Red Flicker

A single cardinal sits in the bird feeder on the wooden pole listing in the old woman’s yard. I pass this way often, where she sits on the glassed-in porch with her friends, a colored paper turkey pressed decoratively against one window.

Her boots have trampled down the snow around the feeder. My eyes search for a fallen crimson feather, but there’s nothing — just a flap of the bird’s wings, and then the bird’s gone.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

 

From Jane Kenyon’s Let Evening Come

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Library Afternoon Snapshot

A woman stops in my library — new to town and looking for basic info about an internet connection and where to buy food. She’s getting the lay of this corner of Vermont’s territory. Early afternoon, the school kids are paired up around the library, working on projects — some seriously, some intently goofing off.

It’s drab November, and the woman stays for a long while, using the library’s internet connection. Her friend calls the library and arranges to meet in the parking lot, exchanging a microwave. School morphs into after school by then, and the kids merge back into the library. A parent takes three crying girls aside and demands the drama to cease. A little boy chats with the woman in the library who pauses in her work and answers his questions. The kids pull out their newest craze — the chess sets.

Through all this, I keep introducing the woman to anyone who comes in the door.

When I leave at 5 p.m., darkness folds around the library. The woman has left with an armful of books; the children have all gone home. A few adults are picking up yet.

I turn down the heat in this library — a kind of living room lined with books. Then I head home myself.

The library might have been the first place I was ever given autonomy. Even when I was maybe four or five years old, I was allowed to head off on my own.

— Susan Orlean, The Library Book

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Hopeful Strings

In the night, the cold moves in. The evening before, returning after work in Vermont’s “big city” of Burlington, the frogs chirped, and the air, drenched with a heavy rain, was suffused with the hummus-y scent of soil and leaves beginning to turn and rot.

This morning, the crescent moon shimmers.

Against the noise of the news these past few weeks, as I’m feeding the cats, I think of Leslie Schwartz, in Los Angeles County Jail, tenderly nourishing tiny sprouts from apple seeds, the slenderest of life, nonetheless growing within concrete.

So I fell in love with the apple sprouts the way one might a newborn.

— Leslie Schwartz, The Lost Chapters: Reclaiming My Life, One Book at a Time

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Vermont Dawn

It’s autumn here. Better — Vermont autumn — a landscape hordes of people drive and fly hundreds, thousands, of miles to see.

Because the world is dying down, my prolific garden beginning to crumple, autumn always seems to me the season of memory.

A memory of pulling beets and carrots in an enormous garden while my friend’s husband lay in the house, dying of skin cancer. More happily: a memory of my older daughter’s first Halloween costume, a piece of a sheet I cobbled into a baby ghost costume.

Tricia Tierney directed me to Leslie Schwartz’s The Lost Chapters: Reclaiming My Life One Book at a Time. Late nights, I lay awake reading, thinking how glad I am not to be jail. Early one cold morning, I pull on my down jacket, a beautiful turquoise hand-me-down, now worn thin and stained at the cuffs, and follow the path behind my house, disappearing into the darkness and walking all through the sunrise, the ebony sky streaked through with endless ribbons of luminescent pink.

Schwartz writes, “Writing is survival.” Surely creative work of any kind carries us along. Like the Vermont landscape I live in, creativity has its cycles, too, my garden’s sunflowers shedding their golden petals, bending down for winter’s dormancy.

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End of September? Apple Pie Season

Every year in Vermont there’s speculation about the upcoming foliage season — will it be good…. or lousy? While the season infallibly delights — and often astonishes — we view fall foliage very personally, almost as if the quality of its splendor reflects on ourselves.

More than any other season, autumn reminds me of being a child, of picking apples in the enormous Mapadot Orchard near our house (named after Ma and Pa and Dot, of course), of the distinct, humus-y scent of fallen leaves in the maples we raked from our trees, of how fine it feels to hike in  woods painted like a wildfire — crimson and gold.

Last night, my older daughter decided to bake an apple pie today.

We might live in a society where the traditions of church have dwindled to near naught, but the ritual of apple pie? Still steaming, in our house. That’s something.

O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all….
Slow! Slow!
— Robert Frost, October
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Through my window.

Cream Moon

The other night, my friend and I stand on my back deck, watching the moon rise above the black horizon, a curved sliver at first, then quickly revealing all her radiant round beauty. In the house, my daughters and their friends play a game at the table, eating brownies and laughing. Little white lights sparkle above their heads.

The next night, fever lies me low, and my girls are awake in the wee midnight hours, comforting an oddly crying cat. As I rise out of the fever now, I think of how glad I am to return to our life. Worn out before, as we all get — buried beneath the everyday accrual of putting together work and life and parenting, and the non-everyday weight of am I failing? — I’m simply glad to return to the jumble of our lives, in this somewhat sleep-starved life, keeping the midnight shift, reading in bed or wandering around to the windows to admire the moon. Oh, the autumn moon.

Children grew in their sleep. They were growing now, bones lengthening like bamboo.

— Melanie Finn, The Underneath

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Photo by Molly S.