Scarlet and Gold

On my way to pick up my daughter from soccer practice, I leave early and take a walk behind the community gardens, where the wildness of Woodbury Mountain meets the edge of town.

All day, rain has drenched us, and the scent of broken leaf and dogshit and the hummusy, earthy fragrance of wet soil mixes. There’s no one here, in the woods where I’m sheltered somewhat from the downpour, walking among the giant pieces of granite — debris from the town’s former claim-to-fame industry — among the brushy goldenrod, asters, and burdock.

The thing about Vermont foliage — every year — is that I expect the season to be done, finished, dulled to gray, over, and suddenly the red appears. Silently, stunning, often brought out in its finest with a cold rain.

Every year, it’s the same nostalgic sensation — I’m a third-grader again, walking home from school, scuffling through knee-high piles of leaves, happy to be free from the classroom and play outside all afternoon. Every year, the season change is tinged with sadness at the passing of time, and yet, silently, fiercely, beautiful.

In a handful of seasons,
water and cold and dirt

get under the paint and it falls
from our houses like old bark.

— Kerrin McCadden

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God, Ghosts, Aliens

My daughters start a fire in the rock pit in our yard at the end of a sunny day, a day of hiking and laughter, of putting away a gorgeous onion harvest, of weeding and transplanting daisies from a friend, of painting the lower barn door blue (please, mom, why not just white?)

There’s no one else, no visitors, no company stopping by, just the three of us cooking outside sprawling on the grass as the dusk gradually filters down and pulls out the brilliance of pink zinnias, a tangle of nasturtiums, gold in a maple in the cemetery. We’ve nowhere else to go but into the house and sleep.

My older daughter shares a conversation she had with her coworkers that night, about the probably of God, of ghosts, of UFOs, and the girls dive into what they’ve read about Roswell.

Under my bare feet, the grass holds the day’s warm sunlight yet. Listening, I remember the barren patches in this grass when we moved in. The grass is lush now, like a well-tended cat’s fur.

My younger daughter, with a new kind of adolescent edginess, announces her own nihilism. I offer, But here’s the rub there: what about life? What about youand then I wise up and shut up. A few tendrils of mist settle into the valley below us. In the night, rain will move in, but for now, it’s just us and the sunlight, and all that evening ahead.

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Why Memories?

I’ve never been a woman to “make memories” or cherish photo albums, but here’s the thing: memory and story are so intertwined. The other night, eating dinner around a fire with the parents of my brother’s girlfriend, we began stitching our baggy and cumbersome story into their long and craggy story.

The daylight dispersed, dark pressed in around us, rain began falling in sprinkles, and still, patiently, back and forth, question by curious question, we kept at it.

Come January, sea fog, a curious barred owl, driving through a pounding rainstorm — these elements of August days we’ll remember in January.

I see nothing in space as promising as the view from a Ferris wheel.

E.B. White

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August Love

August is national picnicking month, I hear on the radio, in my crazy too-many hours of driving yesterday. I also catch an interview with a female comic whose voice reminds me I swear of all those August afternoons of picking blackberries. It’s not blackberry season yet, but soon will be. August often means the dirt roads have turned dusty.

First, I picked alone, then newly pregnant, then had a baby on my back, then all those years with a fat-wheeled hand-me-down stroller. Later, the children walked or biked. Our baby, on the back of her father’s bicycle, held out a hand and said blacks, blacks, hungry for the berries.

What to do with blackberries? Last August, the girls baked a tart with fresh peaches and blueberries, served it with maple-sweetened whipped cream.

That’s how good was this woman’s voice.

Home too late to swim, my daughter and I walk through the cemetery and down to the community gardens. Only the mist is out and a few women walking dogs.

August 1. We go to bed ridiculously early, because we get up ridiculously early. This morning, I open the windows to let in the gray dawn and its cut-grass scents. As a child, we camped nomadically, crawling out of the tent in the morning and discovering cold dew and trails of mist from the night. In the eternity of childhood, we were hungry for breakfast and whatever the day might bring.

Here’s Hayden Carruth’s August First poem, too good not to read again.

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Postcard From Our Corner of Vermont

When I was 20, I taught myself how to adjust the valves on an even-then ancient Volkswagen bug. My millennial daughter, in contrast, takes great pleasure in hoisting her kayaks on her roof racks, showing up the quarreling boys beside her who wrestle with their rowboat.

On a Monday morning of a week that will end in August, the last of our Vermont summer months, hurray for young muscles. I’ll breathe in some of your good cheer.

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Same, Same

The weeds lining the pathway beginning my evening walk are shoulder-high now, wet last night after the afternoon and evening downpour. We chatter this year about ticks, ticks, and Lyme disease, and at soccer games, the parents wonder when did we become afraid to sit on the grass?

Nonetheless, I push through the wet grass while the kids are home, playing Yahtzee or laughing about something or someone, possibly me. Midsummer, gloriously hot, weedy, chaotic. When I dig out the Japanese beetles burrowed into the pink roses, the flowers yield their heavenly fragrance. That’s summer in Vermont — both hungry pest and the ineffable delicacy of roses.

There are other birds too, visitors we hear only
in the summertime, but it’s the screened door slamming
that is the definition of summer for me.

— David Budbill, “The Sound of Summer”

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Photo by Molly S.