No Restitution.

January 6, 2026 / Brett Ann Stanciu / 2 Comments

As a child, I went rarely to a physician: once for strep throat, secondly when I was eighteen for a required physical to enroll in college. I had a smallpox vaccine in sunny Santa Fe, surely one of the last in this country as my younger brother skipped this one. My mother brought her three kids to elementary school clinics for DPT and polio vaccines in gloomy Manchester, New Hampshire. We were healthy kids, and my mother, an RN, believed firmly in keeping healthy kids out of the medical system.

As a 21st century cancer patient and now survivor, I inhabit a different world. Through the Dartmouth-Hitchcock portal, I message my oncologist (my oncologist? this pairing of words still makes me cringe), who kindly replies. My recent bloodwork results are “unrevealing.” I’m reading Geraldine Brooks’ Caleb’s Crossing, a gift from a friend, set in the 1600s, and I study that “unrevealing” word, pondering its roots. I have a slightly-above-average vocabulary, and yet this disease has shoved me against so many words I’d never encountered. For instance, salpingectomy: removal of a fallopian tube.

Among much else, I’ve observed how my oncologist (again, that wincing) uses language: use words precisely for what is known and what is not known. The precision of oncologist and surgery saved my life; yet, I was never given the illusion that all is known. For now, on this cold morning, crossover between a full moon already waning and the rising sun barely quickening the horizon, I’m well. Which arrows to the heart of the human condition. The nascent day stretches long, an infinity of possibilities.

“There is no restitution for people like us, no return to days when our bodies were unscathed, our innocence intact. Recovery isn’t a gentle self-care spree that restores you to a pre-illness state. Though the word may suggest otherwise, recovery is not about salvaging the old at all. It’s about accepting that you must forsake a familiar self forever, in favor of one that is being newly born. It is an act of brute, terrifying discovery.”
― Suleika Jaouad (in all her awesomeness….)

The limits of what we do.

June 23, 2024 / Brett Ann Stanciu / 4 Comments

Friday night, driving home along a familiar road from visiting friends, I stop by the elementary school. Solstice, the Strawberry Moon, the daylight lingers, and the dusk is long, multiple hues of blue. No one’s there, of course. I follow the path along the wetlands. Shimmering with lilypads and twilight, the water chirrups, sings, buzzes. Fish leap and splash. I loiter, and the dusk closes in. Still, I keep walking, following the path through the brushy woods up a slight hill, so I can get to the other side.

In my twenties, I had a tendency to get lost in the night woods, stumbling off the path. Years before cell phones, we were always searching for flashlights with working batteries, to visit somebody in a remote cabin. But I’m in familiar territory, and I take my time, in this bowl of evening, letting the cacophony of the wild chorus diminish my stringy thoughts.

I haven’t been back here for a good long while, but this school and the town and the library where I worked was a warm place, with its own complicated stories, sure. Those were the years when my life fell apart. I pause, hoping to see the quicksilver flash of a fish. Across the wetlands, a single vehicle rolls along the road. Maybe it’s the passage of time, or the evening’s mellifuous beauty, but I see suddenly that I was following two strands of my story in those years. I was leaving my husband (and for months, I wasn’t at all certain how to do that), and I was also recreating my life (and how exhilarating and hard that was, too.) I’ve written about my struggle with addiction; when I began to lift that veil, my fierce hunger quickened for what I had wanted all along — to pursue my own creative and often dicey life. In this throbbing evening, I sense the limits of language, that words fail here, that to divide creation and destruction into two words, held in two hands, is illusory.

The fish I didn’t see smacked through the water. Fireflies winked around me as I threaded my way back to civilization in the dark.

“Train Ride”

All things come to an end;
small calves in Arkansas,
the bend of the muddy river.
Do all things come to an end?
No, they go on forever.
They go on forever, the swamp,
the vine-choked cypress, the oaks
rattling last year’s leaves,
the thump of the rails, the kite,
the still white stilted heron.
All things come to an end.
The red clay bank, the spread hawk,
the bodies riding this train,
the stalled truck, pale sunlight, the talk;
the talk goes on forever,
the wide dry field of geese,
a man stopped near his porch
to watch. Release, release;
between cold death and a fever,
send what you will, I will listen.
All things come to an end.
No, they go on forever.

— RUTH STONE

Somewhere In December…

December 17, 2019 / Brett Ann Stanciu / 6 Comments

We’re all home at 3, the youngest just home from school, the oldest finished with exams and lying on the couch with her cat who eyes me warily. What now? that cat seems to say. As if the cat himself is out of sorts with the weather.

Are any of us made to live so far north? I insist we pull on boots, go outside. The sun slips down over the mountain before four.

Then — here’s the thing — we’re talking about not much at all, and the younger daughter says something about the cat that’s not shall I say kid appropriate, and I just laugh. I mean, I really laugh. I’m not entirely sure she knows why I’m laughing. The other day she asked if I was intended to hang little white Christmas lights in the “residential quarters.” I did, and I do.

But just thinking about it makes me laugh again. Why not?

Like a wheat grain that breaks open in
the ground, then grows, then gets
harvested, then crushed in the mill for
flour, then baked, then crushed again
between teeth to become a person’s
deepest understanding…

There is no end to any of this.

— Rumi

Mooncrazed

September 14, 2019September 14, 2019 / Brett Ann Stanciu / 4 Comments

Walking beneath the full moon last night, my younger daughter remarks how quickly the moon rises. Our conversation winds into the complexities of the moon phases, and I finally I admit I just don’t know the answer, but my father would.

Although we’re wearing jackets and jeans, the evening’s particularly warm for fall, the moon creamy and luscious. In the dark, flying geese overhead honk.

I mention something about “heavenly bodies,” and — despite my vehemence that this is, indeed, legitimate, these heavenly bodies — my daughters insist that’s too weird.

I don’t use my past reply about common knowledge, because my kids now have this kind of common language that might as well be from some remote Amazonian tribe to my ears. Apparently, I’m one of the last humans in their world to know this term “VSCO girl,” although the subtext beneath the so-called VSCOing activities and accessories remains a little vague to me. Likewise, when I shared some historical lore about the preppy movement (I notice Amazon has helpfully described the official handbook as facetious in case anyone missed that), I’m met with disinterest until I mention the flipped-up collar trend.

That’s just bad taste, both daughters immediately agree.

In 30 years, the full moon will grace Friday the 13 again. Walking along a dirt road in a light breeze, the girls mention how old each of us will be in 30 years. 30 years, I say, is a long time. And then: I was 30 when I became a mother.

Few lights shine in houses along the road. There’s no one else around. Back at our house, the moon is barely creeping over the horizon. We sit on the back porch while the moon rises, quickly. A luminous, heavenly globe.

Wandering, Mid-August

August 13, 2019 / Brett Ann Stanciu / 6 Comments

Three boys loop in circles on their bikes, eating popsicles and talking. Walking by, I note one boy rides an old banana-seat bike, not unlike my brother’s when he was a kid.

Monday evening, the neighborhood I walk through is unusually busy with people — a woman yanking yellowing pea vines from her garden, a young man powerwashing his deck, two women deep in conversation walking tiny dogs.

I pause at a woodshed where friends have built a tiny house to raffle for the local library addition project. The raffle’s this weekend, and we speculate about who might win. Kids, we hope. Not simply a cute toolshed.

We’ve hit mid-August when the cricket songs have shifted to a longer, slower sizzle, that gradual unwinding of their energy until the singing simply dwindles away in the fall. August is the season of gardens gone rogue — this year my enthusiastic nasturtiums have nearly eclipsed my peppers. The mornings are dim now; the mist moves back into the valley for the cool night hours.

In the rose bed, whose flowers have long fallen, a single trumpet lily blossoms, and I wonder whose hands planted this beauty? Walking by, its fragrance pulls not only the pollinators but myself.

Here’s a line from a fascinating book I found in Maine — Don Kulick’s A Death in the Rainforest: How a Language and a Way of Life Came to an End in Papua New Guinea.

A language dies by contracting, by having its layers of complexity peeled off like an onion skin, getting smaller and smaller until there is finally nothing left.

Onamonapia

June 8, 2016June 8, 2016 / Brett Ann Stanciu / Leave a comment

This afternoon, my 11-year-old daughter walked around the house saying 0namonapia, over and over, desperately trying to drive her sister nuts, by repeating this beautiful word, richly rolling off her tongue.

Years ago I used to nurse this child at the farmers market where my then-husband and I sold maple syrup. One afternoon, I nursed my baby on the grass behind our tent, leaning up against a pole. A couple sat down somewhat near me, in the shade beneath a poplar tree. Eating, they casually spoke in a slavic language I didn’t recognize. I generally knew they were talking about the day, but I couldn’t really piece together much more than that.

My baby fell sleep, and I pulled a blanket over her soft little limbs, then leaned my head back against the pole and closed my eyes. While the couple kept eating and talking, I listened to their words, this beautiful language I couldn’t precisely understand, but I knew the language tied them together.

Surely, 0namonapia relays much more than cluck or moo. This is a word whose meaning can stretch to entire languages: an audible beauty that makes us human.

The Bells

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!

– Edgar Allen Poe