Fresh Lilacs, Late October.

My daughter sends me a photo of an apple blossom she discovered in Montpelier, Vermont, just this weekend, end of October. For anyone not a Vermonter, this is odd news that evokes suspicion and distrust. In New Englanders, distrust is a carefully curated character trait. Good lord, don’t be naïve. Naïve people don’t put on snow tires, and those people drive off roads.

Later that same afternoon, we walk through a pasture and then cut through a town cemetery. There, the lilac bushes are sticks, as you’d expect at this time of year. But at the very top of one bush, lavender flowers bloom. My daughter stands on her tiptoes and gently pulls down a branch. My house is surrounded on three sides by lilacs; late May is a joy. But this year, there were hardly any blossoms. Now: lilacs in late October in northern Vermont? Any sane person would look at this askance.

Nonetheless, I stand on tiptoes, too, and breathe in that ineffable scent of fresh lilacs.

Here’s a few lines from poet Amy Lowell:

Even the iris bends

When a butterfly lights upon it.

The Power of Maples.

This year, my extended world includes widows, including women mentors I looked to when I was a young mother. These women are all somewhat older than me, with long marriages. It wasn’t that long ago I was in the world of the new babies, the swapping of baby clothes, the intent to get the low-down about cloth diapers versus disposable.

There’s a line from one of my most favorite novels, Red Sky at Morning by Richard Bradford, about a woman widowed in World War II. Like a teacup, she would crack, but not break. Same.

Rain’s washed our world last night, and the sun is radiant this morning. While hanging out the laundry, I think of an acquaintance who says he’s still trying to figure out his life. But aren’t we all as grownup now as we’re ever going to get? The birds and squirrels scavenge in my flower garden, gathering for their families.

Here’s “The Power of Maples” by Gerald Stern which seems apt on myriad levels today:

If you want to live in the country
you have to understand the power of maples.
You have to see them sink their teeth
into the roots of the old locusts.
You have to see them force the sycamores to gasp for air.
You have to see them move their thick hairs into the cellar.
And when you cut your great green shad pole
you have to be ready for it to start sprouting in your hands;
you have to stick it in the ground like a piece of willow;
you have to place your table under its leaves and begin eating.

Impossible Zen.

There was a time in my life where I didn’t yet know about the tamaracks. It’s an odd thing to think about: there was a time in my life when I hadn’t yet met my daughters, either, when I hadn’t read a novel, kissed a boy, slept under the constellations.

I head up through the woods to the tamaracks’ marshy place where I’ve never seen anyone else, a swampy patch off a road. In the gray afternoon gloaming, I wander off the path. I’ve forgotten my boots. I trip on a rock and fall on one knee. The twilight settles in silently.

On my way home, I stop in at the co-op. The co-op’s not really a co-op any longer, the handwritten baby announcements and politics scrubbed out in this new business model. In the produce area, an acquaintance is buying peppers. We stand at the wall of produce, kicking around a few thoughts. We agree, this has been a year of unbelievable things; there’s no need to list. I offer my micro philosophy I’ve mulling around, very Zen. As I’m talking, I remember the whole problem with Zen, anyway, is its impossibility.

At the register, the cashier can’t figure out a bag of greens. But what is it? he asks. The man in front of me says he liked the sunflower sprouts, so he’s trying the radish ones now. Micro greens?

Through the wide windows, I realize I’ve been out for much longer than I realized. Darkness is falling quickly now, car headlights sweeping through the village. The man lifts his bag of slender greens, crimson roots, and turns it around and around.

Good luck, I offer.

He nods, and then disappears into the night.

Autumn Mysteries.

Around a bend in the interstate, a rainbow leg glows. I’ve handed over the keys, and I’m in the passenger seat, knitting forgotten in my lap, as we hurtle along the pavement, rushing over bridges that rise over the Winooski River. Mid-October, dark is not far in the offing. I’m texting my daughter at home who’s feeding the cats and stirring the embers in the wood stove. It’s hopeless to tell my daughters that not so long ago whether someone was home or not was a mystery. Domestic life relied on a vein of faith.

Has the world less mystery now? Surely not. This autumn rainbow beckons us. Around us, an infinity of things we will never understand.

Between us, there’s a bit of discussion about which exit to take, but my driver humors me. There’s those maples before the gold-domed statehouse I want to see, the silver maple beside the library that holds its green longest. By then we’re laughing about a little joke between us — bulk foliage and bulk syrup — tossing those words back and forth for no clear reason at all except for a moment of pleasure.

Autumn: the swinging door between summer’s glory, the myriad folds of winter.

Above the fields,

above the roofs of the village houses,

the brilliance that made all life possible

becomes the cold stars.

Lie still and watch:

they give nothing but ask nothing.

From within the earth’s

bitter disgrace, coldness and barrenness

my friend the moon rises:

she is beautiful tonight, but when is she not beautiful?

— the incomparable Louise Glück, “October”

Starlight Walking, a Pause, a Choice.

Walking back from a library program after dark, I cut through the cemetery. The cemetery is unlit, and I’m walking slowly, staring at the Milky Way sprawled overhead, the enormous immensity of the cosmos. In the dark, I hear a cough. I haven’t been paying attention. At first, I think the cough has come from the person smoking on the balcony not far from me, in the house chopped into apartments at the dead-end road, or the people coughing might be around the gap in the fence surrounding the cemetery. I’m headed that way; the gap leads to the woodsy path that will lead me home. That particular place in the path often has trash – Little Debbie’s wrappers and empty Twisted Tea cans.

So here’s the thing: I’m not at all afraid. Despite the village around me, the night is deep. I’m well-hidden, so concealed I stand there thinking, staring up and seeing a shooting star.

I’ve written a fair amount about being a single mother, a broken half, the jilted family, the rage of abandonment. But it’s equally true that I’ve been single for so long now in a society that seems so devoted to coupleness, that I rarely speak of my solitary life. I know very few single parents, at all, for whatever reason. So this night, I do what I’ve taught myself all these years: I drink in my fill of starlight, that piercing Ursa Major hung over the black horizon of the mountains, let her drench me with her power. I make my choice and retrace a few steps, see my friend and her partner on the street below driving along in the dark, friends who would have happily given me a ride, had I asked. But these nights are still balmy and the bitter cold hasn’t set in yet.

Round Earth.

Autumn reminds me the earth is a globe. The days shorten; dusk draws in earlier. The shadows hold a chill.

This year, purple asters spread prolifically — along roadsides, in the woods, in seemingly random sprigs around my house. The flowers flank the two pears in my front yard that someone planted years ago. One tree mightily growing, the other a persistent dwarf.

Autumn is the season of so it goes. What passed for summer this year is finished, the harvest wrapping up. In its own way, perhaps, the most poetic of all season.

Someone goes by wearing a hood
in his own darkness
not seeing the harvest moon

— Buson