Revision.

On the most perfect spring morning, I’m driving along route 107, a stretch of highway I’ve always loved that curves along the river. I’m listening to a This American Life story about two boys (and if you listen, listen all the way to the end, please), when the revision path for my novel abruptly unfolds before me, like a Jacob’s Ladder toy.

I’m in somewhat familiar territory, and so I pull over and scrawl down a few sentences. The day is suffused with dandelions and violets. I get a little lost to where I’m going, but not too lost. Later, I take a different road home, up route 100 along the White River Valley. Last year’s corn stubble patterns black fields that stretch to mountains where leaves freshen the gray with new green. The fruit trees are blossoming. I stop and finish the remains of my sandwich —pickles and sprouts and a coarse sharp mustard — keeping company with pink petals and pollinators.

My lunch companion remarked how a forest will do what a forest will. As I eat, I remember how poet David Budbill railed against writers taking themselves too seriously. He wrote, wrote hard, wrote productively, and revered the mystery of the imagination, the murkiness of creativity. His advice to writers, “Don’t think. Listen.”

On my way home, I listen to another This American Life story about a bird who sang to itself. I’m not making this up.

Snapper.

On the way to my oldest daughter’s apartment for dinner, cars stop in the highway. A woman waves frantically for us to slow, slow. A few years back, on a Monday morning, I had pulled over at nearly this precise place. A car was flipped upside down in a roadside ditch. A passing motorcyclist stopped, too, and we walked around the car, then up and down the road.

This afternoon, a man walks behind a snapping turtle, guarding it safely across the pavement.

I’ve been in Woodbury all afternoon, back at the school and the library where I once spent so many hours, so much of my life for a few years. Seeing the turtle, my daughter laughs. So much has happened to us in these past few weeks, these past few years. For now, though, this return to May and spring and turtles on the move. Merry month of May…

History says, Don’t hope
On this side of the grave,
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up,
And hope and history rhyme…

— Seamus Heaney

Cinque Terre, Italy

We leave our dear friends in Switzerland. That morning, we walked in the forest among mighty mountains with their cat.

In Italy, the trains are jammed. We enter the wrong car. In a mixture of languages, people pass luggage back and forth. Lemons bend down tree branches here. We eat creatures from the sea. Such a long way we have come, to this world of color and wisteria fragrance. Cats sun themselves on ancient stone walls.

Talking.

Old friends/neighbors appear on the other side of the cemetery fence. She’s wearing shoes with a hole in one heel and steps carefully through the patchy snow that remains. In the thin late afternoon sunlight, I’m in the brown garden, searching for nubs of green, an elbow of garlic, a toe of daffodil. It’s been so long since I’ve seen these people, in that long ago time known forever now to us as pre-pandemic, that I need a moment to determine, yes, yes.

We are all three of us worse for wear, but they dive right in, talking about my house and the wood piles, the forsythia I planted that’s sprung crazy, the picnic table beside the apple tree. Things have happened here. Life has gone on.

He leans on the fence where my youngest tied a pink strip of old t-shirt years ago, marking where she and a friend planted a time capsule. What’s in there I can no longer recall, and likely she can’t, either.

Six years ago, in April, I decided to move into this house. No one was living here then. I leaped over the fence and tore a hole in the back of my leggings. I headed to work afterwards, and the kids teased me. What have you been doing? That April was a warm one, too. I leaned against the house and studied the declination of sunlight as I guessed it would rise.

As we talk, the wind picks up. The robins are ecstatic in the neighbors’ maples, really belting out their songs. Overhead, the turkey vultures float, eyeing us. We keep talking, tossing at each other, “remember this? remember this?” Oh laughter….

The bud
stands for all things,
even for those things that don’t flower,
for everything flowers, from within, of self-blessing…
— Galway Kinnell

Small Citizen.

A few streets over, the neighbors are out with their little girl. She’s wearing a helmet and holds the handles of a pink bike that I’m nearly certain is new to her from the cautious way she thumbs the handgrips, as if still thinking through what this might mean. This alone is good news for this windy April day, a girl and her bike and an imagination sparking in her eyes. As I pass by, I wave, but the girl is in her world, and the adults are bickering about dog shit under the front yard’s single tree. I laugh because, well, what else? Been there, on both sides of that equation. When I return from the post office, the girl is making long slow circles in an empty street, the adults are leaning against a fence, sharing a cigarette, and the sun promises to shine all afternoon — cold, brisk, exactly what we expect in Vermont’s April.

And, for no reason at all, one of my favorite poems….

Citizen of Dark Times

by Kim Stafford

Agenda in a time of fear: Be not afraid.
When things go wrong, do right.
Set out by the half-light of the seeker.
For the well-lit problem begins to heal.

Learn tropism toward the difficult.
We have not arrived to explain, but to sing.
Young idealism ripens into an ethical life.
Prune back regret to let faith grow.

When you hit rock bottom, dig farther down.
Grief is the seed of singing, shame the seed of song.
Keep seeing what you are not saying.
Plunder your reticence.

Songbird guards a twig, its only weapon a song.

Reasons…

Rainy afternoon. I wander through the neighborhood where I once considered buying a house. Someone else lives there now. With new paint and two rocking chairs on the front porch, I need a moment to recognize the house, to remember the kitchen door I went through, envisioning in those days how my life might bend.

These years, walking by, I’ve watched the vehicles’ license plates change from Maine to Vermont, a tricycle appear, a front step break, two hydrangeas expand in the front yard.

April: season of mud and rain, snow and patience. Some reasons are obvious. Snow vanishes first on south-facing slopes, but other patches around us aren’t so readily knowable. Why does snow cling to some fields and not others? Quickly running water beneath, perhaps, the softening of what our human eyes can’t see, the knowledge gained only by years of our wandering footsteps.

So it goes. April, thaw, brown to pea green.

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun…

From Joy Harjo’s “Perhaps the World Ends Here”