Winter.

This is: winter, not-winter, definitely-winter. Scattered, my thoughts fragmented, I wander down to the lake where the ice has set in now. The world is utterly still there save for a scattering of snowfall. The birds are silenced, and even the breeze has vanished. The profoundness of deep midwinter dwarfs the human world. I lean into it, letting the cold eat up my fury. On my way back, a squirrel runs across the road, calling back to me…

Sylvia Plath writes:

Winter is for women —

The woman still at her knitting,

At the cradle of Spanish walnut,

Her body a bulb in the cold and too dull to think…

Fierce Ties.

Like darn near everyone else on the planet, the pandemic pushed me hard to evaluate how the pieces of human world fit together. In my life, the pandemic tumbled in on the heels of a brutal divorce when nearly every friendship I had cracked. It was a loss I had not anticipated. The pandemic made so many of us look at the world through a different and perhaps less clouded lens. What holds us together?

All this is a way back to the Galaxy Bookshop….. Saturday was a day jam-packed in the bookstore. All the writers Sean Prentiss and I had reached out to responded quickly and easily, happy to come. Gifts of donuts and local cheese, of sweets and olives, arrived. People flocked in, cheerful, and bought stacks of books.

The day reminded me of the events I organized when I was librarian: poets and novelists, speakers about bear habitat, moose in Vermont, the return of big cats, and a series about climate change I had just begun when the pandemic shut down that world. Those events were the times when the library was most vibrant, most alive. Community, togetherness, are age-old things, deep hungers, a joy to participate in.

“Do the best you can until you know better. Then when you know better, do better.”

— Maya Angelou

Water. Ice. Rain. Cold. Mud.

The light is slowly returning; I repeat this to myself in defiance of the gray and brown. How bright a fresh sparkle of snow would feel.

Is it mud season? Sugaring season? Has winter barely begun? One thing that does seem evident is that cabin fever has set in extraordinarily early this year. At work, a stranger phones in and asks for info. I offer the facts, just the facts, and then the stranger remarks, What I’d really like is a small piece of good news to start the new year. I can’t resist; I laugh. I note his bar is pretty darn low. I tell him about seeing a flock of evening grosbeaks Christmas morning in the box elders behind our porch.

That’s something, he agrees. He asks me a few more questions, then remarks that he doesn’t even need to care about these questions, anyway. He could let this go. He says thank you, goodbye, and hangs up. In a strange circumstantial way, I realize I was his good news.

“Caring for each other is a form of radical survival that we don’t always take into account.” 

― Ada Limon

Galaxy Bookshop.

Our town’s beloved bookstore suffered water damage from a fire in an upstairs apartment last summer. The Galaxy Bookshop has been hop-skipping from living rooms to temporary quarters for months and has now reopened. This Saturday, 10 a.m.-6 p.m., the Galaxy celebrates its return with writers and local food.

If you’re in the area, or even reasonably nearby, stop in. One of my most favorite novelists on the planet, Tunbridge’s Jeffrey Lent will greet visitors in the morning, with the wonderful Natalie Kinsey-Warnock. The day’s intermittent guests include Daphne Kalmar, Christine McDowell, the Hewitts, David Hinton and Jody Gladding.

Thanks to Sean Prentiss (and his lovely wife Sarah) for getting this going.

So often, a visit to a bookshop has cheered me, and reminded me that there are good things in the world.

— Vincent van Gogh

Pique.

Anyone who knows me knows that winter pulls out my mania for painting. In a fit of what I can only describe as sheer irritation, I bleach mold from the bathroom ceiling and then ask for primer advice at the hardware store.

The store is darn near empty, save for two clerks and a black cat who rolls on its back on the counter and flicks a pearl-tipped tail at me. A clerk walks back with me to the paint section. She and I have been on a first name basis for years. While my gallon of primer is on the shaker, she shares her bathroom ceiling painting experience, and I offer this small problem and ask her to solve it. We walk back slowly to the front counter. She’s been my height for years, but as we walk and talk, I realize she’s slipped down below my height, and my height is definitely (as my brother might claim) substandard.

A man in logger’s chaps pays for discounted Christmas tree lights and a Twix bar and grouses about the rain and the mud, and how can there be a January thaw when we’ve had no winter?

The clerk spreads my paint samples over the counter and asks if I’ve narrowed down any color choices. She lays one finger on the color named Sunshine. “This one,” she suggests.

I gather my primer, stir stick, the lightbulb for over the kitchen stove, and head out. Ahead of me lies an afternoon of careful work, of NPR and stories from around the world, so many places hemorrhaging in ways that far outstrip my tiny mold project. As I’ve always done, I join my head and hands in a creative project. My own imagination won’t heal the world, but surely it won’t harm.

Mapping, Metaphor, Motherhood.

I forget my map on my desk beside my eternal list (write thankyous, double check FAFSA submission, confirm E and J meeting….) and drive over the Canadian border shortly after sunrise. Luminous crimson stripes the clouds. Almost immediately, the land flattens from Vermont’s hard ridges to industrial ag fields, distantly studded with metal silos. Late December, and the terrain is more gray than white. I stop at a gas station and ask a woman who is emptying her car of fast food wrappers for directions. I don’t understand her accent, the slipperiness of French that eluded me all those high school French classes. She wants me to understand, repeating her directions, one hand waving a crumpled bag. I nod thank you, thank you, and turn back to my salt-crusted Subaru, miserable with my lack of agility with language. Aren’t I a writer?

At a crossroads, I have no idea which road to take, and the world opens up abruptly in dizzyingly wideness.

My intention is to drive to Montreal to meet my daughters. I hate driving the dullness of interstate and fear driving into cities, and I’ve made this infinitely worse by losing my map. For years with young children in carseats, I delivered maple syrup around Vermont, navigating by atlas and rivers, the sun and roadsigns, using my tools of snacks and a box of board books. I once pulled over and lifted a handful of pebbles from a roadside so my toddler could dump pebbles from one paper cup to another, satisfying her tired self.

Now: no map, no cell service, in a town whose name (ridiculously) I never learn, I pull a Streetcar Named Desire card ask strangers to point my way out. A teenager shrugs. An old man can’t hear me. Finally, an electrician in a truck gives me directions. We repeat his directions to each other three times, and then I roll out, my heart not full of faith, precisely, but enough warmth of optimism. May this new year bring out the generosity of strangers and of ourselves. Thank you all for your kindness and curiosity for reading.

You should keep on painting no matter how difficult it is, because this is all part of experience, and the more experience you have, the better it is… unless it kills you, and then you know you have gone too far.

— Alice Neel