travel

“…living according to the rhythms of others…”

/ Brett Ann Stanciu / 4 Comments

My ex and I were remarkably unsuited for each other in many ways; in particular was his ability to live without plans. I—in what’s surely irritating, too—lean into rhythms and patterns. This long holiday weekend, I wake hours before dawn, busily tearing apart a manuscript draft and rearranging, stitching, adding, cutting, cutting, cutting…

These early autumn days are sunny, with real heat yet. Afternoons, I park at the rail trail, stretch, and run. In the parking lot, there’s always that SUV with a youngster who’s on a different economic path, and an assortment of Subarus and Volvos with bike racks. These runs are short, a few miles perhaps. Sometimes, I make the four-mile loop. Ending, I often leave the path for the pasture along the river, the Joe Pye weed and purple asters and goldenrod dense. The pollinators eat hungrily.

An orderly life depends on a tenor of privilege, a gift I didn’t have in those years of in-the-thick mothering. Tillie Olsen in Tell Me a Riddle wrote about “living according to the rhythms of others”—a line I’ve considered for years. Nearly all my life I’ve lived in the sway of family, gleaning writing time where I could. Now, just a few years into the children-are-adults phase of my life, my companions are sweet fat housecats but also the unremitting remains of cancer and treatment: the mighty beast of fatigue. I lean into it and push; the fatigue pushes back. As in any family, you make your agreements. You learn to get on.

Late afternoon, we build a fire and linger. Long past dark, we huddle around the flames, the cold nipping in. I tilt my head back. Overhead, stars appear between patches of clouds. From the trees, apples have already fallen into the long grass, sweetly rotting from the day’s heat. I’ve left the kitchen light glowing over the table spread with pages and my scrawled notes. Tomorrow’s labor.

Blackberry Eating

I love to go out in late September
among the fat, overripe, icy, black blackberries
to eat blackberries for breakfast,
the stalks very prickly, a penalty
they earn for knowing the black art
of blackberry-making; and as I stand among them
lifting the stalks to my mouth, the ripest berries
fall almost unbidden to my tongue,
as words sometimes do, certain peculiar words
like strengths or squinched,
many-lettered, one-syllabled lumps,
which I squeeze, squinch open, and splurge well
in the silent, startled, icy, black language
of blackberry-eating in late September.

— Galway Kinnell

Little and Great Things.

/ Brett Ann Stanciu / 15 Comments

September 1, and the sudden gush of changing seasons, which is never simply a matter of weather and light, but habit and soul. After a summer of book tour and work, of road trips and hikes, swimming, of reconciliation and division, too, seed sowing and blackberry gathering, of the sweet satisfaction of a family marriage, now early autumn nibbles in these early mornings. All summer, I struggled writing, but the vision forward for this manuscript abruptly opens. I lean hungrily into the work.

On a recent evening, we visit an open studio evening, a dirt road site of a long-ago hill farm with a queenly view of the valley, a righteous post-and-beam structure with a stunningly opulent garden. The art ranges from sculpture to two charcoal drawings commissioned by Bob Dylan where I linger; the studio and gardens comprise a whole. Slowly, the rooms fill with people I’ve known for years and strangers, too, all curious. How much my mother, long passed from the earth, would have loved this evening. How implicitly she would have understood the present of art, its underpinning in the past. She would have noticed the old millstone now relegated beneath a young apple tree.

We drive home around the lake, then down the hills into Hardwick village, the sunset crimson and gold along the darkening horizon. Always, we’re plunging forward, into the night and sleep, into the morning. The next day’s noon, I walk with my daughter along a causeway far into Lake Champlain, balmy wind on our faces, small spits of rain in our hair. The good luck omen of white egrets.

All these are great and little things. The profound pleasure of pouring boiling water into a French press in my rosy dawn kitchen. Soon enough, the monotone of snow and ash and road sand, the immense might of winter, will settle here. For now, the bittersweet profusion of late summer—sunflowers and goldenrod, basil and tomatoes.

As it’s September 1, here’s W. H. Auden…

There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Tangled Wild.

/ Brett Ann Stanciu / Leave a comment

A little rain falls when I’m done with work for the day, nearly seven in an evening filled with August’s sultriness. There’s no one in the electric department parking lot where I swap jeans for running shorts, and then head on the stony trail through the woods and down to the river.

August, the growing of weed and tended garden finished for this season. The apples are reddening. The blackberries that remain on the vine burst with juice, sweetness on the verge of rot.

I cross the river. Raindrops pebble its slow surface. I loop behind the old yellow barn that houses a warehouse of local cheese, then circle around the osprey nests where the Black River pools behind an old dam. My t-shirt is damp with sprinkles of rain and my sweat. Grateful I am to a friend who appeared with a glass cup of echinacea this week. In the spring, I’d mused that, a year out from cancer treatment, that was as far back as I would come. “Really?” she mused quietly. “You might question that.” Now here I am, running around the edges of this village, along this rain-kissed goldenrod.

Anne Sexton wrote about “the awful rowing towards God,” a poet I read in grad school, a woman crazed by not one simple cause. For so many years, I clenched my wooden oars, my rowboat with my children circling in eddies, plunged through rapids, in a journey breathcatching sometimes from fear and uncertainty, sometimes through the sheer awesomeness of the vaulting night sky, the companions of swimming dolphins.

Much as I chafe against a linear view of time, I see myself running around the brackish reservoir, then along the gentle slope back to my car and the mason jar of water I’ve left there to quench my thirst. I run with my whole story a whirlwind in my body and mind, known and unknown. Surely, as we rush headlong forwards, we’re always going backwards, too. And yet we row on, the work of this mortal life.

Oh, Anne Sexton, with her unhappy demise. Two years ago, I often ran along this path and discovered wild grapes down an embankment. The rain paused, I scramble through weeds. The grapes are there again this late summer. I gather these sweetly tart beauties in the hem of my t-shirt. Eating, I walk along the path, studying the soot-stained clouds. My friend with a new baby in a stroller appears around a bend. I offer this young mother a handful of grapes, and she spits seeds into the trailside milkweed. Sweaty from August and running, I bend down to admire the babe. Scuttling clouds are reflected in the child’s luminescent eyes, her smile quicksilver as a rainbow trout in a rushing mountain stream.

As the African says:
This is my tale which I have told,
if it be sweet, if it be not sweet…
This story ends with me still rowing. — Anne Sexton

Jam of August…

/ Brett Ann Stanciu / 8 Comments

My youngest and I hike in a nearby state park that, as a family, we’ve visited for years—Elmore Mountain. Mid-August, in frothy opulence, does not disappoint: rocky mountain path surrounded by leafy forest, summit view, lake, the nearby store where I once bought my daughters ice cream cones and we now eat sandwiches. The trueness of hunger, the satisfaction of satiation.

Fellow novelist Catherine Tudish and I make the long trek to Manchester, Vermont, to read at Northshire Bookstore. There and back, hours filled with writing talk, life stories, the fried dumplings we eat at a fancy bar, the lingering hours at the bookstore’s closing, me buying one and then two books, stashing these in my bag. We talk and talk as the twilight slides into darkness. I laugh and say two days from now maybe we’ll still be driving around Vermont, and Catherine gently prods me to turn left, go right…

Later, after I leave her at her farmhouse and the massive hydrangea — white shot through with pink — shimmering in my headlights, I listen to the Rolling Stones, and now I am keenly intent on the back road through the darkness, cell-free Vermont, navigating by the few road signs I pass. I’ve driven here, but never in the impenetrable darkness. The night is hourless, and I’m giddy, sunroof open, car heater on, giddy not with any kind of writerly fame but enmeshed in this road and this darkness that I know will of course inevitably end somewhere. Giddy with the joy of my third book that has now reached bookshelves, the story of my troublesome main character Avah Lavoie a rough-edged young woman in search of her own coarse salvation. The novel begins in a sour hangover and ends in hunger: appetite.

Home, gracious I’m tired, but I stand holding my books and wallet and looking up at the constellations in their complex gauze, the Milky Way’s arc, bridged over my house and garden, apple trees and that giant goatsbeard and compass flowers shadowy creatures. The thin thread of crickets. I’m furiously hungry.

“I wonder if ever again Americans can have that experience of returning to a home place so intimately known, profoundly felt, deeply loved, and absolutely submitted to? It is not quite true that you can’t go home again. I have done it, coming back here. But it gets less likely. We have had too many divorces, we have consumed too much transportation, we have lived too shallowly in too many places.”
― Wallace Stegner

“… the now of us…

/ Brett Ann Stanciu / 4 Comments

The incomparable Mary Elder Jacobsen reads her poetry at Elmore State Park. A sultry August morning, I come alone, friends off doing one summer thing or another. Mary reads in the beach house with the doors and windows open, a breeze carrying in the lake’s lapping and children’s laughter.

Afterwards, because I’m there, I hike the mountain. My family and I have hiked this mountain many times, but I haven’t been here in a few years. Last summer, I was walking—short stretches at first, then longer—gaining strength from the trifecta of cancer and chemo and surgery, gaining strength week by week. This summer, I’ve pulled out my hiking boots, pushing. How far will my strength return?

The rocky outcropping is familiar, a bit more brushy, but the cement footings of a vanished cabin are as I remember, with purple asters and wild roses. A sweltering, sweaty day that recalls my New Hampshire childhood, the countless hikes with my dad. A couple arrives, and we talk about the lake below, the view of the forest and hayfield landscape. We share apples, handfuls of crackers, stories.

The story I don’t share is the January evening I parked at the lake’s edge and walked out on the ice beneath the piercing stars. I was on my way from a late meeting to pick up my daughter at a friend’s house, and I’d allotted myself exactly ten minutes. The cold came at me like arrows. Across the lake, the ice cracked like a shot in the fierce temperature. And the constellations? Ancient and present and promising a future…. Now, years later, in moist August scented with those roses…. This day bears no thinking of time. August, in her tumbling abundance.

That January night, my daughter was waiting for me, wanting home. We’d been gone for hours and hours, since early morning, and the wood stove had gone cold, our house inhospitable. Rushing — I was always rushing in those days — I kindled the fire, boiled boxed macaroni and cheese, carried in more wood. We ate in front of the crackling wood stove, sharing our days. All the seasons of a life. Now, this August afternoon, damselflies flicker.

Hours later, I swim in my favorite pond. A friend and I swap stories and books, crackers, tomatoes, cheese. A stranger swims, too, and the stories widen. In a pouring rainstorm, I drive home, then stand under my covered porch and lean against my dear house, drenched from swimming and rain. The earth drinks deeply.

Because, whatever Science says about some equal future moon, 
I know the rare particulars of this vast and intimate brilliance— 
the now of us—won’t ever, in our lifetime, come my way again. ~ Mary Elder Jacobsen

July, in stillness and fury.

/ Brett Ann Stanciu / 12 Comments

Restless, these July days long and, I kid you not, fragrant with fat pink roses in my yard, I’m at a nearby pond not long before twilight, craving company and coolness. I crouch along the shoreline. Save for one sole swimmer, the water lies flat. From the one house along this wooded stretch, laughter spills.

As a child, my sibs and I had a picture book by Leo Leonni about a mouse named Frederick, an artistic rodent soul who saved up the colors of the summer to share in storytelling, hunkered down in the mouse nest, to get his tribe through the dark winter. Likewise, July. In a patch of mucky reeds, forget-me-nots stretch up, teeny blue blossoms. Surely these flowers fit into the biological world for some specific and clever reason. This evening, they’re simply delightful.

Far down the pond, the loons call, exquisite tremolo. This evening, I’m yet humming from Ocean Vuong’s recent reading in Greensboro, how he did that rare thing: in a theater of hundreds of souls, he read simply to me, as I let my knitting fall into my lap and I leaned forward against the balcony’s railings, listening and marveling, his words a river of shoveling snow and absent fathers, of napalm in the jungle and American factories, and how history and bloodshed and the resilience of poetry bind us as a species—each of us a unique drop in that river of flowing time.

The pond’s chill gnaws my flesh. On the sandy mud, we eat cherries. Talking, we will solve exactly none of the world’s conundrums tonight. The loons appear, two parents, two fledglings, on an evening swim and fish hunt. I’ve been here before, stark winter, silent ice, the crunch of snow beneath my boots. Now, the biting insects cluster along my bare legs, claiming bite-sized sips of my blood.

Last, a few readings for Call It Madness coming up. Please come, if you’re around my edge of Vermont, in sweet July.

Meadow Meeting House, in Corinth, VT, Sunday, July 12, 3 pm, with the remarkable Sasha Hom.

Norwich Bookstore, Norwich, VT, Tuesday, July 14, 7 pm.

A novelist, however, sees the idea of ‘a leisurely life’ as practically synonymous with ‘the waning of one’s creativity.’ For novelists are like certain types of fish. If they don’t keep swimming forward, they die. — Haruki Murakami