In these days of long light, my daughter and I are drinking tea and talking on our glassed-in porch when she spies a fox walking along the lilacs that fence us from the road. The red fox, a real beauty, turns and looks at us.
June has been a season of the wild pushing in — the prolific groundhogs (and my thoughts will come to naught about this, but I’m wishing for a more even ratio of groundhog to fox, for my garden’s sake), the multiplicity of birds, raccoon and possum, the circling turkey vultures. This year, too, my garden grows half-wild, the amaranth reseeding around the Brussels sprouts, coreopsis sailing over the fence. One morning, I straighten and pause, brushing dirt from my fingers, when I spy a fox staring at me through the layers of hydrangea and pin cherry trees. For a time without borders, we hold each other’s gaze. What passes between us is a wordless language, with no clear question or agreement. Maybe simply curiosity.
There’s plenty of the human chatter around me these days, much of it rippling up in chaotic waves. But then, this, too. Last night, poetry at a rural arts center, with all the best things of Vermont June: wildflowers and the pleasure of company, the beauty of words stitched finely together.
…. Last, never least, here’s some words about the unsurpassable Vermont novelist Jeffrey Lent, in need of a little lift…
The co-op cashier confides to me as she rings up my tomato and a loaf of bread that she loves this weather — brilliant sun interspersed with downpours. “Must be the Irish in me.”
The past few weeks have been a kind of July bonus: great growth in early June. My apple trees brushed out. I’ve placed an old desk and weathered chair on my covered porch. Recently, carrying out my laptop, I saw the desk sprinkled with gold pollen as if magic had swept through in the night. What luck, I thought, sat down and sneezed, worked.
I am of the wary bent, not to crow, don’t reveal a royal flush, a full house, for god’s sake don’t invite in bad fortune. At the little farmstand around Woodbury Lake, I park and walk behind the dilapidated barn towards the greenhouses, in search of a few more flowers for my garden, to fatten out the echinacea the groundhogs ate last year. In the tiny house, a dog barks. The farmer steps out and calls to me, my former library patron. He sings, “I’m saying it! I’m loving this.”
His words, not mine. Mine are this: in this northern realm, take in the sun and the green, store these gems in your marrow.
Smoke from Canadian wildfires suffuses our world, the briefest intimation of so much happening so far away. Sunday afternoon, I crouch in my garden, weeding, while talking on the phone to my brother. When I stand, the sun is a pool, the hue of fresh blood.
Later, before twilight, we swim with a friend, the smoke like a mist. On our way home, my daughter and I drive up the hill across our town, to the hillside where we often walk and look for the sunset. It’s after eight, but these are the longest days of our Vermont year. The sun is utterly absent, swallowed up in smoke and humidity, the light meager as November.
This, she says, is not good.
The following morning, our air clears. At dinner on our porch, a light rain patters. We keep eating, talking a bit here and there, lacing together our days. As for the humidity, I keep thinking…. bring it on. The myriad leaves and blossoms reach out, sucking it up, summer in all its messy intensity.
Hot, in the best kind of truly humid summer heat, the heat that brings me back to those endless childhood summers when a summer was endless and not merely a few heartbeats. In a strange kind of way, the heat rejuvenates me. I wake early, work hard, then finish my chores as the day funnels down to swimming.
At a nearby garage, I pick up my car. There’s no one there in the empty building, the side doors rolled all the way up to ceiling. I stand there, listening to traffic and watching shadows from the trees flicker over the cement floor.
Two women come in and tell me they’re limping along a Toyota Rav with a flat tire. One woman wears wool socks and winter boots, and I think, Of course you’re from Maine. They’re both much younger than me, nearly bouncing with excitement, and I ask what brings them here. They’re checking the world out. Their excitement is the brightest thing I’ve seen all day. The woman with the wool socks says with a smile, Could do with some rain.
I answer, It’ll rain. She looks at me as if my assurance is farfetched. I add, Eventually, and then wander behind the garage looking for the man to write a check. The garage is on the riverbank. I look at the shallow water. Get a move on, I think. There’s plenty to do. But I live in Vermont. There aren’t that many days in a year I can wear a sundress and not wish for a sweater.
With a stranger, I have a passing conversation regarding a documentary about Gabor Maté. My father recommended the documentary. I originally pointed my father in the direction of Maté when I picked up In the Realm of Hungry Ghosts in a house where my daughters were catsitting. And so it goes…
This stranger, too, has coincidentally just seen the documentary. We’re standing outside the post office, talking, the afternoon sun bright in our eyes. The documentary is about drama and authenticity. I ramble on about authenticity, how I once considered an authentic life something like enjoying cheese, whether it was artisan cheese or Velveeta, just really leaning into life. What an utterly superficial understanding of authenticity, I muse.
What about doubt? What about fear?
This morning, fog lies in the valley, forerunner of fall. Authentic as all get-out.
“You may do this, I tell you, it is permitted. Begin again the story of your life.”
Saturday morning, I pick up a stack of library books at a town just north of where I live. As I drive away, I see an acquaintance crossing the road with a baby against his shoulder. This is a tiny town with a white-fenced green in its center where a farmers market has sprawled. I stop my Subaru in the middle of the road and jump out. “Let me see your baby!”
The baby is beautiful, its cheeks fat beneath a sunhat, rosebud mouth gnawing on a blanket.
The father and I talk just for a moment. He shares the baby’s name, and I tell him how rarely I seem to see infants these days. A car appears behind us, and I get back in my car. As I’m leaving, the father calls after me that he loved my book.
Driving home, I pass Lake Eligo, a deep glacial cut, all the blues and greens I can think of mixed into this sunlight-glittering beauty. From work, I know the skinny roads around this lake, and I follow a dirt lane to a dead-end. I park and wander down to the wetland shore. I’m thinking of an essay I’m writing about my last pregnancy, puzzling over how to arrange pieces of time. What makes sense? A linear timeframe, but we experience the world beyond the linear timeframe of course.
The lake empties both north and south, an anomaly, too. The planet is burning up, but the edge of this lake is almost cool. A bullfrog bellows in the weeds. I let those words and that writing koan slip away. For this moment, I’m in no rush. Clouds, water, and the reflection where they meet fill my sight.
Stony Soil Vermont 