.

I sat at a table with people I admire who I’ve met through writing. For those few hours, I had the nearly heady experience of meeting new people; I had remember that deep pleasure. Years ago, I traveled on a train from Charlottesville, VA, to Chicago, and sat beside a man from West Virginia. We talked off and on for those hours. It’s been so long since I had that experience of just listening and talking with people.

For a few hours, I listened to stories about addiction and struggle, about suffering and redemption, about profound loss and grief. Listening, my heart grew full. Our stories and words, the act of telling and listening, of sharing the hard and the beautiful things in our lives, bound us together. The summit began and ended with singing. I’ve never been one for group activities, for open sharing, but at that moment, I utterly understood; I got it. The melody of our language and experiences pulled us together, acknowledging both the beautiful and the terrible about human life, and made our world shine brighter.

…. Grateful to have a terrific piece about Unstitched run in the Brattleboro Reformer and the Manchester Journal by Gena Mangiaratti. And The Rumpus included my essay about the backstory of Unstitched in their Voices On Addiction column this month.

Overheard.

Far enough after twilight that the darkness has set in for the night, I walk up to the library to leave my returns in the book drop. The bitter cold has snapped, worn down by the day’s warmth. Cold in February will return — it nearly always does — but the tide of winter has pushed over.

Spring in Vermont is a long ways off. This is a rude truth, and it’s also true that this is the time of year I begin hungering for green. I take my time, walking back through a neighborhood. Hardly anyone is out, save for a man standing on his back step, drinking a beer and smoking. The smoke curls upward in the lamplight just above his head. Down the street, a small child comes running at me, his or her head hung down a little, tired perhaps. The child wears a knit cap and a dark coat and hurries along, keeping a wide berth from him. At the house with the man and the cigarette, the child leaps the snowbank. The man says, “Hey now, been waiting.”

The boy rambles about “sledding gone soft.” As I turn the corner, the man’s deep voice follows me. He says kindly, “Wait a week, kiddo.”

Good advice for kiddo, I think. I follow the steep street up to my house, where the cat is waiting in the windowsill for me, and the daughter is solving math equations.

Collectively, I think, we’re all in a waiting period.