Quiver of Arrow-Words

December 12, 2015 / Brett Ann Stanciu / Leave a comment

My daughter’s friend offered a solidarity sentence about her friend at lunch today: The friend was irate. There had been a squabble about seating, and the allegedly irate child sat with her back toward another. While I’m not a fan of children hurling ire at one another, I admired the girl’s satisfied ten-year-old pleasure in using this mighty word. I pictured this girl with a bow held tight between her hands, arrow strung tight and ready to fly.

What is it a girl might need in her quiver of arrow-words? A child will need tumble and sungold-tomatoes, milk, and mirth. A woman needs moxie, wariness, appetite,
wonder, sorrow, and mirth.

No history books used in public school informed us (girls) about racial imperialism… No one mentioned mass murders of Native Americans as genocide, or the rape of Native American and African women as terrorism. No one discussed slavery as a foundation for the growth of capitalism. No one described the forced breeding of white wives to increase the white population as sexist oppression.

Ain’t I a Woman, bell hooks

In Between: Adolescence

December 11, 2015 / Brett Ann Stanciu / Leave a comment

Raw. Mothering an adolescent daughter is like ripping a scab off your soul. My daughter’s agonized questions are existential: why do people suffer? What could possibly be the answer to this? A question I have asked since my own adolescence, more and more intently with each passing decade of my life, with each new encounter I have with the multiple varieties of human suffering.

Joseph Luzzi’s In a Dark Wood chronicles his young and pregnant wife’s death in an automobile accident. Luzzi, a Dante scholar, writes: My reading of Dante had always been deep and personal, but when I found myself in a dark wood, his words became a matter of life and death.

During both my children’s births, I felt myself poised between life and death, the scrim of our everyday world pushed aside in this small, sacred space. Surely, part of the keenness of adolescence is its odd pivotal place. Half in the clouds of childhood, not yet in the forest of adulthood, adolescence, for this brief (and yet simultaneously very long) moment, spins between these two realms.

Plot, or Opening Doors

December 10, 2015 / Brett Ann Stanciu / Leave a comment

My ten-year-old daughter told me she was in the school’s elevator the other afternoon and couldn’t remember whether she was supposed to press L for Lobby or 1 for the first floor. While the elementary school is micro-small, the schoolhouse was built over a 100 years ago, with the gymnasium and kitchen on the second floor. A number of years ago, the town opted to put in an elevator for public access, and, hence, my child with her buckets of compost in the elevator. The door opened… and she found herself looking at the first-and-second grade class.

She said, Ooops! and explained her predicament, before swinging the door shut and continuing on her school chore way. The teacher told her, Well, it’s nice to see you.

What a lovely surprise my daughter must have been behind those doors, a bashful smiling girl. Working out the plot of this second novel is like opening doors in my characters’ lives: what now? Too many times in our lives, the opened door isn’t necessarily a smiling girl with a bucket of lunch compost. I’ve often thought, What fresh new hell is meeting me now? But in fiction (as, I suppose, in life), opening a door means the unspooling of a new thread of story, and I try to remind myself, Greet that opened door with some moxie of optimism.

The things we want are transformative, and we don’t know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration — how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else?

–– Rebecca Solnit

Hardwick, Vermont/Photo by Molly S.

Unraveling and Knitting

December 8, 2015 / Brett Ann Stanciu / Leave a comment

This cold, dank and inimitably dark season is also the yarn season. Unlike living, any knitting project can be unraveled and reknit. Late last night, knitting while reading my bell hooks library book propped open with my bare toes, I realized the needles and yarn I had mated didn’t fit. Still reading, I unwound the hat and rolled up the yarn. This evening, I chose a smaller needle size, and this hat I’m knitting for a friend’s Christmas present is aptly on its way.

Not so, our lives.

I’m sometimes asked, But is your fiction real? Of course it’s real, but it’s also fiction. Isn’t the craft of writing rewriting ad infinitum? Take out a character, emphasize a plot point, weave through an image of a great blue heron? Our lives are bulkier and baggier things.

I was reminded of this, stopping along a roadside today, admiring how the trees knit into the sky. One of my childhood’s keenest memories is standing at the edge of a giant cornfield in Illinois, where our family was camping on one of our numerous cross country treks. I was likely ten, the age of my younger daughter now, and I stood with my father, excited as I have ever been about anything in my life. Good lord, all that corn and the sky! The world was limitless.

The true artist is never so lost in his imaginary world that he forgets the real world, where teenagers have a chemical propensity toward anguish, people between their thirties and forties have a tendency to get divorced, and people in their seventies have a tendency toward loneliness, poverty, self-pity, and sometimes anger. The true artist choses never to be a bad physician. He gets his sense of worth and honor from the conviction that art is powerful – even bad art.

John Gardner, The Art of Fiction

Rust

December 7, 2015 / Brett Ann Stanciu / Leave a comment

With so little snow and a great deal of sun, we spent some time walking through the neighbors’ fields today. When they bought the property, they dragged out all the abandoned farm machinery, the wheels and gears, and lumped it together on an old cement slab. The collection had been in the weeds for God knows how long, and doubtless it’ll remain clustered together, gradually rusting, accumulating leaves and the odd fallen stick, for a stretch of unknown eternity, too.

Unlike Robert Frost’s birch fences that rotted in three foggy mornings and one rainy day, machinery, having changed the landscape in such profound ways, slowly returns to the earth fleck by fallen fleck. This machinery has done all the hard moving it’s going to do.

I can’t but think there’s some odd comfort in even the mightiness of steel and internal combustion going the way of all things: that all the driving power of industrialism will yield to entropy, that the earth in her slow and patient way will fold back around the fortresses of men, and eventually have her way.

In known history, nobody has had such capacity for altering the universe than the people of the United States of America. And nobody has gone about it in such an aggressive way.

— Alan Watts

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Spinning Planet

December 6, 2015 / Brett Ann Stanciu / Leave a comment

Almost immediately after a children’s play at the Craftsbury Library tonight, my daughters ran outside. Was it the weirdly warm December weather? The joy of seeing a long-time friend? I sat on the back porch slouched in a rocking chair, watching the sun sink behind the Lowell ridge, listening to ten-year-old hysterical laughter.

My teenager appeared, and we were all crazed, wandering around the church, the gazebo, the war memorial. As the dusk steadily pressed down, the children raced across the Common. At the far end, I saw the white-painted fence, and nothing of the children but a smear of a red coat.

Spring fever? In December? In a world rapidly turning upside down? With my teenager, our conversation often seems one long meandering line of history, of the bloody business spanning centuries. But the world turned upside down is inescapable in this mud-season December, with my laundry hung out to dry on the clothesline.

The girls lay on the grass, and I teased them, Make snow angels. Christmas is coming! I pressed the toes of my boots against one of the girls’ feet. This same girl bequeathed me these boots a few years ago, when she had outgrown them. Having walked through some serious living in these boots, the sole under my right foot has split, a crack where water from the thawing earth bled up through my sock, soaking my skin.

In the twilight, she was laughing. How’s that for a composition? This glossy-eyed girl, giggling in the shifting bits of remaining light, ruddy-cheeked with gorgeous health, hair unraveling in a braid, her back and shoulders pressed into Vermont sod while overhead the constellations merge into view, and our planet spins steadily, on and on….