poetry

“Where are you going?”

/ Brett Ann Stanciu / 19 Comments

Photo above taken in a courtyard garden at Dartmouth-Hitchcock. Inside the building, there’s a short flight of stairs to a sunroom. Glass doors lead to the garden. Much of this winter, I couldn’t walk those half-dozen steps. When I finally could, I proofread my daughter’s college essays in the sunroom. We stared out at the blowing snow and wondered what grew in the spring garden.

Today, mid-June, an appointment of good news. The Good Doctor reminds me that I’ve finished treatments, that I’m in remission. Go on and live your life. Gain weight and muscle.

I’ve been so far out of the everyday world that, after this appointment, waiting in a gas line, seems like a small event. For some reason, I remembered the gas station a few miles from my father’s house in Santa Fe, New Mexico. On a random summer morning, I pumped gas and then stood for a moment, breathing in the spiciness from the station’s kitchen vent and staring up at the flawlessly blue sky. The desert’s hot breath touched my cheeks, my hands, my bare knees – at once so familiar to me (my birthplace the New Mexican desert) and enchantingly unknown. The day lay before us like a pie that could be cut any which way, and the result would be enjoyable.

That’s how I felt, leaving the cancer center, walking up the stairs in the parking garage – light – as if I had shed that caul of cancer and pain. I mean nothing easy or innocent about this lightness. One afternoon when I could barely walk around the high school, I sat in a friend’s car and imagined myself as gray – my face ashen, my bones crumpling to cinders. I wondered how I would survive. In December, wandering the halls of yet another hospital, I turned around and couldn’t recognize the only other person in the hallway, my friend Jo who was even calling my name. “Brett, where are you going?”

Living with cancer taught me that we are not creatures of the mind; we live in our bodies. Cancer may return in my flesh this summer, two years from now, or never. I may perish falling down stairs, or expire as an old woman in my bed beneath a quilt my mother sewed. Any hubris I once had about eating organic brown rice and my garden’s bounty vanished this winter; mortality’s blade is ubiquitous, final.

Nonetheless, this day…

Driving home on the interstate, my daughter and I mused about hurried drives through snow to the ER, the repeated treks, northward, home, where we scrutinized roadside trees for the faintest blush of spring green. This time, my daughter pointed out patches of lupines, purple and pink and white, sure sign of summer.

You must do something to make the world more beautiful.

~ Barbara Cooney, Miss Rumphius

Wood.

/ Brett Ann Stanciu / 18 Comments

The wood man delivers cord wood not long after dawn. I’m in the kitchen with a manuscript spread over the table when I hear his truck beeping as he backs around the car my daughter left in the driveway’s middle late last night, returning from work. I lay clean spoons over my pages to keep them steady from my cat, who cares nothing about words or order.

The morning’s chilly, sunlight snagged in the crabapple blossoms, downy white.

I hand him a check, and we talk for a bit about maple sugaring and sap sugar content, about his mighty 17,000 taps, and burning wood. Can’t people remember to order their own firewood every year, anyway? He dumps the load and drives off into the rising day. Freshly split, the wood’s redolent with sweet sap, that forest scent.

Two weeks and one day out from surgery, each day I’m pulling along further. After a winter of chemo, I now have a gnash in my middle, a non-bikini scar, that renders all the more real this cancer. Nonetheless, I ordered a small $16 tree, a witch hazel. One daughter digs a hole, the other plants the tree. Healing, I’m required to restrain myself from stacking that wood, digging holes, tugging out last year’s Brussels sprout stalks that lingered all winter, blackening and rotting. My daughter rips up a stalk and shakes the soil loose. The plant’s tendril-like roots spread skyward.

Amazing, I say, what comes from a tiny seed, isn’t it?

She shakes it again, then tosses the stalk in the garden cart and moves on to the next plant.

“Tree”

It is foolish
to let a young redwood
grow next to a house.

Even in this 
one lifetime,
you will have to choose.

That great calm being,
this clutter of soup pots and books–

Already the first branch-tips brush at the window.
Softly, calmly, immensity taps at your life.
― Jane Hirshfield

Don’t these greens taste good…

/ Brett Ann Stanciu / 21 Comments

My oldest daughter attended preschool for a year on the second floor of a Unitarian Church in a little village on a pristine glacial lake. The village is heavy on the white clapboard quaintness. To get to the town, we drove through acres of farm fields. In May, the fields gleamed with dandelion gold. The merry month of May: bumblebees and blossoms. Revel on…

My daughters visited me yesterday at Dartmouth, a repeat that’s become bizarrely routine — a repeated I’m determined to break. They came bearing gifts of peonies and good cheer. Sunday, we wandered through the wide and mostly empty halls. The hospital is designed to pour natural light into the building, and the sunny afternoon showed its success. We admired the blooming crabapples and wandered through garden courtyards. I gathered more reading material.

I rarely post photos of myself, but here’s me, in my daughter’s sweatshirt, in a photo snapped in an elevator. Dandelion from the youngest tucked into my zipper.

The First Green of Spring

Out walking in the swamp picking cowslip, marsh marigold,
this sweet first green of spring. Now sautéed in a pan melting
to a deeper green than ever they were alive, this green, this life,

harbinger of things to come. Now we sit at the table munching
on this message from the dawn which says we and the world
are alive again today, and this is the world’s birthday. And

even though we know we are growing old, we are dying, we
will never be young again, we also know we’re still right here
now, today, and, my oh my! don’t these greens taste good.

~ David Budbill

“…the strange idea of continuous living…”

/ Brett Ann Stanciu / 14 Comments

A knock at my kitchen door wakes me. Midafternoon, home from a long morning at Dartmouth for routine things, nothing major, but a day that began in the dark after scant sleep. The week before, I’d left a message for a man who painted three sides of my house a few years ago to ask about an estimate for my barn and that fourth side that somehow I’d never painted. Last fall, sick and not knowing the (cancer) reason why, I’d managed to get out my sander, but that was about as far as that plan went.

The painter is a person my daughter and I know in our overlapping circles, so I’m not surprised when he says he’d heard of my illness. We talk for a bit in my kitchen. Then I grab my sweater, and we walk around the barn. A stunning sunlight makes me blink. Our conversation winds around primer and caulking and ladders. In the back, where the woodchucks claim domain, the painter turns the conversation towards politics and the word that’s so commonly used now — cutting. We talk about cancer research (which saved my life) and the bitch of enduring chemotherapy. A house finch perches in the honeysuckle in the wild tangles below my house. The honeysuckle’s bent branches are dotted with tiny fans of new leaves.

It’s been a day for me. I once had unbounded energy that I spent so easily with my garden shovel, my paintbrush, laptop, trowel, my two hands. I lean back against the barn’s peeling clapboards, beside last summer’s clematis vine that appears shriveled, used-up, no good. I have complete faith this beauty will bloom again this year. Listening to the painter, I wonder, why make any guesses about anyone or anything, really? What will happen will happen. Yet, I can’t help myself. I’m betting on the clematis and its purple flowers. The painter offers me his good will, and I take that, too.

Instructions on Not Giving Up

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

~ Ada Limón

At the edge of damage…

/ Brett Ann Stanciu / 15 Comments

A few days of radiant sunlight and steady breeze, a burnish on my cheeks: solid medicine. It’s spring.

In rapid succession now, the coltsfoot, the lungwort, Siberian squill, my mini daffodils bloom. Each day I remain out of the hospital feels like a victory, a day worth savoring. Afternoons, evenings, I lie in bed reading Dostoyevsky.

There’s this line from a Louise Glück poem I mull over as I walk around my budding forsythia, the Daphne I planted last summer that survived the winter. The line is: “Nothing can be forced to live.” In these lengthening days, I wonder if perhaps my attitude has been skewed for years, gritty-mouthed and wry, one foot behind me ready to flee, the other toes nestling into the garden. Mid-April, and green shoots and velvety petals thrust from the earth. The honeybees swarm. The groundhogs feast and dig. The children ride bikes.

We’re early enough in the season that I can yet pick out this patch of Chionodoxa, the lilac buds. My sandy Vermont hillside thrusts towards life. A poem my friend Jo sent my way, and I’ll send yours is below. Swan’s words about the crack in our world — how much these resonant with me. Now, in my days and nights after chemo, as I begin putting my life and soul back together, I remind myself (as my siblings remind me) to lean into my cracks, to embrace the holes and the whole of my life.

BOWL

BY HEATHER SWAN

for my mother

From the mud in her hands,
the bowl was born.
Opening like a flower
in an arch of petals,
then becoming a vessel
both empty and full.

Later, in the kiln
it was ravaged by fire,
its surface etched and vitrified,
searing the glaze into glass
as its body turned
to stone.

It is at the edge of damage
that beauty is honed.
And in Japan,
the potter tells me,
when a tea bowl
cracks in the fire,
that crack is filled
with gold.

The crying moments…

/ Brett Ann Stanciu / 43 Comments

I’ve written frequently in this space about living with cancer and cancer treatment since I was diagnosed with lymphoma last November. From the beginning, I was determined to hold myself together. Some of this was simply shock; I could not believe I had been walking around, working, going to birthday parties, hanging with family and my friends while cancer was devouring my body. By the time I ended up in the ER, telling the triage nurse I was circling the drain, the cancer had metastasized to stage four. I needed a moment. I was not about to get a moment.

In the long hours of yet another ER visit, my daughter told me that a longtime friend had asked her last November if I actually intended to undergo chemotherapy. I hadn’t heard about this inquiry, and the question stunned me. I’ve been my daughters’ sole parent for a decade now; even in the worst of these cancer nights and days, I remain foremost a mother, unable to relinquish my watchful eye. After diagnosis, it was immediately clear that the cancer was rapidly growing; without some kind of treatment I would die that winter. The lymphoma I have responds well to chemo. My other option, perhaps, was to seek an alternative treatment — where, for how much, and with what likelihood of success — was dubious at best. In my fifties, I was determined to live. My oncologist was clear that the chemo would shove me to the edge of demise. He told me, You are curable. So, in a rare action of trust, I stretched out my arms and said, Infuse me.

As the cancer was so advanced, I suffered numerous complications from the chemo, which resulted in all the hospital stays I’ve referred to in this blog — nearly a dozen — weeks and and weeks and weeks this winter.

Now, April, Easter rising tomorrow, I’m drinking a friend’s homegrown chamomile tea this morning at my kitchen table, watching the small rain feed spring’s green, alive, in remission.

From the get-go, too, I determined not to burrow into the rathole of despair that I’ve seen disease wreck upon individuals and spread to families. This recent ER visit, however, forced me to the crying day. I wept before the kind nurses, the warm hematologist with her sparkly hair, the PA who insisted I not leave even as I connived deals and plans for discharge. I did not cry before the elder hematologist, who had certainly been practicing medicine for most of my life. I said, yes, yes, I understand. And then I wiped my tears with my thumb when he left.

By the late hour when my daughter had left, and I was alone again in the darkened ER room, I’d taken stock of what I’d crammed in my backpack: two books, my laptop and charger, a handful of underwear, my notebook. I’d forgotten my knitting, which was unfortunate. The nightshift nurse brought me water and those eternal saltines. She was a traveler and had last worked in Iowa.

Much later the next night, two nurses wheeled me through the dim and empty hospital halls to another room. Of all the experiences I’ve had at Dartmouth-Hitchcock, I’ve oddly enjoyed these late night journeys through this huge building. So many stories here, so much living and dying, so much richness. By then, I’d finished with my weeping, joined the world again, all of us, doing what we’re doing. 

A driving spring rain
gliding, wending through the trees
speaks in little drops

~ Bashō