All day on my oldest daughter’s birthday, I remember that this was the day I became a mother. The day is imbued with a rosy holiness, transforming the everyday world of mundane things — a laundry basket, a cheese grater, a dutch oven — into pieces of our miraculous life. Parenting is a long, long road — there’s no doubt about that — the world would be unimaginable without this road.
At the end of a very long labor with this baby, I saw myself descending deeper and deeper into a dark, stone-lined well, my arm outstretched, reaching for my baby who I knew was somewhere down at the well’s bottom.
This child was born at the very end of the 20th century, in contemporary Vermont. Modern medicine made her life possible, and certainly saved my own, too. Every year, when I’m grateful for this young woman’s life, I remember the strangers who brought her into the world.
On a whim, I bought three tickets to an outdoor light festival. Each ticket was cheaper than the price of a movie ticket, back when we once went to the movies.
It was below zero when we arrived, and the three of us stood very near a crackling fire watching the winter twilight sink through deepening shades of blue into dark. We were outside a theater where I attended a fantastic poetry reading just before our world shut up last March.
Eventually, my daughters and I, warmed enough by the fire and hot chocolate, wandered through the enchantingly lit grounds. Overhead, the stars shone. At the far end, two little kids played in the snow that was lit cobalt — laughing with great pleasure, The snow is blue!
Just before we left, my daughters started the car and the heat, and I ran back to the window for sweets to bring home. I guessed who was bundled under layers of bulky coats and scarves and balaclavas.
A stranger who was stamping his feet and waiting for drinks asked if I was from here. Our house with our cats was eight miles down the road, but he had driven well over an hour to come. We have to do something, he said, then we wished each other a lovely night, and then disappeared into the night.
My younger daughter drives the two of us on a cold January afternoon to Montpelier. I can’t remember the last time I’ve been to the state capital, although (pre-pandemic) I was in Montpelier at least once a week.
We’re in search of a birthday present for my oldest daughter — a single present, that’s all I’m looking for — and we go into only one store. At the register, the owner tells me how happy she is to see people; the city has been a ghost town for the last week.
In the downtown’s heart, we pass empty storefronts. I’ve never seen so many vacancies in Montpelier before. On one main corner, my daughter notices the bakery where I once bought her chocolate chip cookies is locked, too.
Where I can’t bear to pass by is the library, the beautiful stone building where a year ago I often spread out my laptop and papers and worked for hours. In the large reading room, the well-heeled snapped on lamps and read and wrote. There was a couple who always appeared who seemed to be gambling online. The homeless and college students filled chairs. After school, children ran through.
At my daughter’s request, we walk through Hubbard Park in the cold and up the stone tower to see the city surrounded by mountains.
When we walk down the snowy steps, a mother and her daughter are sitting on the tower’s stone floor. There’s only openings for windows and doors, and the girl is crying with cold. The mother struggles to tie an icy lace on the girl’s ski boot.
Been there, I think, done that.
I no longer have the keys to my own car. My daughter drives past the state house where no one is out. Not a single person on the granite steps. Driving home, she suddenly says, The good thing about living in Vermont is spring. Even if winter seems forever, there’s always spring.
[Kintsugi], the Japanese method of repairing broken pottery [uses] gold to bind the pieces together. In this way, the break becomes what is beautiful, what is valued. It is a way to embrace the flaw, the imperfect. In place of the break, there is now a vein of gold.
— Nick Flynn, This is the Night Our House Will Catch Fire
On inauguration eve, I dream of wandering through my childhood hometown and wake thinking of the November morning four years when I woke early and realized I would have to tell my daughters that Donald Trump won the presidency.
Four years seems so long ago — far longer ago than my own childhood of the 1970s when not all that much seemed to happen.
As I lie in bed reading about the Vikings — these ancient, fascinating people — snow drifts down outside, twinkling in my neighbor’s porch light. She’s up, too, as are my neighbors across the street, all three of our houses awake this morning long before dawn. In a different world, I’d pull on my coat and slip into my boots, walk through those unshoveled inches of fresh snow, and offer a piece of coffee cake my daughter baked.
In my own family life, we’ve slipped through so many borders and changes in these four years, one tiny ripple in the endless ripples of human life. Today, January 20, yet another change. May this be for civility and decency.
The Viking Age was very much a time of borders—between cultures and ways of life, between different views of reality, and between individuals, including at the level of liberty itself.
I step out of our house just after sunset, and a crescent moon hangs over the road — a silent slice of gleaming beauty in a dark blue sky. By then, I’ve been on a school board call for hours, and I’ve had to remind myself repeatedly that what appears to be illusion at times — this strange, Hollywood-squares conversation — will shake out in ways that affect people’s lives directly: adults’ livelihoods, kids’ educations.
Although it’s five on a Friday, there’s not much traffic in town. In the little neighborhoods where I walk, no one is out. Against one maple tree, I see two plastic red sleds propped against the trunk.
As I round a corner, I hear laughter. I pause for a moment in the twilight, listening. A row of adults is bundled in coats and hats, sitting on a porch, talking and laughing. The cold air is wet with tomorrow’s approaching snow.
I’m no stranger to Vermont’s long winters, but mid-January 2021, and such a deep loneliness has set in — not just in my house, not just in my town, but spread ubiquitously. I stand under that gleaming sliver of moon, listening to the laughter of strangers. For the moment, I’m utterly stunned by the unexpected bliss of the moment, the sheer luck I have to be standing here, part of this shifting world.
“I don’t like ironing, but it reminds me that once, long, long ago, there was a semblance of order in the world.”
After a terrible week, my daughter heads to ski with a friend. Because of the pandemic, she doesn’t catch a ride with the friend. Because my daughter is 15, I’m the designated adult — for what that’s worth — in the passenger seat while she drives.
Sunday morning in rural Vermont, the roads are nearly empty. North of St. Johnsbury, we pick up the interstate for a small stretch, then turn off and head along the Passumpsic River.
I lean toward the windshield and point out a bald eagle flying over the fields and then a second eagle.
Excited about those eagles? she asks me. From the corners of her eyes, she glances at me. She rounds bend and the eagles disappear from sight.
While she skis, I take a long walk into the snowy woods, and then work in our car. There’s nothing new here: I’ve been wandering through the woods and working in my car, waiting for my kids for years now.
And yet — while everything is the same, nothing is the same.
On our way home, she drives again, and stops at a church so I can get out and take a picture of the steeple and the blue sky.
Stony Soil Vermont 