Vermont

Old cheese, new peonies.

/ Brett Ann Stanciu / 9 Comments

The girls come find me where I’m swimming, the water brackish, strewn with pollen. A blackbird keeps me company. The girls have snagged out-of-date cheese that’s perfectly fine and a tomato that’s sweetly ripe. At home, I dice last year’s garlic. I insist the girls admire the Bartzilla peony that’s blooming now, two blossoms and more fat buds of blossoms. The Bartzilla was a gift a number of autumns ago. My youngest planted the hairy root with me, skeptical. Now, for these few days, this peony’s a marvel.

All day, I’ve been thinking of this Mary Oliver poem. Well worth a share.

Peonies by Mary Oliver

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises, 
as the sun strokes them with his old, buttery fingers

and they open —
pools of lace, 
white and pink —
and all day the black ants climb over them, 

boring their deep and mysterious holes
into the curls, 
craving the sweet sap, 
taking it away

to their dark, underground cities —
and all day
under the shifty wind, 
as in a dance to the great wedding, 

the flowers bend their bright bodies, 
and tip their fragrance to the air, 
and rise, 
their red stems holding

all that dampness and recklessness 
gladly and lightly, 
and there it is again — 
beauty the brave, the exemplary, 

blazing open. 
Do you love this world? 
Do you cherish your humble and silky life? 
Do you adore the green grass, with its terror beneath? 

Do you also hurry, half-dressed and barefoot, into the garden, 
and softly, 
and exclaiming of their dearness, 
fill your arms with the white and pink flowers, 

with their honeyed heaviness, their lush trembling, 
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?

Unfathomable fortune.

/ Brett Ann Stanciu / 15 Comments

In the late afternoon, I listen to public radio and move firewood from the outside stacks into the barn, where it will dry again all summer until the autumn nights when I gather my kindling and birchbark. On Monday, the wood delivery guy will come again, with a load of green wood to dry all summer in the open air. Lord, I think as I stack, let the sun shine this summer.

When my daughter appears, I pull off my leather gloves, and we sit on the steps, talking about the Trump verdict. A hummingbird darts between us, onyx and ruby. Later, I’m driving north in the narrow Black River valley to hear GennaRose Nethercott read in the gorgeous old East Craftsbury church. In the parking lot, I join a few friends, talking talking about the verdict, another of these moments with a historic tinge. Crows peck in the farm field behind the church freshly harrowed up. The end-of-May evening is rich with a mixture of cow manure and lilac. Vermont loveliness.

19 years ago, my youngest was born. She fit perfectly in my arm, snuggled from my elbow to fingertips. I kept thinking, How is this possible?

A few days after she was born, the season’s first nubs of corn emerged through farm fields. To bring this child into the world, I had been cut and sewn by strangers. Here we were, our tiny family, a few days later, passing these fields on our way home from the hospital, me marveling at the season already passing from spring into summer, this six-pound baby miraculously given to us. 19 years later, when I return home in the dusky evening, we drink tea and eat almonds, talking talking, this great big world crammed full with so many things…. Enough said. For this day, our immense unfathomable luck.

In the edge…

/ Brett Ann Stanciu / 1 Comment

Midafternoon as a storm threatens in, I’m at a stretch of lakeshore where I’ve never swum, and I push in. I’m on the prowl for an eagle, which I never find, and the day has grown muggier than I imagined.

What a month of May this has been. My mother’s death ripples through the amazing forsythia and lilac season, through writing and the steady complexity of work I do for the local Selectboard. At a nearby farm, I buy hothouse basil and tomato starts. A woman I know slightly strikes up a conversation. In the past, our lives ran on weirdly similar tracks, involving divorce, sudden visits from the FBI, the miasma of disorientation. Now, we swap mother stories beneath an enormous lilac. I breathe in the blossoms’ scent.

A few years back, I volunteered in my youngest’s elementary school classroom to assist with a nature program that the kids loved. Naturalist and artist, the teacher kept using the phrase “in the edge.” She pointed out that life thrives at the crossing borders of field and forest, of riverbank, the edges of a homogenous world.

I’m in the edge these days. May’s heat notwithstanding, the water is bitterly cold. I swim out with my lousy swimming skills, my garden’s dirt washing away, the storm clouds hammering together over the glassine water, some of the day yet to come. On the shoreline again, sharp stones gouge my soles.

A great fountain of white gossamer…

/ Brett Ann Stanciu / 10 Comments

From New Mexico with its sheer light, I descend back to April Vermont, where miniature daffodils push their yellow faces through last year’s leaf mulch. How well I know Vermont spring — the sunny breezy days where the wind tosses the lake and the water is bluer than blue, the footpath sprinkled with the gold gems of coltsfoot.

After the desert’s sweeping beauty, Vermont is a mossy box, a jumble of the paint peeling from the back of my house, the bin of empty cat food cans in barn (quit kicking that dump run into the next week), the niggling college financial aid forms yet to be corrected, the working hours I string together, making some decent use of my time.

April is a month that goes on too long, lingers brown in northern Vermont, with its tease of green trout lily leaves, the flourish of wild ramps. Paradoxically, April has always seemed the most hopeful of seasons, too, the nesting songbirds sweeping out winter’s silence.

In the evening, my daughter and I walk her dogs across the cemetery to the ballfields. Off leash, the three of them run while I stand in the field’s center, listening to the robins’ chatter in the white pines. Back at my house, we stand by the woodpile, talking about little things — who will take the leftover garlic bread, did the butterfly bush survive the winter. The rising moon illuminates the clouding-up horizon with a glowing shaft. We linger, watching the full moon sail confidently, unstoppably, over the horizon. Later, I linger on the back porch, sipping tea. The moon has removed the lid of shoebox Vermont. The air’s sweet with wet soil.

Springtime, 1998

Our upstate April
        is cold and gray.
                 Nevertheless

yesterday I found
        up in our old
                 woods on the littered

ground dogtooth violets
        standing around
                 and blooming

wisely. And by the edge
        of the Bo’s road at the far
                 side of the meadow

where the limestone ledge
        crops out our wild
                 cherry trees

were making a great fountain
        of white gossamer.
                 Joe-Anne went

and snipped a few small boughs
        and made a beautiful
                 arrangement

in the kitchen window
        where I sit now
                 surrounded.

— Hayden Carruth

Sweeping Out Inner Clutter.

/ Brett Ann Stanciu / 9 Comments
Spring window, upstairs study.

Early evening on Friday, after a long workday, I’m in a nearby town’s general store, talking to an old acquaintance on the porch. The store’s door is propped open. A warm breeze swirls. Rain isn’t far in the offering.

A few years ago, a stranger stopped on the porch steps where I was eating ice cream with my daughters and said my name. She’d read my first book, she said, and loved it. That conversation: a shift for me.

On my way home, I stop at the town beach and lean against the tall cedars, whitecaps chopping on the lake. The breeze is no longer so warm here, and I have the beach to myself. Last fall, weekend afternoons and stuffy evenings, I swam here, when everyone else was too busy or too disinterested to swim at my usual places. With my youngest at college, I lived alone again, and I determined not to drench my empty nest with tears. For those hours, I brought pages of my manuscript. Dusty sand drifted into my printed words and into my bag that held my ever-present things: library books and knitting. I’d swam here before with my daughters, but I began to know this lake in a new way: how the bottom drops quickly and few boats venture to this far end. I kicked far out, leaving the weeds and the strangers on the beach behind. Curious or not, the loons joined me.

And a line from the mesmerizing Annabel Abbs’ Windswept about women, walking, solitude, and creativity: “She purged her inner clutter with outdoor space.”

‘Eat all the plums from all the iceboxes. Apologize to no one.’

/ Brett Ann Stanciu / 2 Comments

Not a spoiler alert — an eclipse is headed our planet’s way — and we live in the path of totality. Over the past few years, it feels like the state has prepared for so many things: snowstorms and windstorms, floods. Now, a river of people streaming in for The Awesome.

Meanwhile, lives churn on. I spend a pleasant and snowy afternoon writing a spreadsheet, followed by a ranting email which I (wisely) delete before I send. I write and write. A short excerpt of my novel is picked up for publication in May. I’m given a green folder and a white folder of old letters and documents and site map for an article I’m writing. The housecats twitch at the juncos in the feeder.

Ryan Champan’s advice on writing a novel:

56. If you’re struggling with revision, print out the draft. Cut each sentence into individual strips and papier mâché them into a sculpture of your head, scaled 2x. Once it’s dried, place the sculpture over your head—create eye holes at your discretion—and just sit like that.

And another:

15. Llosa again, on writing one’s first novel: “Those writers who shun their own demons and set themselves themes because they believe their own aren’t original or appealing enough are making an enormous mistake. In and of itself, no literary theme is good or bad. Any themes can be either, and the verdict depends not on the theme itself but rather on what it becomes when the application of form—narrative style and structure—makes it a novel.”

Read the whole 1oo here. Surely a few gems for anyone…