Quiver of Arrow-Words

My daughter’s friend offered a solidarity sentence about her friend at lunch today: The friend was irate. There had been a squabble about seating, and the allegedly irate child sat with her back toward another. While I’m not a fan of children hurling ire at one another, I admired the girl’s satisfied ten-year-old pleasure in using this mighty word. I pictured this girl with a bow held tight between her hands, arrow strung tight and ready to fly.

What is it a girl might need in her quiver of arrow-words? A child will need tumble and sungold-tomatoes, milk, and mirth. A woman needs moxiewariness, appetite,
wonder, sorrow, and mirth.

No history books used in public school informed us (girls) about racial imperialism… No one mentioned mass murders of Native Americans as genocide, or the rape of Native American and African women as terrorism. No one discussed slavery as a foundation for the growth of capitalism. No one described the forced breeding of white wives to increase the white population as sexist oppression.

Ain’t I a Woman, bell hooks

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Plot, or Opening Doors

My ten-year-old daughter told me she was in the school’s elevator the other afternoon and couldn’t remember whether she was supposed to press L for Lobby or 1 for the first floor. While the elementary school is micro-small, the schoolhouse was built over a 100 years ago, with the gymnasium and kitchen on the second floor. A number of years ago, the town opted to put in an elevator for public access, and, hence, my child with her buckets of compost in the elevator. The door opened… and she found herself looking at the first-and-second grade class.

She said, Ooops! and explained her predicament, before swinging the door shut and continuing on her school chore way. The teacher told her, Well, it’s nice to see you.

What a lovely surprise my daughter must have been behind those doors, a bashful smiling girl. Working out the plot of this second novel is like opening doors in my characters’ lives: what now? Too many times in our lives, the opened door isn’t necessarily a smiling girl with a bucket of lunch compost. I’ve often thought, What fresh new hell is meeting me now? But in fiction (as, I suppose, in life), opening a door means the unspooling of a new thread of story, and I try to remind myself, Greet that opened door with some moxie of optimism.

The things we want are transformative, and we don’t know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration — how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else?

–– Rebecca Solnit

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Hardwick, Vermont/Photo by Molly S.

Unraveling and Knitting

This cold, dank and inimitably dark season is also the yarn season. Unlike living, any knitting project can be unraveled and reknit. Late last night, knitting while reading my bell hooks library book propped open with my bare toes, I realized the needles and yarn I had mated didn’t fit. Still reading, I  unwound the hat and rolled up the yarn. This evening, I chose a smaller needle size, and this hat I’m knitting for a friend’s Christmas present is aptly on its way.

Not so, our lives.

I’m sometimes asked, But is your fiction real? Of course it’s real, but it’s also fiction. Isn’t the craft of writing rewriting ad infinitum? Take out a character, emphasize a plot point, weave through an image of a great blue heron? Our lives are bulkier and baggier things.

I was reminded of this, stopping along a roadside today, admiring how the trees knit into the sky. One of my childhood’s keenest memories is standing at the edge of a giant cornfield in Illinois, where our family was camping on one of our numerous cross country treks. I was likely ten, the age of my younger daughter now, and I stood with my father, excited as I have ever been about anything in my life. Good lord, all that corn and the sky! The world was limitless.

The true artist is never so lost in his imaginary world that he forgets the real world, where teenagers have a chemical propensity toward anguish, people between their thirties and forties have a tendency to get divorced, and people in their seventies have a tendency toward loneliness, poverty, self-pity, and sometimes anger. The true artist choses never to be a bad physician. He gets his sense of worth and honor from the conviction that art is powerful – even bad art.

John Gardner, The Art of Fiction

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Broken Hearts

Via my lousy cell phone connection, I had a conversation with a person I’ve never met who’s writing a review of my novel. Almost immediately, he told me, You broke my heart. What was I to make of this? I never intended to break anyone’s heart, least of all through my writing.

But is the book broken-hearted? Of course. It’s adult fiction, about a woman and a family. Broken hearts are the way of the human world.

As I write this, my own two daughters are drawing at the kitchen table, the teenager unfolding practically before my eyes into her own young womanhood, the ten-year-old wearing her skis at the table, longing for the excitement of snow, ready to try her mettle. When they were little toddlers, I kept anticipating I’d figure out this mothering thing, that our life would settle down into some kind of pattern, maybe even get a little boring. But my children kept changing that. Oddly enough, the kids kept growing. It wasn’t enough to crawl; they had to walk, then definitely run. At one point, my older daughter surrounded herself with board books, kicking back on our scuffed pine floor with stuffed animals. Now, she read a fat C.S. Lewis grownup book this autumn, hard and philosophical.

All good writing (and I hope my book fits somewhere on that scale) is about loss, as loss is braided into our lives. Of course, I want my daughters to love, and love well, whom and what they love. And yet… I can’t help but wish, admiring these girls surreptitiously, learn from little pieces of loss, my darlings, know them truly and well, and be blessed with long and sweet life.

When we were children, we used to think that when we were grown-up we would no longer be vulnerable.  But to grow up is to accept vulnerability… To be alive is to be vulnerable.

— Madeline L’Engle, Walking On Water

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Hardwick, Vermont

 

December

Spring, now so far away, comes with an urgency in Vermont, a breaking up of frozen roads, hail that reluctantly gives way to rain, coltsfoot – the first flowers – that thrust up through the gnarliest of patches: roadsides and where the gravel is beaten hard.

This season, too, comes with its own severity: every day, a little less light, a little more dark. What are the words I drag with me as I enter this season? Forget gray. Discard dimness. This is a world turned upside down, where the snow-covered ground exudes light, the trees pull in on themselves, myriad creatures put their heads down to sleep. The night sky is studded with white quartz. The clouds sink down into the earth. The garden rests. My callouses mend.

We have come too far together toward the end now
to fear the end. These nights, I am no longer even certain
I know what the end means.
— Louise Gluck
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Hardwick, Vermont

 

 

Sunday: Math Homework

One embarrassing aspect of my parenting that keeps rearing its ugly head is my abysmal understanding of math. Or, as my brother might phrase it, the complete and total absence of even meager understanding. My daughter, grappling with variables and graphing, asks for help, and then is reduced to querying, How did you get through calculus anyway? Or are you lying about that?

As I was flanked on either side by math luminosity in my older sister and younger brother, headed up by my PhD-in-physics father, skipping out of math wasn’t an option for me… and yet somehow I always felt in Prob & Stats class like I was the dog with its head hanging out the window, tongue flapping, dreaming of distant rivers to swim.

Hence, my humanities path.

Now math returns to me frequently (often on Sunday evenings). With something approaching horror, I heard my daughter claim her teacher doesn’t want to see her math work, merely the answers. What? I demand. Show your work was a cardinal rule of my student life, along with always use a pencil, these dictums wound so deeply into me I can’t abide the thought of breaking these basic rules. That’s tantamount to crossing a street with your eyes closed. My daughter looks at me with complete exasperation, fully ready to do just about anything else.

While I admit Solve for x still runs a chill up my spine, I have learned a few things since those trig days. My advice: begin with what you know. Scope out your variables, size up your know-how, and savvy up a plan.

Almost all good writing begins with terrible first efforts. You need to start somewhere.

— Anne Lamott

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Elmore, Vermont