memoir

Buzzards. Robins. Writing.

/ Brett Ann Stanciu / 5 Comments

Turkey buzzards have returned. On this first day of spring, these birds fly broad-winged over the river, slow, slow, fixated. Late afternoon, I have a few minutes before I’m expected home again for daughter time, daughter chat. I keep walking and discover robins are singing in a tree behind the train station. A slight thing? No way. I stand there, listening, looking up at the treetops where the branches are still barren, months yet away from leaves. I can’t see them, but it’s robins, definitely.

The Sunlight Press was kind enough to run a short pandemic piece I wrote.

Greet the unknown. Much later that night, you’re reading Hunter Thompson’s Fear and Loathing in your bedroom when your daughter runs in, alarmed, and opens your window….

Wood.

/ Brett Ann Stanciu / 3 Comments

Friday, the fire in the wood stove gone cold, I shovel out the ash and discover two honeycomb boxes. I’ve been cleaning this stove for three years now, but I’ve never taken these pieces apart. The manual cautions me to be gentle. So I’m gentle.

The first essay I had published in a slick magazine, Taproot, was for their Wood issue. In those days, we burned countless cords of wood every year, for the few cords in our house to the many more to make maple syrup. Wood was far more verb than noun in our house; we did wood.

In my wooden house, whose floor joists in the basement still have ribbons of bark, on my maple floor, I empty ash and soot and creosote into a metal sap bucket. I kindle the fire with crumpled newsprint and ripped cardboard. The cats sprawl on the rug, satisfied as the heat suffuses our house again.

The late afternoon is raw and damp. So much snow has buried us in. I ski on a section of former railroad bed where I’ve never gone before, up a long slope fenced in by a cedar forest. There’s no one around, not a dog walker, not a snowmobiler, just me and the crows. At a crest, the valley below opens. I’m above a large dairy farm dug deeply by barns and fields and family generations into what had once been forest.

The sun has melted a section of trail to slush here. A cold wind blows down from the north. I stand here for a bit, stamping slush from a ski, then I turn, too, and head back through the forest.

Layers.

/ Brett Ann Stanciu / 7 Comments

A week of sun ends in scattered raindrops and my hands dirtied with creosote from cleaning out my wood stove. The cats hunker against the wall, glaring at my labors, annoyed at the chill descending into their cat realm. My daughter, fluent in Cat Language, feeds the creatures small pieces of roast chicken. I brew more coffee.

Mid-March, the sudden season of reckoning: what is it I’m doing? This is the week of self-doubt and the week of the kindness of strangers, too. March has long meant the season of sweet maple and cold hands, of leaning hard into work, the season of faith that spring’s crocuses and snowdrops and ephemerals will return—that they always return—to remind myself that the wider world holds us inevitably, for good or ill and sometimes for both.

Cutting into with the ax,

I was surprised at the scent.

The winter trees.

— Buson

Stone House.

/ Brett Ann Stanciu / 8 Comments

All night, wind howls around our house. I give up the charade of sleeping and pull out my library book. I’m in the final pages of Meredith Hall‘s memoir about growing up in New Hampshire, Without a Map, and I’m in no rush to end her story, close the cover, and return the book.

At my feet, my little cat lies awake, thinking cat thoughts, in a cat circadian rhythm of his own. The Ides of March howl in fiercely. All day, the wet snowstorm has swirled around us. My wet boots lie beneath the wood stove. Our house banked in by white and the ash bucket melting dirtily into the path where I’ve left to cool, its embers to burn out and die.

Somewhere in those hours before dawn, I shake flat the wood stove’s embers with the ash shovel and lay one, two, more pieces of wood on the flickering coals. In the dark house, the little cat follows me downstairs, curious about breakfast but not insistent.

I think of what I’ve read that day, about a stone house built nearby in the 1800s from a single boulder. A curious endeavor. Take this stone, cut it into pieces, and make a home. In the darkness, the wind rakes over our house, hurls over my snow-submerged garden plot, and whirls over the town cemetery.

“The past lies beneath the surface, intransigent truth. Remembered or not, what we say and do remains, always.” 

— Meredith Hall

Small Reckonings.

/ Brett Ann Stanciu / 4 Comments

I’m sitting in the back of the school library on the wall heater when a friend I haven’t seen for years walks in. A large school board meeting has started, and we whisper to each other until I suggest we leave and talk. Early evening, the school is empty, and turn on the lights in a room where my daughters both had classes. I pull out two chairs from the student tables.

Almost immediately, we start in on what should be a simple math problem — March 2023 to March 2020 — which yields an unbelievable three. Before the pandemic we worked together and spent hours talking about literacy and kids, about schools and families, but we also talked about canning tomatoes, about parenting, and being women. We ask how this or that turned out for each other — some decisions, some simply a bend in circumstance.

By the time we leave, the school has completely emptied out for the night. The weather has turned mild, and we walk slowly under the dim lamplight to our cars. A mist rises over the soccer field. I get in my car and drive down the hill and across the river and up the hill to my house. The village lights sparkle in the mist. The moon edges around a break in the clouds. In the darkness I stand there, thinking about the numbers we put together, marking places in our lives, then adding and subtracting our lives—people and jobs and books and houses. The numbers all mesh together, consumed in our shared stories.

Go Without Sight…

/ Brett Ann Stanciu / 3 Comments

On this day of sunlight and chores, I end the afternoon walking through the back areas of town, behind the town garage and around this year’s dwindling sand pit. I turn around in the neighborhood with the scary unleashed dog, backing up slowly and doing, perhaps, exactly what should not be done.

Out of sheer carelessness, I never got the wood stove heated up to temp this morning, early at my desk, so intent, that I carelessly let the stove smolder low. In the day’s heat, I’ve let the stove dwindle further. That chore awaits me. My carelessness annoys my daughter, who’s afraid of burning the house down (what sane Vermonter isn’t at least slightly afraid of that?) and in love with the stove’s fierce heat. Two things at once. Which sums up March. Winter and spring. Breezy clean and ponderous with the thawing earth’s muck.

I pass hardly a soul on my walk and wonder if I should have made friends, or at least a kind of peace, with that snarling dog. As I walk, the air cools. The puddles are luminous with what remains of the day. I remember that beloved line from Wendell Berry — To know the dark, go dark — the line that’s driven so much of life. When I get home, I look it up.

To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings.