“Everything blooming bows down in the rain…”

In the sultry dawn, I’m wandering barefoot in the garden, snatching the lingering strawberries before birds have nabbed the remainder. By late afternoon, thunderstorms have settled in. I’ve left a wooden chair on the porch, a throw rug over the railings, both sodden now. Book in my hand, I lean against our house’s dusty and pollen-layer clapboards, reading in the coolness that’s washed in. Our porch looks out over a bed of bleeding hearts, false Solomon’s seal, hostas. Beyond that, the cemetery, the river valley below. Behind our house, the wild presses in. Ferns tall as my shoulders, goldenseal, the groundhogs, thrush, chittering sparrows, the cut of ravine and the great life there.

Equinox; the lushness burgeons. Bring it on. The rain blows through the bedroom screens whose windows we left open all day. The box elder shoves between the porch railings. The grapes rise hungrily against the barn. All night our rooms are filled with moonbeams, the blowing dew, the mixture of milk trucks rattling down the road and the calling frogs.

Everything blooming bows down in the rain:

white irises, red peonies; and the poppies

with their black and secret centers

lie shattered on the lawn.

~Jane Kenyon

Seven years ago…

Seven years ago, my daughters and I moved from a rural hillside down to a village, about five miles away. I’d closed midweek, with plans to rally help for a Sunday move. The evening that I closed, two friends who had followed the jagged path of my divorce loaded up my car and their cars, and we carried in the first load of my family’s belongings.

It was heavenly June, warm without undue heat. I had no furniture. A friend had brought dinner, and we sat on the back deck, eating and talking. I wondered, which way would my story go? Last night, I remembered this first meal here, when a neighbor stopped by with cake and rhubarb sauce: how complicated life is and, sometimes, how very simple.

Now, in this beginning to a lush summer, I water my seedlings in these early mornings, listening to the birds and spring crickets, the drenching dew over my bare toes. The spinach is already wilting. The tithonia drooped dramatically, beginning for extra water. The blueberries have hard knots nestled among their leaves.

So much of life seems impossible — birth a baby, endure a divorce, survive a death, write a book, write another, pack up a house and move (bring the beloved tricycle, too) — and yet we do these things. We all do these things.

Seven years ago, would I have seen myself watering the sprouting green beans and listening to a woman on my neighbors’ porch sing the blues, the sky streaked with turquoise and crimson? I gathered a bowl of strawberries from plants I’ve let run rampart all through my garden beds. Messy, weedy. My youngest was given these plants when she weeded as an odd job in middle school. This year, the plants have given us so much sweetness.

Record temps are moving into Vermont, the world shifting rapidly. Around the globe and in my town, people are on the move. Which way will this story go? For a moment, I gather berries in the dewy morning. So much more day to come. But a steady start, my soles on the damp soil.

Don’t confuse hunger with greed.

At breakfast, I mention to my daughter that June 6, today, is D-Day. I’ll write what perhaps she would not want me to write: that she’s standing at the counter making avocado toast and drinking yesterday’s cold coffee. She pours sriracha over the cut avocado. She’s 19, and, lord, a sheer miracle of youth, this gorgeous young woman.

I say, The soldiers were your age. Younger.

We stand staring at each other in our small kitchen of June sunlight. On our table lies a pile of unopened mail, our tabby cat Acer grooming his whiskers, car keys and lip balm, a hunting knife that could extract a man’s heart.

In the evening, I’m at the local arts center to see Nora Jacobson‘s documentary about poet Ruth Stone. The evening is still light when I drive home. I take the long way and pull over beside a field to admire the ragged robin, its pink spreading where the dandelions have gone to seed and green. In my Subaru, it’s me and that box of my mother’s ashes. I once knew a woman who kept her stepfather’s ashes for three years in a Datsun. Impossible, I thought. Now, I think, Sure, possible.

A day of such historical might, such profound sorrow. Yet, our own domestic dramas, the kitchen table stories: how real and meaningful these are, too. As a woman, as a writer, I’ve been thinking for weeks about Ruth Stone’s admonition: “Don’t confuse hunger with greed;/And don’t wait until you are dead.” In my garden, I grab a branch of lilac – the goregous white double blossoms, withering with rot – and breathe in the sweet fragrance.

There is only the wearing away,

The changing of means.

From Ruth Stone’s “Speculation”

Sips of May.

As the spring dusk settles down, I’m wandering around the edges of my garden. The lilacs have just begun opening, a tiny four-petaled blossom here, another there, the remainder of that lavender flower still knotted, not yet relaxed into the wide open spring season.

I’m in my ragged jeans, dirt under my nails, when my neighbor pulls into her driveway and gets out of her Prius. She’s wearing what she calls her rag-bag dress, and the two of us make a kind of pair. I’ve known her since our oldest kids were babes in arms, not yet eating smashed carrots.

It’s been a year for each of us — and I mean that: a year. We both have college-aged kids in and out of our houses. Under the fragrance of pear blossoms, we immediately head into that long-running conversation we have about her work and my work, about writing and art, about aging parents. The half moon rises over my apple tree.

May, in all her radiant beauty. Here I am, with a hundred chores in one day — a hot water heater repair, more writing, plant arugula and Brussel sprouts, my constant fiddling with the wood pile, the daughter chat. How this Vermont world loves to green. Yes, and again, more, yes, yes.

Ruined!

In this sweet May rain, working on the covered porch of one of my favorite libraries, I remember a rainstorm about a year ago. My daughter and I were in Rome, eating dinner in an outdoor café. In the storm, the staff had pulled a plastic cover over the terrace. The effect was warm, cozy, intimate. Beside me, a group of young men were drinking wine. One man remarked that Italy had ruined him. There was no way he could return to his Chicago cubicle and drink lousy Dunkin’ Donuts coffee. Hearing this, my daughter and I laughed aloud. Italy had ruined us, pleasurably, too.

Likewise, after a week of such largesse at the Vermont Studio Center — the gift of time and space, the pampering of meals, the kindness of the place — I wondered if I might be a little ruined, too.

Not so, perhaps. May in Vermont is one of my most favorite times. Here’s the gold of marsh marigolds behind an old grange. Gold.

A great fountain of white gossamer…

From New Mexico with its sheer light, I descend back to April Vermont, where miniature daffodils push their yellow faces through last year’s leaf mulch. How well I know Vermont spring — the sunny breezy days where the wind tosses the lake and the water is bluer than blue, the footpath sprinkled with the gold gems of coltsfoot.

After the desert’s sweeping beauty, Vermont is a mossy box, a jumble of the paint peeling from the back of my house, the bin of empty cat food cans in barn (quit kicking that dump run into the next week), the niggling college financial aid forms yet to be corrected, the working hours I string together, making some decent use of my time.

April is a month that goes on too long, lingers brown in northern Vermont, with its tease of green trout lily leaves, the flourish of wild ramps. Paradoxically, April has always seemed the most hopeful of seasons, too, the nesting songbirds sweeping out winter’s silence.

In the evening, my daughter and I walk her dogs across the cemetery to the ballfields. Off leash, the three of them run while I stand in the field’s center, listening to the robins’ chatter in the white pines. Back at my house, we stand by the woodpile, talking about little things — who will take the leftover garlic bread, did the butterfly bush survive the winter. The rising moon illuminates the clouding-up horizon with a glowing shaft. We linger, watching the full moon sail confidently, unstoppably, over the horizon. Later, I linger on the back porch, sipping tea. The moon has removed the lid of shoebox Vermont. The air’s sweet with wet soil.

Springtime, 1998

Our upstate April
        is cold and gray.
                 Nevertheless

yesterday I found
        up in our old
                 woods on the littered

ground dogtooth violets
        standing around
                 and blooming

wisely. And by the edge
        of the Bo’s road at the far
                 side of the meadow

where the limestone ledge
        crops out our wild
                 cherry trees

were making a great fountain
        of white gossamer.
                 Joe-Anne went

and snipped a few small boughs
        and made a beautiful
                 arrangement

in the kitchen window
        where I sit now
                 surrounded.

— Hayden Carruth