August First

August 1st dawns quietly — the songbirds winding down, the dew slipping in silently overnight — save for the cats who mew in hunger.

Yet another summer day, a small kind of miracle that will disappear, a day promising to be packed with work and obligations, with laundry hung on the line, and a very long list on a scrap of paper beside me.

But it’s August. Just a few blocks from where I sometimes work in Burlington is a fine bakery named after an even finer poem by Hayden Carruth.

August First

Late night on the porch, thinking
of old poems. Another day’s
work, another evening’s,
done…..

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Hardwick Reservoir, Vermont

 

End of July, Postcard From Hardwick, VT

Until she was 18, my older daughter lived on a dead-end dirt road, surrounded by mixed hardwood forest, dense conifers along the house’s northern boundary. Walk ten minutes from our house now — all right, maybe six minutes — and we’re deep in the woods again. Every evening, hermit thrush sing behind our house.

While July is stunningly beautiful across Vermont, I see how quickly July varies from home to home. Where do the pollinators flock? Just a few miles from our former house, we see cardinals. Here, the water is nearby, and the mornings are misty.

Yet another boon to Vermont summer — walk just a little in sandals and the wildness surrounds you.

“There’s always a sunrise and always a sunset and it’s up to you to choose to be there for it,” said my mother. “Put yourself in the way of beauty.”

— Cheryl Strayed, Wild

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Site of former pest house, Hardwick, VT

Postcard from Vermont, July

An elderly woman and I stand in the library’s open door, sheltered by the overhang, watching rain move in, great billows of fine drops rushing across the field.

Summer people visit the library on these steamy afternoons, in a their winding-down, relaxed, vacationing way. We’re different here, one man tells me. I like how we are in Vermont. 

Boys with their faces painted a greasy blue-and-black circle around the library and school, hiding in the woods and behind the greenhouse, in an elaborate game. Two best-friend girls stroll in, return books, ask for fish crackers, and request more books. When I leave that afternoon, the girls are still there, lying on the slide’s top platform, staring at the cloud-heavy sky, talking.

All afternoon, bits and pieces of people’s lives knock into mine: a woman applying for a job online, a saleswoman over the phone, a couple who needs a letter written.

Later, when I’m alone again, gathering strewn puppets and closing windows, I realize my phone has a message. Someone dialed my number without realizing it, and I stand in the doorway again, in the sweet post-rain scent, listening to that odd audio window of others’ conversation. A gangly-legged heron flies overhead, then disappears over the trees. I erase that unintended recording and lock up for the day.

When I was nineteen,
I told a thirty-
year-old man what a
fool I had been when
I was seventeen.
‘We were always,’ he
said glancing down, ‘a
fool two years ago.

— Donald Hall

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Snippet

For dinner last night, my daughter fried beef for enchiladas. From the garden, I brought in a basket and began washing vegetables. Here, throw in slender leeks, sweet red peppers, onions with their fat greens. I filled a salad bowl with mesclun, radishes, sun gold tomatoes.

Do people talk about the weather as much as Vermonters do? What a summer, we say.

Yesterday: muggy heat, steady rain, a perfect evening. We swam in the nearby pond again, a little chillier after the rain. Then we gathered up our towels and went home.

More from that stack of donated books:

Our story is never written in isolation. We do not act in a one-man play. We can do nothing that does not affect other people, no matter how loudly we say, “It’s my own business.

— Madeleine L’Engle, Walking on Water: Reflections on Faith and Art

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Girls camping, Lake Champlain: water, rocks, sky, and s’mores

After Midnight

Rain falls in the night. The cats press at the window screen, curious, wakeful in their quiet way.

In this post-midnight hour, I close my library book about Trump and deceit — how language is both truth and weapon. From the stack of books donated to my library, I pull a collection of essays.

While the rain continues to fall lightly — and I think of my thirsty garden drinking, drinking, the trees with their copious roots and the innumerable blades of grass — a domestic black-and-white-and-coffee-colored tiger curls at my feet while I read about a liver transplant.

We are made of the dust of old stars, our grade-school teacher told us; we are made of lives and sediment and the mulch of life. But I was also made of something rescued from the graveyard…. you can’t quite forget the how it felt to lie in the close darkness of that grave; you can’t forget the acrid smell of the earth or the stink of the moldering grave clothes, especially now that you know, as you never did before, that you’re headed back to the grave again, as is everyone, and you know this with a clarity you cherish and despise.

— Richard McCann, The Resurrectionist

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Train Trip

Four summers ago, my family planned an Amtrak journey from Vermont to Santa Fe, New Mexico, in what would be the longest family trip of our girls’ childhood. That summer trip evolved into an illustration of that Robert Burns’ line about the best laid schemes not following the script.

We set out with a curveball detour to Charlottesville, then to New Mexico via Chicago. Somewhere in the month of  August, driving my dad’s old Subaru through the Navajo reservation, I wondered what if the hydrangea outside our back door was blooming, and if we would ever return home.

We did, of course.

In Travels with Charley, Steinbeck writes about how trips take over — true, true….

Yesterday, for a writing assignment, I took my 13-year-old and her friend to the southern end of Vermont on Amtrak  — just enough of riding the rails, of licking ice cream and browsing bookstores, walking across the bridge spanning the Connecticut River so we stepped into New Hampshire.

Back the Montpelier station, we drove home through the breathtaking July dusk, along dirt roads flanked brightly with David Budbill’s ubiquitous day lilies. My daughter went to sleep last night with her cat curled at the foot of her bed.

I saw in their eyes something I was to see over and over in every part of the nation — a burning desire to go, to move, to get under way, anyplace, away from any Here. They spoke quietly of how they wanted to go someday, to move about, free and unanchored, not toward something but away from something. I saw this look and heard this yearning everywhere in every states I visited. Nearly every American hungers to move.

— John Steinbeck, Travels With Charley: In Search of America

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Brattleboro Museum of Art, Vermont