Shape of May

I always imagine Medieval life as so much field around all those storied castles. In May, the Vermont landscape is wide open. The forest aren’t leafed out yet. The bushes are sticks without greenery. The shape of the land is there for the looking.

The comparison ends there, I know. Contemporary Vermont isn’t bound by class or infused with religion. No holy temples are built here, save what each family builds for themselves.

But there’s still all this land, fallow, ready for seed. All this potential, of yet another growing year.

Singing, planting rice,
village songs more lovely
than famous city poems.

— Basho

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Sacred Spring

T. S. Eliot who famously wrote April is the cruelest month did not live in Vermont, where we have much crueler seasons. Like January.

Yesterday, on my way from work to a grant-writing workshop, I returned home and changed from a sundress to jeans and sweater (again), but the robins are under the trees, wrenching out live worms. Daffodils splash.

Take what goodness you can get: I hold this as a mantra of single motherhood, but that’s likely my own solipsism. Vermont spring, while inevitably snowy in places, is a ubiquitous joy.

The workshop was held on the second floor of a gorgeous community art center, where I admired the artwork and the particularly pleasant shade of lavender on the walls. Last year, I was knocked out in the final round of this competitive grant; this year, I partook liberally of their snacks and chocolate, a kind of boon.

In this State 14my daughter’s rock garden appears.

There are no unsacred places; there are only sacred places and desecrated places.

— Wendell Berry

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Duck Joy

My daughter calls two ducks besides the April-fat river Mrs. and Mr. Duck — Out For an Evening Swim.

A brown female the hue of last year’s fallen leaves. The male’s garish, jade head reminds me of the unmistakable hue of Japanese beetles.

Nothing more — nothing earth-shattering — merely those two ducks easing into the muddy river, the frothy current quickly ferrying them around a bend and beyond our sight.

And yet I keep thinking back to that duck couple, a poem in motion, in no need at all of my fond wishes or thoughts.

Don’t say my hut has nothing to offer:
come and I will share with you
the cool breeze that fills my windows.

— Ryōkan

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Easter bouquet

Drop by Drop

This hopeful holiday is paired with tiny spring blossoms — crocuses, grape hyacinths, glories of the snow — and early morning services in the cemetery beside our house.

Yesterday, at Quechee Gorge in the pouring rain, we stop in at the state park visitor center where there’s no one but us and an elderly man behind the counter who lays his glasses on the newspaper and takes his time talking with us and telling us about the trail. When you go under the bridge, he says, you have to stop and look up. The bridge, when we get there, harbors singing birds — a great steel enormous arch over the spring-wild Ottaquechee River, so far down this rocky channel.

We walk further to the dam, where the water roars. The two younger girls are afraid, holding back from the edge. The rain has stopped, with a few sprinkles of sunlight pushing through the mist. Water: so much water. Rain, river, the profligate clouds, a few drops in our palms from the first maple buds we touch: drop by drop, water cutting through stone.

Awakened, I hear the one true thing —
Black rain on the roof of the Fukakusa Temple.

— Either Dōgen

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Return From Hibernation

On this unsurpassable, sunny, snow-melting April afternoon, I prop open the library door and stand on the walk. My patrons — a teenage boy, a near retirement age woman — stand there with me, the three of us collectively thinking, what the fuck?!  about this winter — as if a months-long temper tantrum has just passed by.

The school field is still a foot-rich with snow.

Later, as the evening cools, I walk through the crusty patches of remaining snow behind the house, discover there’s a patch of the garden open where I may plant my pea seeds.

I’m back in the cemetery, in my own sacred spot in this town. From the crest, I see the Dollar General with its faux brick and Woodbury Mountain, where bear live. Someone in the trailer park nearly concealed in a hollow is burning something, and smoke rings the mountain’s base. Overhead, a hawk catches an air current so fine the raptor sails out of my sight without a single flap of its wing.

The world? Moonlit
Drops shaken
From the crane’s bill.

— Eihei Dōgen

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spring kid crafts

Spring, 5:58 p.m., Wednesday

My 13-year-old’s bouncing like her once-beloved Tigger. After school, she’s ecstatic, with no particular reason. All through the afternoon, through cooking dinner together, hopping on one foot from the kitchen to the dining room, setting the table….

What’s up? I think. And then I know. I force myself to drop the adult crabbiness, forswear off my intention to adhere to my list.

It’s spring fever, and there is no cure. There’s only revelry.

11 years ago, give or take a few weeks, I dragged myself in from a long sugarhouse day, got my two and eight year old daughters to sleep, picked up The New Yorker, and read this poem by Louise Gluck.

Still one of my favorite poems, these lines remind me of how this harsh season reflects not only Vermont but the long seasons of a human life. Spring is hard-earned here. We savor it more for that.

It’s a little early for all this.
Everything’s still very bare—
nevertheless, something’s different today from yesterday.

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