Good and Hard Place

Balmy days move into our wedge of Vermont. The leaves are turning colors in scattered spots — some gold, a glimmer of red — but nothing threatening, nothing ominous yet.

Live in Vermont as long as I have (a few eons, perhaps, it feels like some days), and you know winter isn’t far in the offing. But for now, the days and nights when we sleep with the windows open, the air is redolent with sweetness.

If there’s one thing we’ve collectively learned from the pandemic, I suppose it would be that the Here and Now matters immensely. We soak up sweetness, knowing tomorrow may bring an unknown kind of hardness.

Thank you to all who came out last night, in-person, to the Hardwick Town House. The Town House has had so much history, and last night’s audience of listeners in masks — well, that’s the history we’re participating in these days.

I’m now on a mostly virtual book tour. If you can stop in at all, please do.

Finally — I mentioned last night that the original working title for Unstitched was A Good and Hard Place. There’s plenty of hard things in my book, but it’s full of the goodness of life, too. Here’s hoping you have a taste of goodness today, too.

And, a thank you to Literary North for running a short original piece.

Love Lies Bleeding.

My daughter returns from a hectic work week with a mason jar of flowers from a friend. Our cat immediately gnaws on a zinnia leaf, and so my daughter sets the jar of flowers on our table on the back porch.

A week later, the flowers are still vibrant — giant orange zinnias and sunflowers and maroon amaranth that drapes over the jar’s edge. This, despite the fluctuations of cold and heat for days.

The other name for amaranth is Love Lies Bleeding.

On this Saturday morning, my daughters already at work and soccer, I drink coffee and catch up with email. Next year, I imagine, maybe I’ll plant my entire garden in flowers, vegetables be damned. I won’t; I know that. But I sowed an enormous variety of Love Lies Bleeding in along my brassica this year. We’re devouring all of that.

Poetry, For Now.

Talking with friends by the side of a road, I notice a flock of Canada geese in the field across the road.

My friends tell me hunting season is just a few days away. The geese should move along.

My friends leave, too, one by one, and I linger with one woman, talking about farming in Vermont, an acquaintance we believe may have gone down the rat hole of QAnon, our elderly parents who live thousands of miles away. We branch into motherhood and gardening.

At the end of August, my youngest starts 11th grade today. The cats and I are up long before dawn this morning, the days dwindling at each end rapidly now. Next spring, with its promises of coltsfoot and trilliums seems forever away. I stand at our kitchen counter, drinking coffee, reading the New York Times.

Here’s a poem, not offered as an antidote to so many families, all over the globe, just solidarity.

Hope has holes

in its pockets. 

It leaves little

crumb trails

so that we, 

when anxious,

can follow it.

Hope’s secret: 

it doesn’t know

the destination–

it knows only

that all roads

begin with one 

foot in front

of the other.”

–Rosemerry Wahtola Trommer
Hardwick, Vermont

One Word.

Yesterday, I kept remembering when we took our youngest camping beside a pond when she was two. She pointed to a purple flower growing in the water and learned to say pickerel. For days, she practiced that word, pick-er-el, saying it slowly and carefully, over and over.

Fourteen years later, she’s mastered that name and much more, working for days last spring at what appeared to me to be pages of math. She won’t remember one bit of that trip, but it’s in her, still.

In the evening, my daughters disappear to go running. I wash up dishes, then sit outside near the garden and where the wilderness edges up behind our world, with milkweed and raspberry brambles. As the dusk filters in, I read. The late summer crickets chirp their songs, and the world keeps moving on and on at what it does.

Sunflowers. Japanese beetles in the green beans. Tomatoes red on the vine. The rich scent of the promise of rain moving in.

Come

Let us dine on barley grain

On a journey nowhere

— Bashō

So Much Water.

In the chilly August evening, my friend and I swim after dinner, while our families kick sand on the beach. We swim into the sunset, and I’m on the verge of shivering before we hit the ropes that mark off the swimming area.

When we return, the beach has been emptied of everyone except our families, and a little girl who wanders, eating from a bag of potato chips while her mother reads a tablet. The breeze raises goosebumps on my skin, and I pull clothes over my wet swimming suit.

I ride home with my youngest, the seat warmer toasty, the car’s windows filled with the sunset’s iridescent strawberry.

She wants me to trust her driving. Because I am me, I feel all around us the coldness of autumn creeping in, and how that cold whispers its own story. This evening, though, I lean back in her car, my bare feet shedding sand on her floor, and let her drive.

A half moon rises over the hillside, the pearl color of shell’s interior.

Whither goest thou, America, in thy shiny car in the night?”

— Jack Kerouac
Greensboro, VT

Night Driving.

I had dinner with six other adults last night at a restaurant beneath a tent. Across the table from me, one man said he didn’t think he’d eaten with that number of people in, well, what seemed like forever.

Ditto, me.

I’d driven down I-91 along the Connecticut River to meet the team at Steerforth Press and talk about my book Unstitched that will be published in a month.

On my way home, I drove out of New Hampshire in the dark that had fallen while we were talking and telling stories. I drove away from the congestion of Dartmouth, and then north again, into the deepness of Vermont. The day was still humid and sticky with summer, and I left the windows open, while I listened to The New Yorker‘s Atul Gawande talk about the Delta Variant.

I remembered driving in the dark in my mid-twenties, alone, over the Continental Divide. At the top, I parked and stretched. Although it was summer then, too, the elevation’s chill made me shiver in my t-shirt and shorts. In the women’s room, drying my hands under a stream of hot air, I chatted with an elderly woman. Where she was going, and what she was doing, I’ve long since forgotten, but I remember stepping outside the little building with her and admiring the stars.

So many years later, I sped through the warm and velvety night.

At home, my daughters had left the little string of lights on in the living room, and the back porch lamp glowed. Our house, freshly painted white, glimmered a little as the clapboards rose above the woodpile and purple echinacea. The cats sat at the door, watching moths, or maybe waiting for me.

A few minutes early to New Hampshire yesterday, I walked through a park and discovered a community garden devoted almost exclusively to flowers. A woman and her dog paused and watched me admire the blossoms. The poodle suddenly stood up on its hind legs and barked a hello. I laughed. The woman nodded. Then she went her way, and I went mine.