
View from our front porch. Which pretty much sums up where we are now.
… oh voiceless trees
Under the wind, I knew
The eager terrible spring
Hidden in you.
— Sara Teasdale
View from our front porch. Which pretty much sums up where we are now.
… oh voiceless trees
Under the wind, I knew
The eager terrible spring
Hidden in you.
— Sara Teasdale
The cats and I write in the mornings, ski in the late afternoons. In the middle part of the day, on these cold weekends, I paint the downstairs walls yellow. The yellow approximates the hue and consistently of vanilla cake batter. If this is my way of keeping sane in a pandemic winter, I suppose it’s holding firm enough.
While I paint, I listen to stories about Sidney Poitier, about the teachers’ union strike in Chicago, about Ginni Thomas — spouse of Clarence Thomas. If nothing else, the words remind me that the world goes on. The first room I ever painted by myself was a room I rented in a house on High Street in Brattleboro, Vermont. I was 21. It was July, and the windows were open. I was drinking gin and tonics. Now, water has replaced the G&Ts. I have two daughters, two books, and I’m imagining a little orchard I’m going to plant this spring. Maybe it’s just the yellow paint (or the fumes) but more and more, I dig down into my imagination, into its deep reserves.
Our cats dream of good cat things: cardinals and tuna on a little flowered plates and sunlight before the wood stove. A loving hand on their furry heads.
Words from Thich Nhat Hanh:
“We have the tendency to run away from suffering and to look for happiness. But, in fact, if you have not suffered, you have no chance to experience real happiness.”
18 below zero this morning.
The cold comes at my face like a knife when I take out the wood stove ashes. The early morning is perfectly still, full of sunlight. This is not the songbird season.
I’ve now lived through a few dozen Vermont Januaries, beginning as a young woman when I spent so many January nights walking around beneath the winter sky, amazed at all those stars in the deep country dark. Januaries of nursing babies, of a long driving commute, of sledding and baking bread, and enduring the beginnings of cabin fever’s madness.
Always, there’s the cold that reminds us immediately of our own fragile mortality and an inevitable thaw. By the end of the month, daylight returns in a rush. In these chopped-up days of uncertainty, I remind myself of these constants.
‘We forget about the spaciousness
above the clouds
but it’s up there. The sun’s up there too.‘
~Naomi Shihab Nye
Steerforth Press asked me to read the audiobook version of my book, Unstitched. I’ve never recorded a whole book before, so it’s been an intense experience to read the entire book, word by word, just a few feet from a stranger. The book blends both nonfiction and intensely personal memoir. I’m not talking about writing about memories of weeding a garden, either.
Now, in the last phase, while I’m listening to the final version, it’s a fascinatingly educational experience to hear this book I wrote read aloud to me, in my own voice.
One thing that jumped out immediately at me is that much of this book is about being a single woman with two teenage daughters, and how much I’ve figured out in my life without a man. I wouldn’t categorize this as a triumphant, let’s banish the men story (my God, I feel like I can and do whine like there’s no tomorrow), but that theme of woman threads all through this book.
Here’s a snippet of a review in the Deerfield Valley News by Laura Stevenson:
The book’s title comes from the conversation between Stanciu and the father of the girl who overdosed. Looking at the church that will become a social center not just for those in recovery but for everybody in town, Stanciu remarks “everyone’s so busy working that no one seems to have time or energy to put into groups … that used to keep people connected.” He replies, “We’ve come unstitched, … We’ve got to stitch the darn thing back together.” … This is a deeply compassionate and extremely important book. Every Vermonter should read it.”
Vermont’s summer mugginess settles in, and I lie awake at night, remembering the much stickier summers of my childhood in southern New Hampshire, a thousand days of no school and bike riding and eating salted cucumber and playing Acquire with my brother and the neighbor — the ultimate game of capitalism.
But those were likely much less than a thousand days.
My youngest texts me at work. She and her friend explore different swimming holes and go hiking. Together, as new drivers, they match route numbers with roads, beginning to master maps. I worry about her — my youngest navigating the world on her own — this place of such ineffable beauty and real badness. This is the summer she’s learning the price of a tank of gas — a transaction between labor and coin. But it’s also the summer she’s beginning to realize the phrase girls travel in packs has much more meaning than looking for the women’s room.
This is the summer of phenomenal sunsets and sunsets, of studying the sky, wondering if rain might move in.
Quit counting, I counsel myself. The hot days unwind into hotter nights, but the dawn is cool, the dew lush over my toes.