Frog Chorus

I hate it when my daughters bicker.

Stop, stop, stop, I demand. Are you listening to yourselves?

They look at me oddly, and insist, This isn’t fighting, mom.

Recently, I’ve been forcing myself to close my eyes and simply listen to the cadence of their voices. Not the words, not even the tone, but only the rhythm and motion of their voices together. They pick at each other; they laugh; their voices dive at each other again.

Late this afternoon, I walked to our woods pond. Before I could even see the water, I heard the cacophony of frogs, so rusty this early in the season I might have mistaken it for a few stray geese. When the frogs heard my footsteps on dried leaves, they vanished under the water. I remained crouched for a good long while before the frog-chatter chorus cranked up again, a tentative bleat here, then another.

Walking back, I challenged myself to think of my daughters as those calling creatures and listen carefully to the song beneath their singing.

Old pond…
a frog jumps in
water’s sound.

– Basho

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Woodbury, Vermont

The Middle Ages, Vermont 2016

One way I’ve (unintentionally) annoyed my daughters is my insistence that, every now and  then, I’m inhabiting the Middle Ages. This afternoon, in a stretch of breezy sun, at that optimum seventy degrees, I dug my fingers into the warming garden beds and unearthed worms, threadlike strings of root, lifting handfuls of johnny-ups for a friend.

Somehow, in my fictive Middle Age world, there’s only sunlight and soil, the constellations overhead undiluted by manmade light. This world lacks the drone and pollution of the internal combustion engine, contrails, the unending pressure to earn a living, get the kids one place or another, be accountable to the world out there. I have this vision of a world in perpetual growth, the earth still solidly at the center of the universe, the sun orbiting my serf’s homey patch of soil.

Conveniently, the Pope remains distant, the Children’s Crusade hasn’t happened yet, the Black Plague and smallpox are on hiatus. The thatch over my head is rat-free, famine hasn’t reared its head, and – of course – family life is just fine.

It’s a nice reverie, though, when I remain for these hours in my hands-on-the-land dreamlike stance, gathering tangy greens for dinner, my cheeks sun-kissed.

 But you may be surprised to hear that the Middle Ages were like a starry night. Let me explain. Have you ever heard people talking about the Dark Ages? This is the name given to the period which followed the collapse of the Roman empire when very few people could read or write and hardly anyone knew what was going on in the world.

– E.H. Gombrich, A Little History of the World

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Woodbury, Vermont

Sabbath Day

A breezy Sunday, full of intent talk and laughter, seedlings – onions, tomatoes, nasturtiums – sprouting by the day, leftover rainbow cake from a birthday, the neighbor boy who pogo-sticked down the muddy road.

Sunlight splashing in puddles from melting snow, brilliant as chips of broken mica.

… But once I held
a kingfisher
in my hands,
I touched its blue power.
That may be the only time
I ever do….

– Janisse Ray, “Kingfisher,” in  A House of Branches

 

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Happy April is Poetry Month

The other night I heard Leland Kinsey read from his new book of poems, Galvanized, at the Galaxy Bookshop in Hardwick. Leaving home on a weeknight is always a pain, with homework rearing up, dinner dishes, and – although it’s only ten minutes – the ten minutes in the car to drive. I’m always glad when I get to the bookstore, though. The company is familiar and jovial; the books are terrific.

I’ve been to many, many readings at this Hardwick bookstore, but this reading was particularly fine. I’d brought my knitting, but I left it in my lap, untouched. A couple in the back had come with their baby, and the little one’s babbles wove beneath Leland’s voice. Leland hails from a lengthy line of Vermont farmers, and his poetry is strewn with glacial erratics, swallows, ponds  – with a keen awareness of mortality, of hard physical work, of human frailty, and love. Perhaps what I admire most about his poetry is that constant thread of beauty, winding all through his words like that baby’s murmur.

Galvanized is a collection of poems suffused with life, penetrating into the deepest recesses of our lives, a book of laughter and tears and beauty, the matter of our everyday lives. Isn’t that what poetry is all about?

…. The same uncle said recently about a blue suit,
“I bought it to be laid out in;
now I’m wearing it to the wakes of others.
Life takes so long.”

Wear.

From “Deer Camp,” Leland Kinsey, in Galvanized

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Barre, Vermont/Photo by Molly S.

 

Love Better

What makes a life? A friend of mine told me she once took stock of her life, tallying.

How to measure a life? By a house, bank accounts, grandchildren at the Thanksgiving dinner table? Or perhaps none of this. When I look at my sprawl of past and present, the one thing I think is: love better. The best and most fulfilling things I have done have been freely given. Perhaps this is why to love as a parent (while unbelievably difficult at times) is so fulfilling; any morsels of childish love passed back are pure gravy, savory sweetness.

I’ve never known love as greeting card, prettied up with pastel hearts. Love is as indomitable a force as a woman’s contractions in labor, bearing down to bring a new being into this world, or slender coltsfoot blossoms cracking apart winter’s ice. Love better: surely that would mean widening your heart in unexpected ways.

Today, in this April brown and beige world, I saw a cardinal fly into a thicket, a rare bright bird this far north. I went looking for the hidden little feathered creature. I knew it harbored in those tangled branches, its tiny heart hammering away fiercely in this cold.

And now, I have my own household of teenage girls to attend to, with their own laughing and open hearts……

Locking Yourself Out,
Then Trying to Get Back In

You simply go out and shut the door
without thinking. And when you look back
at what you’ve done
it’s too late. If this sounds
like the story of a life, okay….

I stood there for a minute in the rain.
Considering myself to be the luckiest of men.
Even though a wave of grief passed through me.
Even though I felt violently ashamed
of the injury I’d done back then.
I bashed that beautiful window.
And stepped back in.

– Raymond Carver

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April in Vermont

The Silence Means Something, Too

A few days ago, I inserted Lucille Clifton’s “The Lost Baby Poem.” In graduate school, a professor passed around copies of this poem at the beginning of one workshop. We all sat there, silently, and then a friend of mine began to cry, tears streaming down her face, soundlessly.

My professor cleared his throat and said sadly, Nothing said about this poem is enough said.

My house of females has a lot of talking, but sometimes I remind my daughters that silence can be just as mighty, the absence of words as powerful – for good or ill – as speaking or writing. That sometimes enough is really enough.

To underestimate the appeal of art is to underestimate not only poetry but also human nature. Our hunger for myth, story, and design is very deep…. If we are not in love with poems, the problem may be that we are not teaching the right poems. Yet ignorance of and wariness about art gets passed on virally, from teacher to student. After a few generations of such exile, poetry will come to be viewed as a stuffy neighborhood of large houses with locked doors, where no one wants to spend any time.

–– Tony Hoagland

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Woodbury, Vermont