garden

Do Two Things at Once.

/ Brett Ann Stanciu / 9 Comments

Walking on a trail beside the Lamoille River, my daughter points out a snapping turtle, a giant creature, its head tucked in, watchful. Her partner reminds us that he grew up in a village where snappers took over the elementary school playground to plant their spring eggs. An inherent element of that school’s curriculum was try to get along with other beings.

The irises and rhododendron bloom profusely. Rain falls, chilly, for much of the day. In the late afternoon, the sun emerges. I cut back the hostas alongside my house to stave off the wet and rot. By late afternoon, I’m finished with my work and chores. I hang out on the porch, read, drink my cocktails of ice water and lemon. Listen to Nina Totenberg.

A month out from surgery, six weeks from chemo, I met a friend for coffee. We talk cancer and community, about the joys of traveling overseas and shifting perspective. Myself, I will be traveling near to home this summer, most of it by foot. Each day, I walk more and more, reclaiming my strength. As next year’s woodpile is transported into my barn (thank you, thank you, kind wood mover), I imagine planting a garden on that emptied place. As a younger woman, I believed vegetable gardening would change my world. I wasn’t wrong; Red Russian kale and bull’s blood beets fed my growing children for years. But blossoms and bushes and trees nourish the wild (and me, too).

I live on a hillside where hungry young woodchucks run rampart. Not so long ago, I considered the chucks my enemies. Now, having endured the scorched-earth transformation of chemo and cancer, I worry far less about these sleek-furred creatures. By summer’s end, I know the foxes thin this population. In the meantime, I slowly go about that repetitive work of weeding and mulching, and the visioning research of transforming lawn into wildflowers.

My coffee companion reminds me to take my time and take risks. Who wants to take risks after surviving cancer treatments? Answer: why not, why not? Dig more gardens. Contemplate the woodchucks. Plant coreopsis to replace the hollyhocks holes from the woodchucks’ foraging… Do two things at once: go with the flow and keep paddling.

White peonies blooming along the porch
send out light
while the rest of the yard grows dim.

Outrageous flowers as big as human
heads! They’re staggered
by their own luxuriance: I had
to prop them up with stakes and twine.

The moist air intensifies their scent,
and the moon moves around the barn
to find out what it’s coming from.

In the darkening June evening
I draw a blossom near, and bending close
search it as a woman searches
a loved one’s face.

~ Jane Kenyon, “Peonies at Dusk”

Wood.

/ Brett Ann Stanciu / 18 Comments

The wood man delivers cord wood not long after dawn. I’m in the kitchen with a manuscript spread over the table when I hear his truck beeping as he backs around the car my daughter left in the driveway’s middle late last night, returning from work. I lay clean spoons over my pages to keep them steady from my cat, who cares nothing about words or order.

The morning’s chilly, sunlight snagged in the crabapple blossoms, downy white.

I hand him a check, and we talk for a bit about maple sugaring and sap sugar content, about his mighty 17,000 taps, and burning wood. Can’t people remember to order their own firewood every year, anyway? He dumps the load and drives off into the rising day. Freshly split, the wood’s redolent with sweet sap, that forest scent.

Two weeks and one day out from surgery, each day I’m pulling along further. After a winter of chemo, I now have a gnash in my middle, a non-bikini scar, that renders all the more real this cancer. Nonetheless, I ordered a small $16 tree, a witch hazel. One daughter digs a hole, the other plants the tree. Healing, I’m required to restrain myself from stacking that wood, digging holes, tugging out last year’s Brussels sprout stalks that lingered all winter, blackening and rotting. My daughter rips up a stalk and shakes the soil loose. The plant’s tendril-like roots spread skyward.

Amazing, I say, what comes from a tiny seed, isn’t it?

She shakes it again, then tosses the stalk in the garden cart and moves on to the next plant.

“Tree”

It is foolish
to let a young redwood
grow next to a house.

Even in this 
one lifetime,
you will have to choose.

That great calm being,
this clutter of soup pots and books–

Already the first branch-tips brush at the window.
Softly, calmly, immensity taps at your life.
― Jane Hirshfield

Mending…

/ Brett Ann Stanciu / 26 Comments

After nearly two weeks away, I return home to the trees in full leaf, the lawn gone wild with violets and strawberry blossoms. Drizzly, cold, my brother starts the wood stove. The cats uncurl themselves before the blaze, satiated. A cold May, but verdant, lushly and satisfyingly so.

In these post-surgery days, I limp from room to room, venture outside to tug down a lilac branch and breathe in. The weeds run rampart, but whatever… the garden, too, will be sorted and tidied.

I’ve written repeatedly about the lilacs around my house, but again, I reiterate my joy in the soaring bushes. When I was five, we lived in a small green rented house, its yard surrounded by chainlink fence. A lilac bush leaned over the fence from the backyard neighbors. My second-grade sister was in school afternoons, my toddler brother sleeping, and so, after kindergarten and lunch, I lay on the long grass, staring up through the quaking leaves. These bushes, so New Englandy quaint with lavender, violet, and white blossoms, remind me of those unbounded childhood hours. One o’clock, two o’clock? Who knew? Who cared? I had just learned how to tie my shoes.

Like the walking wounded, I hobble from couch to chair, through the long grass, out of the workaday world and, yet, far from being a child. In glorious remission, in recovery from surgery, I keep thinking of this poem below, as I begin, day by day, to mend my body and life.

“Da Capo”

Take the used-up heart like a pebble
and throw it far out.

Soon there is nothing left.
Soon the last ripple exhausts itself
in the weeds.

Returning home, slice carrots, onions, celery.
Glaze them in oil before adding
the lentils, water, and herbs.

Then the roasted chestnuts, a little pepper, the salt.
Finish with goat cheese and parsley. Eat.

You may do this, I tell you, it is permitted.
Begin again the story of your life.

— Jane Hirshfield

The first green of spring…

/ Brett Ann Stanciu / 12 Comments

Spring fever – and the green is barely beginning in my patch of Vermont. Southernly, along the Connecticut River, we find greening grass in Lebanon, the hillsides washed with fattening buds. Perhaps especially because I am (finally! finally!) beginning to heal, my body aches to rake and tend, to bend down and finger budding flowers. The photo above is a tease. We’re close, but my daffies aren’t yet unfolded.

Too, we are a ways from marsh marigold, that swamp flower with profuse greenery and gold blossoms, but here’s one of my favorite David Budbill poems, so good it’s worth reading over and over…

The First Green of Spring

Our walking in the swamp picking cowslip, marsh marigold,
this sweet first green of spring. Now sautéed in a pan melting
to a deeper green than ever they were alive, this green, this life,

harbinger of things to come. Now we sit at the table munching
on this message from the dawn which says we and the world
are alive again today, and this is the world’s birthday. And

even though we know we are growing old, we are dying, we
will never be young again, we also know we’re still right here
now, today, and, my oh my! don’t these greens taste good.

Vectoring….

/ Brett Ann Stanciu / Leave a comment

Autumn has stretched out in Vermont into days of balminess, the warm air shot-through with the gold that lingers on the trees. It’s so warm, I keep at my makeshift back porch deck, a table I moved out this summer that’s become a place of succor, resting my bare feet on a wooden crate of those onions I pulled from the garden.

I’m taking a class with the unmatchable Lauren Markham about structure in writing, one of the hardest challenges. Online, there’s attendees from California (what? you get sun and ocean?) and Phoenix and Boston. Signing in, I leave my laptop camera on. I throw a chunk of wood in my stove from sheer laziness so I won’t need to rekindle the fire as the colder night creeps in, but I open the back window so my cats can sit on the sill and enjoy this sweet October breeze. When I join, the group is admiring the view of my clapboard house and frost-killed morning glories vines. I tell them my chore which doubtlessly immediately marks me as…. quaint rural.

Late afternoon, I pull out the dead basil plants and then lie down under an apple tree. Her leaves, blacked with frost spots, spiral down, one by one, to the unmown grass. It wasn’t until I had babies and was forced to slow down (all those nursing hours beneath apple trees, milk-sweet baby in my arms) that I realized every leaf takes its own precise trajectory, from spring bud to the autumn dive earthward. Around me, rotting apples, persistent slow-flying wasps.

I might have slept; when I open my eyes, the sky is already draining of blue. Thinking of Markham’s words, I suddenly see the taunt arc of this fourth, yet unfinished book, the map that holds this story, the treasure at the reader’s end far from a Hallmark card. Vector is the word she used. Indeed, all story, all life, is motion. The chill rising up from the earth, I vector myself indoors….

A great many, who have spent their lives in cities, and have never chanced to come into the country at this season, have never seen this, the flower, or rather the ripe fruit, of the year. I remember riding with one such citizen, who, though a fortnight too late for the most brilliant tints, was taken by surprise, and would not believe that there had been any brighter. He had never heard of this phenomenon before. 

— Thoreau

Immensity taps at your life…

/ Brett Ann Stanciu / 5 Comments

Nearing the end of August, the wild around our village house is mightily fortressing. The path behind our house has been given up this summer by friends; those who visit arrive via the street where the grass has broken the pavement, too, crisscrossed the gray with emerald. In the ravine behind our house, the foxes have kitted again this year. Randomly, the youngsters come out to chase each other. My daughter, who unexpectedly met the hissing mama fox, gave up that path a few years back. Only I now claw my way through the blackberry brambles, whistling, scraping my bare knees in some kind of penance for passing through their realm.

This year, while the human world on a great and local level has worked at its less admirable traits, the natural world has flourished. My daughters and I hold the apples and pears, gauging not yet, not yet. All around, a rioting of blossom and vine of what I’ve sown — sunflowers and morning glories, love lies bleeding — and the lushness of goldenrod, wild honeysuckle, creeping cucumber.

Oh, sweet illusion of Vermont’s August, as if stark November will skip her own visit this year….. On this dewy morning, smoke-drenched from wildfires so far distantly north, a favorite poem from Jane Hirshfield.

“Tree”

It is foolish
to let a young redwood
grow next to a house.

Even in this 
one lifetime,
you will have to choose.

That great calm being,
this clutter of soup pots and books–

Already the first branch-tips brush at the window.
Softly, calmly, immensity taps at your life.”
― Jane Hirshfield