‘This is what you shall do…’

Planting rudbeckia this afternoon, my shovel hits something hard in the sandy soil. I scrape and unearth a brick and then several pieces, all in surprisingly good shape. How useful, I think.

I dig harder, wondering, who buries bricks? and then discover a drill bit, too.

With my fingers, I unearth that and ponder. I know a carpenter who worked here a number of years ago, and I wonder if the tool is his.

For a moment, my eyes sweep the perennials in the front yard — forsythia and roses and lilies and peonies — and wonder what else lies buried in all that soil.

I plant the rudbeckia, stack the bricks in the barn, and hide the drill bit in a secret place.

Oh, sweet July and all your forty shades of green. Keep on surprising me.

This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families…”

— Walt Whitman

Poem for America.

I was pruning the rose bushes along our house, pressed up against the clapboards, when I had the strangest feeling that I had stepped into a snapshot collage of my life: thorn, blood, house, half-hidden, wet moss under my knees, a cat bird screeching in the lilacs. This morning, I’m wearing a bulky sweater. Oh, Vermont July, how I love you.

Every year, my daughters and I end up in some lengthy discussion about the Fourth of July. This year, as if jointly agreeing to avoid words, we ate ice cream and lit sparklers after dark. The fireflies blinked, in their own particular journeys.

Here’s a poem in its entirety from Tony Hoagland’s Twenty Poems That Could Save America:

Even if the geraniums are artificial

Just the same,

In the rear of the Italian café

Under the nimbus of electric light

They are red; no less red

For how they were made. Above

The mirror and the napkins

In the little white pots . . .

. . . In the semi-clean café

Where they have good

Lasagna . . . The red is a wonderful joy

Really, and so are the people

Who like and ignore it. In this place

They also have good bread.”

“The Geraniums” by Genevieve Taggard

Hardwick, Vermont

Dirty Dishes

I had dinner in someone else’s house. Big deal? It’s been a very, very long, a pre-pandemic time.

At the end of an afternoon of a school board retreat, we kept sitting around the table, eating and refiling our plates, and drinking seltzer and beer. Our talking wound through laughter, through gossip, and musings.

Someone relayed the story of a long ocean voyage on a container shipping vessel, how the weeks at sea eroded any sense of time, until his life was simply water and ship and sky. We listened, in no rush at all.

Then, when we had talked ourselves out, we still sat there, unwilling to move, to break this quiet spell.

Rain fell; the sun shone. None of us ran outside to look for the rainbow. We simply sat.

Changing Worlds

The cold, my old familiar friend, sweeps back.

Carrying out a bucket of hot ashes from the woodstove in the early morning, I stand for a moment in the gusting wind. Is snow falling or merely blowing?

Inside, the cats pace, hungry, then hunker before the stove, waiting for warmth.

Midwinter, our days unfold in an unusual patience, a kind of dreamy standstill, fluctuating between work and home for my older daughter and myself, and the new version of school for my youngest.

In Vermont, the Agency of Ed aims to fully reopen schools by the end of April. My high schooler asks me, while we make spicy egg rolls, what that means. Among all the things she doesn’t like about this mixed-up world, she’s come to relish the kind of collegesque schedule she’s managed at the high school, coming and going at her own will.

At fifteen, she’s composed and level-headed, determined to get done what’s necessary.

I tell her what I believe — that the world will not revert to the way it was, that our future is already unfolding around us, in ways we don’t yet understand.

I can’t tell her what I’m thinking — seize the reins you’re already holding and steer your own fate — because I know she doesn’t want my advice. Maybe she doesn’t even need my advice.

Instead, I scrape out the last of the cabbage from the pan and say, “Do what you need to do. This is your life.”

Outside, this morning, the wind chimes bang in the wind.

In the bleak Winter
When the World is one color
Is the Sound of Wind

— Bashō

Hardwick, Vermont, January

A Year Ago

…. A year ago, the date was looming near where I had that wretched dental procedure. On the 21st, as the oral surgeon brought a scalpel near my face, he said nicely, You might want to close your eyes for this.

This December, after weeks of virtual schooling — whatever that may be — I knock off work Friday afternoon, so the 15-year-old can drive. My oldest asked us to bring coffee. She steps out behind the doctors’ office where she works, dressed in scrubs, with a stethoscope around her neck.

Then she heads back in, jazzed for the afternoon challenge of of families and fears, from earaches to coronavirus.

In the village, my youngest parks behind the famous Stowe church, and we walk along the bike path. The path winds along the river, not at all iced over yet. We pass a few dog walkers. Behind a restaurant, the scent of dinner cooking follows us as we walk in the thin December sunlight. The savory smell reminds me of when I lived in Brattleboro, so many years ago, above a Korean restaurant.

The smell is delicious, and it follows us for a long way across a field. Stowe reminds us of those summers and falls when we sold maple syrup and ice cream at the farmers market. As we walk, my youngest tells me what she remembers of the market. These are good memories, and we share snippets of the vendors we knew in those years.

Back at the Subaru, it’s nearly four, and the sun is sinking towards the mountains’ horizon. We’ve been gone from Hardwick just a few hours and filled these hours with coffee, a scattering of snow beneath our boots, the sky overhead, the smell of dinner, and the narrow December sunlight between our words.

Carefully, she backs out of the parking space and heads for Route 100. She reminds me my brother told her to enjoy the small victories.

She pauses at the stop sign and looks at me. This is a big victory, she says.

December, 2020.

Leisure”

By William Henry Davies

What is this life if, full of care,

We have no time to stand and stare.

No time to stand beneath the boughs

And stare as long as sheep or cows...

Phone Talk

I’m on the phone at work, answering some standard questions, nothing serious, just information passing from me to a woman. She offers that she’s working at home — she’s employed by the Barre, Vermont, school system. Barre closed up their schools awhile ago, when Covid spread through the town.

I offer a few words of thanks, and then her words keep unraveling. She works with kids at risk, and she knows kids who live in cars. Immediately, I glance through the window at the gray November day, on the verge of snow. Maybe, she says, the families have vouchers for a motel rooms.

I lay down my pen. For those moments, I keep listening.

The woman has moved here from Elsewhere, and she keeps talking about those hidden, or not-so-hidden pockets of deep poverty in Vermont. I think of my own daughter, home alone, in our warm house, with her two sleek house cats. Eventually, I say the only thing I can think to offer: thank you, just thank you.

She asks for my name again, and I spell out my strange name carefully, first and last names. When we hang up, I step outside in a rain that’s just beginning to fall. There’s no birds out today. The road is empty.

Inside, I dial my daughter who asks, suspiciously, why I’m calling.

I’m calling, I say, to say hello. What’s up? How are your cats?

Photo by Gabriela S.