Ripping Off the Edge of the Band Aid

Last night, I attended a town emergency meeting with just a small number of people. These are all people I know in one way or another, and I’ve attended countless meetings with different combinations of these people: school board meetings, town meetings, select board meetings, library trustee meeting, Old Home Day committee meetings….

Woodbury has always been a town that epitomizes warmth, and that was the same last night, physical distance between all of us notwithstanding. In addition to discussion about the food shelf and where to store the increased supplies the state is sending our way — in addition to noting who’s elderly and in particular need — we also talked about who among us was still working, who’s still getting paid, and the endless possibilities about what might be coming our way.

I closed the town library yesterday, too. When I locked the door, I wondered when I would leave that door propped open as I have so many times.

If there’s one thing that’s very clear, it’s that the coming time will require us to delve deeply into creativity, into reimagining and recreating our world. I’m grateful to live in Vermont, where those reserves of community and mindfulness guide our towns. My thoughts with all of you, as each of your places in the world shifts, too.

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The Momentary State of Where We Are

A mother and her little girl stop in my library to stock up on picture books. She reminds me that I have lived in a state of emergency in Vermont before — in the aftermath of Hurricane Irene when the state slowly began putting itself back together. In those days, shovelful by shovelful, we could set our hands to work.

Now, with illness invisibly stealing in, the dynamics are completely different. To keep communities safe, libraries are closing — in utter antithesis of how librarians have always operated. Goodness, keep the library open at all costs! Be a social center. Not so, now.

As the social center becomes our homes, I lean hard into my query about the meaning of writing. Of creation and art? In these trying times — and in the days, months, quite possibly years ahead that will confound and challenge us — I know more than ever that writing and art illuminate the threads that stitch us together. As we inevitably grope through uncertainty, through fear, through a fragmenting of the everyday world we know and expect, art tugs us back to that inevitable story that, this, too, will pass. Writing reminds me that the human story spreads vast as the sea, with each one of us living our own particular story.

Here’s word from my sunny corner of Vermont. I’m so darn glad to be outside, the melting snow running in streams down to the rivers and winding its watery way north to the Atlantic Ocean. I hope your patch of earth is well.

Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to influence the outcomes — you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and knowable…

— Rebecca Solnit

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Moonbeams

My daughter discovers the snow is hard-crusted, so after dinner we head out for a walk. The nearly-full moonlight illuminates the snow. We head behind our house, slip through the fence, and walk through the cemetery. Below us, the town’s lights wink red and white.

March, and I’m biting at the bit — but for what? The clamor of spring peepers. Those late afternoon swims, lazy on our backs, staring up at the sky. The scent of wet dirt on my palms.

Laundry on the line on this Sunday afternoon.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

by Naomi Shihab Nye

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March: Rejuvenation

We wake to a morning of deep cold and sun-sparkling fresh snow.

Illness has moved through my daughter; her eyes are merry again as she laughs with her sister. March 1: we’re ready to greet the remainder of the winter, the coming weeks of snow and cold that inevitably will end in mud.

These small and temporary illnesses have their place, too, pulling us inside and quieter. In a fever, I dream of a book I’m reading, how memory lies deep within our bodies. As if in a strange journey, the fever draws me into the mysteries of flesh and blood, of synapsis and neuron, and I’m a little child again, holding a paper doll. The slick paper is tangible beneath my fingertips.

The dream ends, and I’m here again, mother to two daughters who are laughing as they do math homework together.

The linear view of time may be an illusion, but it’s one I’m happy to join again, finished with illness and fever, ready for March, green, spring.

When the winter chrysanthemums go,
There’s nothing to write about
But radishes.

— Basho

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Photo by Molly S./Hardwick, Vermont

Closing February

We wake to rain, the sound more reminiscent of March than April in Vermont, but not unheard of. So it begins: this back and forth marching to spring, freeze, thaw: put that on repeat.

My little cat sits at the glass door in the kitchen, staring out at the rain, dreaming of chickadees and grackles.

Likewise, my daughter gets a little better from her illness each day, the fever emptying from her. So it goes in this winter: this season when I’ve felt surrounded by so much unhappy news. Sad deaths, lost jobs, injuries. Against this, a fever looms almost welcome, as if a lesser, harmless inoculation.

Spring’s a distance away: there’s no arguing with that. But the season change looms inevitably now. Outside my library door, deep in the pebbles against the southern wall, the first green shoots press upward, tentative, persistent, resilient.

 

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Best-Laid Plans

My daughter wakes with a fever, and so we leave her uncle’s house. No skiing on this sunny day. We head back that familiar way, through the White Mountains dazzling beneath fresh snow, the way we’ve traveled so many times, through so many years.

She’s sleeping and not sleeping, the roads nearly empty on this early Monday morning. I’ve switched the radio to Maine public radio, a steady stream of coronavirus news.

What she has is fever — miserable and simple. She’ll ache, sleep, and heal. As I drive, and the radio moves through the BBC broadcast, I remember myself as a teenager listening to Terry Gross while my father drove us home from the dentist’s office. At some undefined point, Terry Gross morphed from the most boring person in the universe to a woman who asked questions whose answers I wanted to know.

Maybe it’s nothing more than my sleeping teenager beside me not quite legally ready to drive yet — or maybe it’s just the driving time to think — but I feel utterly a parent. It’s not a cherished, dear moment (she really wanted to stay and ski) but our lives will move on. For these few hours of driving, we’re in an unbroken space. Nothing to do but keep on….

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