Roaming

Hard up for reading material, I get my 15-year-old to drive to Craftsbury, where I raid the free book pile on the porch.

In this village, we see no one, not a single human soul, only two geese flying overhead. It’s late Saturday afternoon, and she keeps driving on the dirt roads, heading by the Outdoor Center where I worked many years ago, and then by the summer camp where she spent happy summer weeks.

The road crests by the old farmhouse where our friends lived for years, and where we spent so many happy hours. She slows, and we look carefully. The house has been freshly painted and glows a pale yellow on that green hillside.

In one of those strange twists of fate, my former husband and I had also considered buying this house before our friends — who were not yet our friends — did. At that time, the farmhouse hadn’t been inhabited for a few years. A couple with two children had lived there, divorced, and the house had been snarled in the divorce.

In one bedroom, in place of a headboard, pillows had been stapled to the wall. I remember thinking, Who would ever think that’s a good idea?

I ask her to pull over on the side of the road. I get out for a moment and walk into the field where I stand looking at the ridge of mountains in the distance, the house on the hillside, and all that sky overhead.

A pickup pulls up beside my daughter, speaks to her, and drives off. I walk back to the car and asked what happened.

She says, He asked if I needed help. I told him it was just my mother.

She puts the car in gear, and we roll forward, picking up speed along the road. She glances at me sideways and says, I didn’t tell him you wanted to see how far along the tree buds are. That would just be weird.

 Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of ‘psst’ that you usually can’t even hear because you’re in such a rush to or from something important you’ve tried to engineer.

David Foster Wallace

The Me World V. Context

The May my youngest daughter was born, rain fell every day that month. Day after day of deepening sogginess, the earth drinking up that water. She was born on the very last day of May, and in early June, nibs of corn nosed up through the black, plowed fields.

This May, I wake early, long before light, listening to the robins singing sweetly in the tree outside my window, our little cat pressed near the screen, more interested in birds than breakfast in his bowl.

And so our lives unfold, a summer of plans unfurling slowly, tentatively around us. I live in the state with the highest Covid vaccination rate, but around us swirls this debate about vaccinating, particularly among the young adults. Listening, I think of those young sprouts of corn, how each shoot needs the earth for growth, the rain for water, the sun for nourishment. It’s impossible to grow alone; impossible to live alone.

Against all probability our bulbs have blossomed,

opened their white rooms, given their assent.

I pull myself from your breathing to take a closer look.

It happened overnight.

Laura Case, “Morning”

May Day

I have my winter tires switched for summers. In the garage, I ask the owner how he is. He leans back in his chair, shrugs, and lifts his hands.

I know, I say, but it’s May. It’s spring.

He shrugs again. Which sums up where we are now.

May reminds us why we live in Vermont. The world turns gorgeously green. My daughters and I walk and walk, discovering trilliums, rushing streams, the tiniest of leaves. In a world where we’re all worn down, spring’s beauty reminds us that the world spins on.

From Diana Whitney’s lovely new anthology, You Don’t Have to be Everything:

I

Wild Friends

While waiting for my daughter to finish soccer practice, I wandered down the road and discovered three geese gliding through a wetland. I stood at the wetlands’ edge for the longest time, simply watching, as if by observing I can absorb some of their quiet certainty.

Everyday in Vermont, a few more strokes of green, a little more color.

“Empathy is more than putting yourself in someone else’s shoes; it’s using your power to fight for changes that don’t directly benefit you.”

— Tessa Miller, What Doesn’t Kill You: A Life With Chronic Illness — Lessons From a Body in Revolt

Vermont Spring Palette

I leave work in the middle of the day, to take my daughter from here to there. A downpour has suddenly stopped, and sunlight sparkles over the wet world. We drive with the windows and sunroof open, the breeze blowing in. Although both girls have had Covid, and I’m vaccinated, we’re wearing masks. When won’t we be wearing masks?

The girls talk about classes, and I tune out, listening to their voices. We pass clumps of golden daffodils. On my way back to work, I drive through fields of green so brilliant I blink.

All around me, the human world feels fraught these days with chaos, both self-inflicted and not. Meanwhile, the earth pushes alive with spring. In the evening, walking up a dirt road, I look back at my daughters beneath an enormous maple, its branches still bare. Behind us, the mountains hold a deep blue. The peepers chorus, and the red-wing blackbirds sing sweetly.

It may yet snow again this week. Meanwhile, spring.

We walk up the road and down through the cedar forest, where the path is black earth. We linger so long that we walk home in the dark.

“Walking . . . is how the body measures itself against the earth.” 

— Rebecca Solnit

Somewhere in Snowy Spring….

Through a few inches of snow, I follow stone steps down to nearby Lake Caspian, winding around a cedar-shingled house, holding a railing someone has taken the care to build, baluster by baluster.

The homeowner wants to build a tiny boathouse by the shoreline. While I listen to his plans, I eye the lake visible beneath the bent that hang over the lake. Although I’m wearing my winter coat, I imagine wading in, sweeping my fingers in the cold water.

The few of us stand among white birches, sharing names and stories. Because this is Vermont, we talk about the weather, the need for precipitation, and how everyone’s wood pile is faring. We make our way back up the hill, still talking.

A robin, in a crazed songbird rush, swoops by, nearing clipping one woman’s ear. She laughs.

It’s Saturday. Later that afternoon, I’ll stand in my driveway, talking with my friend about the fat list of things that worry and stress us. But for this half hour or so, I visit with acquaintances and strangers, talking about the area’s barns, how these great structures were built with care. Some remain; some are simply memories.

For listening recommendations, my father passed along this link to This American Life‘s Three Miles.