The Long Night Moon.

In the year’s tail-end days, the neighbors’ children sled down their short hill, hats off, snowsuits unzipped in the warm afternoon. I wander over with a tin of sweets and chat for a bit about sledding conditions, getting the low-down on the mixture of slush and ice. The full moon rises silently, December’s Long Night Moon. Various blues layer the sky, the hues that remind me of the sea in my land-locked geography.

During the in-between pieces of holiday and work, I’m slowly savoring The Eight Mountains by Paolo Cognetti, an Italian novel about deep friendship and love of great mountains. A main character, Bruno, speaks about rebuilding a tumbled-in Alpine house: “Look, it doesn’t matter how long it takes. If you try to think too far ahead with this kind of work, it’ll drive you nuts.” Likewise: writing a book, parenting, living a life.

The neighbors’ children offer me a handful of wet snow, chock-full with dirt and last year’s sunflower seed hulls.

Hello, Darkness, my old friend.

Heading towards the winter solstice, the days are cropped short. I ski in the woods. The next afternoon, after a spurt of warmth, I remove my skis to navigate around patches of tree roots, the exposed carpet of pine needles.

By 4:30, darkness envelopes us, velvety and broken only by our brief human endeavors of a line of twinkling holiday lights, streetlamps, parking lots lit up like precious jewels. Like a wild creature roused by these warm December nights, I prowl through the village and along the river.

Returning home one late afternoon, I pause beside Woodbury Lake. A crescent moon illuminates the blue-black sky, the outline of its orb a faint round: a promise of January’s full wolf moon. Twilight’s but a few moments, molten gold rapidly consumed by the unstoppable night.

I remind myself that December is the time of descent, that the darkness I eyed so warily in October is now my mellifluous friend. I’ve been here before, in so many seasons of my life — dissatisfied and cracked, heart-full, my eyes attuned to starlight. Living into December and the solstice and the winter stretching ahead means stepping into the world’s great vessel, full of so much.

Here’s an article about the world’s first seed bank forwarded to me by a reader.

Vermont Almanac.

My copy of the fourth Vermont Almanac arrives in my mailbox. Remember real mail? I remember exchanging long letters with friends for years. Email is fine and dandy, but email has no smell. I open the book in my kitchen and breathe in the scent of ink and paper. I was fortunate to write and edit a bit for this issue.

These days, on my moonlit evening walks, living in Vermont is often on my mind. So much has happened in my own life and in this dear state: a summer of rain and wildfire smoke, a flood, beloved Montpelier drowned, a rise in violent crime. And yet, I’m tugged more deeply into this state I’ve called home nearly all my adult life. Reading this hefty book, I’m reminded, again, of how yankee ingenuity is so often yankee generosity, too. While our nation (and much of the globe) as a whole is navigating unsettled and often stormy waters, I’m heartened by Vermonters’ ruggedness, tenderness, and, so often, outright humor. Who could imagine a world without these fine things?

Hope is no mere aspiration that things will turn out well. Hope instead takes our hand, shines a light ahead, and pushes us onward into the messiness and uncertainties of life.

Bryan Pfeiffer, Vermont Almanac, Volume IV

Vermont.

VTDigger‘s reporting about Burlington, Vermont.

Everything Is Made Of Labor 

The inchworm’s trajectory: 

pulse of impulse. The worm 

is tender. It won’t live 

long. Its green glows. 

It found a place to go. 

Arrange us with meaning,

the words plead. Find the thread 

through the dark.

Farnaz Fatemi

Two Bald Eagles.

After losing Yahtzee twice and then again to make a third, I’m in the passenger seat, heaing north for no particular reason at all. I’ve forgotten the library books I meant to return, and my bend of mind is that it makes no real difference at all.

Just out of town, I spy two bald eagles on the reservoir, hunched on the beginnings of winter’s ice, unmistakable with their dark bodies, the white of their heads. We drive around a bend, disappearing up the road that’s so narrow and tight there’s no good place to stop. By the time the road widens, I know the way back is impassable through thickets. And so we go on. Talking, talking.

The eagles are perhaps the best of holiday metaphors, utterly outside the realm of any camera lens. (Please, my family might beg, could you lay off the insistence of seeing the world in metaphors?)

This, then: two mighty raptors, the season’s early ice, the rising moon. The evening now is cold enough that the moon sprinkles frostily. I dump the compost in the bin and crunch back over the scattered snow, hungry for the embers in my stove.

Yet once being born there is no turning back.

— Hayao Miyazaki

What’s in the News, What’s Not.

No fooling here — no glossing over — in the past month there’s been two homicide/suicides, neither a domestic, all gunshot wounds, (that’s a total of four souls), right around where I live, then an early morning drug raid a few minutes’ walk from my house. I live in a middle class town, shabby around the edges, a little more spiffed up on some streets. In the evenings, I sometimes walk by the house my daughter’s friend bought. In the dark, he’s often on the roof, hammering or sometimes lying on his back, staring up at the stars. We talk for a bit, and I urge him, be careful.

I write this not out of salaciousness, but more to mark where I am, what’s happening in my state. Malcolm Gladwell wrote that planes never crash because of one reason. Likewise, there’s not one word, one single reason, one sole cause for any of this. These deaths and this raid isn’t my story, but it’s a piece of my story as our lives are all interconnected, the net that holds us together only as reliable as the weakest knots. Yet, as a whole — as a town, a state, a country, as the human story — we keep on.

On this balmy November afternoon, the elementary school kids run on the grass in their t-shirts. Magical insects hover — what my daughters called blue-glass bugs. Later, I stand talking with a friend in the grocery store. I’ve run out of the house, sockless in my Danskos, to replenish the coffee I finished that morning. I met this woman when I was writing Unstitched, so whenever I run into her, we keep talking and talking. What a joy it is to see her glowing and alive, this woman who had a life harder than anyone should ever endure. When I come out, darkness has fallen. The crescent moon hangs over the town, luminous.