Gold

Besides the colored candy, Halloween was interspersed with gems of loveliness: laughing children, sparkly tulle, some terrific “adult” dark chocolate candies, Chinese lanterns that disappeared into the dark sky. Halloween is not my favorite holiday, with its campy drama, the ghouls and ghosts, the inarguable and irredeemable descent into the darker season.

Later, lying down with my younger daughter before she went to sleep, we talked about the costumes, the walk through village, and how, returning to the library from a friend’s house, the streets were abruptly emptied save for one small turtle boy and his father.  All the other trick-or-treaters had gone home. We walked under the glowing streetlights and pretended it was midnight. It was just a handful of us, and we followed a shortcut path between houses that none of us had traveled before. Passing a thick cedar hedge, I remembered visiting its other side, years ago, and tried to push a peephole through the hedge, knowing a secret garden lay on the other side. The children laughed, teasing me, but in those streets so suddenly emptied, in the foggy night air, just about anything might have seemed possible. Had I been able to tease my hands through that hedge, and had I been able to see in that darkened backyard, why shouldn’t I have found golden coneflower blooming? Wouldn’t that have been lovely?

Some nights when news is bad in the world
we go out and look at the sky,
which is dark even before the work day ends
save for pinpoints of stars and sometimes
an ivory disk sailing across it….

– Janisse Ray, “Waiting in the Dark”

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Montpelier, Vermont

Freckled Jack O’Lantern

November is the season of mortality. Driving along the southern side of Morristown this late afternoon, the silage fields were harrowed up, dark earth and stone and pieces of corn stalk laid open and fallow for the winter.

Tonight, while the girls carved pumpkins and listened to music, I sat at my desk in the corner upstairs and called one of my oldest friends. We talked about frozen chickens in my freezer, pork, beets, carrots, cabbage. What do you need? I asked. I offered to make soup from beef bones and marrow. He hasn’t long to live, his life caught up quicker to him than he might have imagined. So many years ago, I met his pregnant wife for the first time. She wore a new dress the color of buttercups. That was in the house of many windows and myriad rooms, surrounded by fields of wildflowers. At a wedding one summer, I climbed rickety ladders in my bare feet to the hay barn’s cupola. That marriage ended. My friends’ marriage ended. Strangers to me now live in that house.

Downstairs, my children hunted for stubs of candles. My older daughter had carved flowers and vines and an earthworm on her jack o’lantern. The younger girl’s pumpkin had ears and eyelashes, smiling lips, hearts for hair, and freckles – freckles! – over bumpy orange cheeks. I struck a match and carefully put my hand in the pumpkins. We turned out the lights. The girls’ jack 0’lanterns glowed.

Abandoned house on a
mountainside.

Garden gone to
weeds.

No one home
anymore.

– David Budbill

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Morristown, Vermont, November

Windstorm

These autumn days hold the dim shortness I remember from this time of year as a child in New England, but the air this afternoon lay almost balmy, redolent with wet earth, like spring. Driving to meet my children at school, a sudden wind blew up violently, throwing dry leaves in the air, bits of twig, the abrupt rain nearly sideways against the windshield. The clouds spun darkly.

Looking up through the glass at crows tossing in the unsteady air currents, suddenly I realized the heart of the book I’m writing is about light and shadow. I pulled over at an ugly patch of Hardwick  – a mini-storage – and ran to the center of the parking lot. The rain bit at my eyes, and the wind spun in a gyre with shreds of trees and plastic debris. I closed my eyes and thought of those Salinger stories I had been reading last night; I imagined each of those stories in their own entity – with Teddy and Esme and the Laughing Man – circling around.

Just as abruptly, the wind ceased. I stood for just a moment more, thinking of those stories, as full as any story could possibly be, with layers of shadow and light, story beneath story.

Between Third and Lexington, she reached into her coat pocket for her purse and found the sandwich half. She took it out and started to bring her arm down, to drop the sandwich into the street, but instead she put it back into her pocket. A few years before, it had taken her three days to dispose of the Easter chick she had found dead on the sawdust in the bottom of her wastebasket.

–– Salinger, “Just Before the War with the Eskimos”

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Woodbury Elementary School, Vermont, late October

Creative Chairs

I picked up six free chairs the other day. Amazing, what the back of a Toyota Matrix can hold, when the kids aren’t in. Chairs have been a burr in this household for a number of years, and we’ve cycled through a number of incarnations of castoffs, supplemented with a  great deal of glue. A shocking number have ended up permanently relegated to the basement. But these chairs, I believe, will be here to stay for some time. They’re hard-used, fully broken with the kind of grime around the edge that fits in here, from hands like ours, dirty and calloused and into all kinds of things.

I took the smallest chair, the one the giver (also a writer) preferred, and set it at my desk. The chair’s well-made, well-used, and infinitely appreciated by me. Not to mention, I didn’t have to outlay any cash.

Sweeping under the kitchen table tonight, I remembered being a teenager and wandering through the adult section of the public library. I found all kinds of gems in those stacks, but a particular one was Salinger’s Nine Stories, stories I’ve read over, and over, through so many phases of my life. These chairs reminded me of De Daumier-Smith’s Blue Period, a koan of a story (aren’t these all?) ending with a mystical experience involving a mannikin. At the story’s end, in exasperation perhaps, the main character takes a chair up to his room. The house’s owners are Japanese, and the bedroom lacks a chair. I’m reminded of this story at times, when I can’t seem to get it together to just bring a chair up to a room, to just do an apparently simple thing.

I remind myself: do the simple thing. The harder things are hard enough. Early this morning, while the creamy moon was sailing over the house and the children were still sleeping, I was at my desk with my pages and pages of sentences. I thought, This is hard, but do something harder, write what I’d least expect, and I leaned over the page.

… the letters seemed to write themselves. It may have had something to do with the fact that, before sitting down to write, I’d brought a chair up from downstairs.

–– J. D. Salinger
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Cycle of Seasons, Firewood, Re-Envisioning Your Soul….

Driving home today, last week’s mantel of golden leaves had fallen from Elmore Mountain, leaving only a dull gray and dark evergreen. In Vermont, the seasons change fierce and hard, the fall hammering away summer’s softness, the spring mud swallowing winter’s crystalline beauty.

The last of our winter’s firewood has yet to be stacked, sprawled over the grass. I’m impatient, anxious for the wood to be stacked and drying, my precious heat. My older daughter complains about the ceaselessness of this chore: we cut and split the wood, stack piles, carry armloads into the house, load the stove, shovel the ashes out, and do all this again. And again, and so on….

I point out this year I actually bought firewood.

Whatever, she says, rolling her eyes, exasperated.

As kindly as I can (which might be little), I say, But that’s life.

She’s sixteen; she’s not buying my advice. I can hardly fault my daughter. At sixteen, my own eyes were on the linear horizon, eyeing the freedom of the open road, the sky unbounded. I believed I could remake – or re-envision – my own soul. Perhaps, yet, even with my hands full of firewood and ashes, I still believe I can.

But you can’t get to any… truth by sitting in a field smiling beatifically, avoiding your anger and damage and grief. Your anger and damage and grief are the way to the truth. We don’t have much truth to express unless we have gone into those rooms and closets and woods and abysses that we were told not to go in to. When we have gone in and looked around for a long while, just breathing and finally taking it in – then we will be able to speak in our own voice and to stay in the present moment. And that moment is home.

–– Anne Lamott, Bird By Bird

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Burlington, Vermont

Potato Digging at the Schoolhouse

At a meeting tonight about the future of my daughter’s little elementary school, a parent spoke about the importance of the schoolhouse, built a hundred years ago, by the town of Woodbury, Vermont. Until I went to a tiny college (also in Vermont), I never attended school in a building that had not only beauty in spades but also soul. The Woodbury schoolhouse has both.

This afternoon, a little thirdgrader showed me the dirt on her clothes from working in the garden. The children had been digging potatoes, and she showed me with her hands the size of the largest potatoes. Sometimes, she told me, my fingers got stuck around the potatoes and they were hard to pull out. She laughed, and I could see a sprinkling of dirt over her cheeks.

Too much of our world now is placeless – grab your i-phone and laptop and head out for new territory, but where we live and work matters; it matters who builds our homes and schools; it matters who opens the door to your child’s schoolhouse each morning. And on a sunny and windy October afternoon, it matters that someone shows a child to bury her hands to the wrists in black soil and extract an apple of the earth.

For the meaning of life differs from man to man, from day to day and from hour to hour. What matters, therefore, is not the meaning of life in general but rather the specific meaning of a person’s life at a given moment.

–– Viktor Frankl

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