Somewhere in Vermont’s February…

Summers, the dawn is raucous with songbirds. In February, I stand outside in the dark, the cold swirling around my hands and head, hungry, hungry, it seems for my warmth. The icy snow makes the lightest tap against the kitchen window. We’re socked in by sleet and ice and snow in Vermont, the winter wrapping around us. When my daughters were little, how I chafed against those endless winter days. Now, I’m glad to be awake and working while the household sleeps. The cats have wandered downstairs for their breakfast, and curled up for their post-breakfast rest. Our house is warm; the daughters are well; the bills are paid; I have work.

Let the snow pile up. Among those many motherhood lessons is a solid carpe diem — and to log in a few more hours of work before the day drifts along….

Winter solitude—
In a world of one color
The sound of wind.

— Basho

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Vermont Commune Story

Writing about summer camp — in February — makes me pause over photographs. How green and gorgeous is Vermont’s summer. The profusion of hydrangeas. The luxury of lying in green grass.

I spent a few hours last week speaking with Peter Gould of Shakespeare Camp fame. But Shakespeare Camp is just an iceberg tip of his fame. A few years back, I heard him read the title story from his collection Horse-Drawn Yogurt at the Galaxy Bookshop in Hardwick. The bookstore was packed. The evening may or may not have been snowing, but I remember the night as snowy, because the story, set in winter, is so evocative.

I’ve shared a few lines from this story below. The story is one of the very best stories I’ve read about the countercultural life in Vermont — the energy and enthusiasm and love of Vermont and the sadness, too.

The farm would remain. People would leave. Some would stay, working in town but making their home there, connected to the mythic past but not to the daily work of a farm. New folks would come, with new goals. Soon no one would remember most of what had already been tried, what this antique tool was for, what dream that pile of rotting lumber in the lower pasture represented. We would always plant a little organic garden, but that would not be our excuse for being. We could live off the economy better than we could live off the land.

— Peter Gould, Horse-Drawn Yogurt: Stories from Total Loss Farm

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Duo Residence

Ooooo, midwinter.

After work, while my daughter memorizes French for an exam, I head out for a walk. A slight snow is falling, just a few lazy flakes as if nothing much is going to happen, just that little bit of snow. It’s my most very favorite snow, just lovely, and in the cone of streetlight I have that enchanting Narnia feeling — as if it’s just me and the lamppost and that snow, and maybe the mysterious White Witch might silently appear. In that twirling-down-slowly snow, Turkish delight might still be an untasted promise in my life, rather than the too-sweet candy I remember.

That’s it, from my end of the world. I’ve been “dividing my time” between desk and couch, finishing up a manuscript. When I submit it Friday, I’m planning to ski out the back door — snow willing — and paint my daughter’s room.

Then, on to the next month.

But land is land, and it’s safer than the stocks and bonds of Wall Street swindlers.

Eugene O’Neill, Long Day’s Journey into Night


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Vermont, Sometime in January

Midwinter. Need I say more?

I remember a Vermont winter when I was in my twenties where January was sub-sub-zero. 25 below zero, in what seemed like a cold snap that wouldn’t snap.

Not so, this year. Rain, slush, ice. Some sparkling skiing days.

The cats drape on the couches, dreaming of tuna perhaps, their little furry faces rubbing our hands. Midwinter is that particularly good place for work — or at least the kind of work I do, much of it at a laptop and not re-roofing a house. My daughters and I talk about swimming, of wandering in wet sand along the ocean, of ice cream cones (so dull I am, preferring vanilla), but in January that’s all imaginary…. for the moment. In a warm, well-lighted house, that’s just fine.

Let’s pull some blueberries from the freezer and make muffins — and another little silver pot of espresso, too.

So much money made
by clever temple priests
using peonies

— Issa

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Winter Chimes

Early evening, I pull on my winter coat and hat and walk down the hill and through the neighborhood. Snow falls so heavily my eyes blink as snowflakes accumulate on my lashes.

I walk from streetlight to streetlight, house lights muted through curtains of falling white. In one dark road bend, I hear a man’s smoker-raspy cough: that’s all for the sound of humanity. In those side streets, not even a car or a pickup with a plow passes me.

The swirling storm knocks wind chimes. Likely, the stillness brings those sounds to me, their tiny chimes usually muted beneath the humdrumness of folks going about their daily lives. But on this walk, it’s just snow and the variation of darkness and streetlight and the jangling chimes like an invisible rope tugging me along. Not even the dog walkers are out.

The best way out is always through.

Robert Frost

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Ode to Winter

Cleaning off my car windshield this morning, I had the impulse to remove my mitten and bury my hand in the fluffy, utterly white stuff. At zero degrees, with a stiff wind cutting my face, I didn’t.

Snow has finally really come to Vermont — and kept coming and coming. Winter’s a hassle — always — in the realm of driving, of keeping the house heated, the windows closed, of missing walking barefoot through the garden and woods.

But winter’s simply ineffably beautiful, too. Driving to work, a scarf wrapped around my neck, my heavy boots in the car, too, just in case I break down, I’m mesmerized beyond VPR’s impeachment news as I watch swirls of snow skitter over the pavement. Since I was a little girl and my parents drove me, I’ve watched snow and wind work their silent mystery over the highway. Winter.

Calligraphy of geese
against the sky-
the moon seals it.

— Buson

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Calais, Vermont