fiction

Survive, Thrive.

/ Brett Ann Stanciu / 6 Comments

In search of a story about wool and weaving, about Colonial America and these sultry August days, I discover a trailhead for a nearby town forest. I return with my daughter. We drive on back dirt roads, the terrain unfamiliar to me. But the way the maples are nearly in the road, their leafy branches stretching over the road and touching, is the Vermont I first loved, so many years ago when I was 18.

We pass houses flanked by sunflowers and hydrangeas, gardens with six-foot high fences to keep deer from marauding the kale. Not so many decades ago, these were farm fields. In the forest, we follow a former road beside a stone wall. In New England, a forest moves in quickly, erasing the labor that once cleared this land.

August, the woods are quieting. In a break in the forest, we walk through a field of goldenrod, a strip of pink Joe Pye Weed at its edge. All summer, I’ve written sparsely in this space, intently picking up the stitches of my life: walking to mend lost muscle, relearning habits of sleeping and cooking and eating — such simple things I once did so easily. When an acquaintance’s dog leaped on me on a walking trail, I rushed deeper into the woods and wept. I’ve cried so little during this year of cancer, but there I was, ridiculously weeping beneath pines, so fearful of my own fragility, of breaking.

August, and I’d take a whole summer again, an impossibility. Instead, again, we’re in the edge between seasons, the days shortening, chilly at sunset and sunrise. My cats eye the unused wood stove and then eye me, wondering what my plans might be.

Survive, I think. I’m cooking fish and offer these plump tabbies a second course. Thrive, I add.

We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. ~ Jack Gilbert

Following the Bear.

/ Brett Ann Stanciu / 5 Comments

Mid-August, the mornings are cool, the leaves of the pin cherry tree sparkling with dew. I find a bruise on my bicep; the cancer’s returned? But no. I remember I snagged my arm on the garden fence. Mid-August suddenly and the tomatoes are ripening. Last year, watching the full solar eclipse in our yard, the eclipse’s heart revealed this world’s ineffable beauty: such pure gold. Likewise, surviving cancer (thus far) revealed for me that knife of mortality within me, within all of us, hidden, ever-present.

Mid-August, mid-afternoon I’m drinking lemonade on a bakery porch and staring across the street at a house nearly obscured by sunflowers and globe thistle. I’m curious as heck about this Italianate with ornate corner boards. Who built this and who lives here now, and is the yard’s intent to cultivate wildness, or is no one at home?

My companion and I are talking about hard stuff, a third novel I’ve sent off to my publisher, the book I’m drafting now, about disease and suffering and how to wring meaning from misery. I’m compelled to write this book; writing this book looms impossibly. The afternoon’s quite hot, but by late afternoon the air will settle and cool. Nights, I walk after sunset, the crickets and tree frogs clamorous. I keep thinking about that house (empty or not?) and the thin line between wild and domestic. Here, this border has blurred. Will I cut the pin cherries to widen the canopy of the walnut tree I planted? The rose bushes seek a crack in my house’s foundation.

Wiser now, or maybe simply tired, I care less about the wild honeysuckle and raspberry canes that fortress around my house. I’m no Rapunzel, squirreled away in a tower, waiting for her Prince Charming. The hungry bear tunnels through the undergrowth, showing me a way.

Summer night—
even the stars
are whispering

~ Issa

Lucky.

/ Brett Ann Stanciu / 8 Comments

August is exceptionally hot this year, the rivers so low they can be crossed by foot. In the woods, streams have dried to rock beds. In Montpelier, the state’s tiny capital, I walk by a store with bright bowls in the window and think, My mother would love this store. She passed over a year ago, and yet I still catch myself thinking that she might appear around a corner, her purse tucked under her arm, amused at me. Of course I’m not gone…

My father, the physicist, schooled his three kids early on about entropy. In a week where things repeatedly broke — the hot water heater leaking, the Jetta refusing to start in the rain — he made jokes that we were in a High Entropy Zone. So, this lovely August, with the chorusing crickets and the waning red moon — I’m determined to suck each day to its marrow. Sandwiched around work and the steadiness of washing dishes and so on, I’ve pushed aside space for swimming and ice cream, for lying under the apple tree and studying a spider spin her web. The entropy of living keeps on, as it does.

In the years when I was raising my own young daughters, our days zigzagged from bowls of blueberries to bath time. The days were endless, and the years rushed by. Now, my girls newly grown, I relish the silence and crave their company. Lucky I am, so lucky, to be alive this summer, this month, these days. All day long, I walk around with my tender heart cradled in my hands, wounded and raw from cancer, from weeks of hospitalization, from the knife of mortality pressed against my windpipe. August: the season of great loveliness, the intimation of winter. The reminder to love where and what we are.

Hitch Hiker at a Truck Stop

The hitch hiker asks to look at

the palms of my cold hands

and thanks me for unfolding them

on the frost-edged

picnic table between us.

While I look at his downcast eyes

trying to see if he sees,

nearby truckers stare

at his narrow face,

long blond hair.

He asks me if I garden,

rips a scrap of newspaper

and folds it up

into a tiny origami

package for anise seed.

Here, he says,

seed I gathered in Oregon,

plant it in Colorado.

I always have a garden, he adds,

I plant and leave to others.

He tells me he has no sex;

when you ride in the righthand seat,

you have to nod your head

without listening.

Face pressed to the window,

he can see the lacquered edges

of the earth.

So I imagine him 

practicing calligraphy

on truck windows,

recommending honey and vinegar

in a glass of water

every morning.

Mad, mad, mad.

A yellow warbler,

the moon at the bottom of the stream.

Out on the highway

he is raising his thumb again. ~ Mary Crow

Keeping Company. Neighbors.

/ Brett Ann Stanciu / 9 Comments

A friend mentions her mother has an art opening that evening in the sprawling building that was once the village inn. We’ve just returned from a walk and stand in a field where, 25 years ago, she sold homemade pies and I sold maple syrup. We each held a nursing baby, in those years.

Her mother lives beside me, so about eight o’clock, the time I’m usually brushing teeth or walking around the house putting water glasses and cat bowls in the kitchen sink, I pull on a sweater (hello, Vermont July) and walk downtown. Monday, hardly anyone is out this evening, as the sunset does its peach-and-rose watercolor magic along the mountains.

I’m amazed, again, at my neighbor’s talent, her unique vision a mixture of O’Keeffe and Cézanne. I stand holding her hand and talking, this woman who lived plenty of lives before I met her. When I weed my front yard garden, she’ll sometimes lean out of her door and holler, “Hello, neighbor!” her hair in plastic curlers.

I walk the long way home through neighborhoods where the children have been called in for the night. Stray teenagers are out; no one else. There’s no glimmer of moon, but the stars are winking into their nightly places. I take an extra loop, and the darkness folds around me.

I’m in this odd place where people I hardly know touch my shoulders, rub my growing-back hair, as if to confirm that, yes, I’m alive. Or I’m looked at silently, uncertainly. The cancer’s made me rougher and gentler. Disinterested in cattiness, willing to visit a neighbor when my body aches to lie down.

At home, I linger on the house steps, the tree frogs serenading. These summer days are long, long, with some hours of work. More than anything, I’m determined to finish a draft of this third novel, determined to sell this book, too. Stubborn my mother would tell me. You’re so stubborn. By now it’s dark, the scattered village lights cupped in the town’s narrow valley, the Milky Way a silent celestial river. My mother despised my stubbornness, this trait that mirrored her. Or maybe I’m completely wrong about that.

I water the hanging plants, and yet I’m not willing to go in for the night, lie down and read, sleep. Last November, I was sitting on these steps in the darkness, the news of having cancer fresh and raw. A different neighbor appeared and sat with me. We talked about opioids and THC. She told me about her husband’s death. In the chilly November, we sat in our coats, a quiet between us, she keeping me company.

“The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors, 
and invisible guests come in and out at will.”
― Czesław Miłosz

In the great [and holy] darkness.

/ Brett Ann Stanciu / 4 Comments

In these sultry July days which I love, I walk in the evenings. Wildfire smoke from Canada renders the sun bloody. In the heat, there’s few folks out. I often follow the trail along the river to the pastures where cows graze. The air, fat with humidity, is redolent with wet earth and cowshit. The smell reminds me of those childhood camping trips and those journeys in my twenties when we explored the West, driving around with Rand McNally and pitching a tent in a forest or farmer’s field.

The world indeed might be going mad, the planet hurtling into fire and heat. On these July evenings, though, it’s me and those cows and the wildflowers blooming rampantly. In the night, rain patters. I leave the cats sleeping in their hot fur and slip outside. It’s so far along in the night that this village is sleeping, too early yet for milk trucks, too late for teenagers. I sit on the steps in the tiny cool bits of raindrops, tree frogs and crickets chorusing.

I’ve posted this poem before, but Hayden Carruth is always worth reading again, and this remains one of my favorites.

The Cows at Night

The moon was like a full cup tonight,
too heavy, and sank in the mist
soon after dark, leaving for light

faint stars and the silver leaves
of milkweed beside the road,
gleaming before my car.

Yet I like driving at night
in summer and in Vermont:
the brown road through the mist

of mountain-dark, among farms
so quiet, and the roadside willows
opening out where I saw

the cows. Always a shock
to remember them there, those
great breathings close in the dark.

I stopped, and took my flashlight
to the pasture fence. They turned
to me where they lay, sad

and beautiful faces in the dark,
and I counted them–forty
near and far in the pasture,

turning to me, sad and beautiful
like girls very long ago
who were innocent, and sad

because they were innocent,
and beautiful because they were
sad. I switched off my light.

But I did not want to go,
not yet, nor knew what to do
if I should stay, for how

in that great darkness could I explain
anything, anything at all.
I stood by the fence. And then

very gently it began to rain.

… send what you will, I will listen.

/ Brett Ann Stanciu / 9 Comments

This winter, I joined a Dartmouth Writing Circle for cancer patients. At that time, my waking hours were pretty much confined to the couch, endeavoring to stay alive, and I thought why not? I’ve kept on with this Circle. Compulsively, I keep writing about disease, but others write about aging parents, children and memories, picking strawberries — the necessary pieces of our everyday lives. Their poems and short essays amaze me. Maybe the lesson is this: suffer from a disease, pay attention, unfold your heart.

So yesterday, another trip to Dartmouth, but this time not to the door of the ER or 3K — the cancer center. My youngest daughter had signed up to walk in The Prouty, a weekend of fundraising. The four of us drove together, my daughters drinking coffee and laughing in the front seat, the boyfriend and I in the back. In the thousands of participants and volunteers, I met a few of my Writing friends as if kismet.

My family ate doughnuts and drank chocolate milk. We walked and ate watermelon and the sandwiches that appeared on tables as if by magic. At a long table, we lingered beneath a white tent, admiring babies and small dogs. It was at once a family event (my family, who pulled me through this winter) and a community embrace. When my daughter signed up (and a HUGE thanks to those who donated to her team), I didn’t, as I could hardly stand two months ago. Walk a few miles? Forget that. Now, my legs gaining muscle, my body healing, I walked between my daughters, so full of youth and quickness, of wit and curiosity. So profoundly of this world.

We live lives of forgetting, but I have not forgotten those long days in 3K’s infusion center, the chemo drugs dripping into my veins while I stared through the window at cardinals in the snow, or that night in the ER when the MDs in scrubs posed the possibility that I couldn’t finish the chemo treatment, that enough was enough for my body which was now, I noticed, described in my chart as frail. An adjective I immediately hated. Fuck frail. By that time, my flesh and my blood was suffused with zofran and dilaudid, lactated ringer’s, with the mighty rituximab…. But even though my bones and my flesh are my domain, my life is not. There’s a tendency in my circle of leftish rural Vermont to look at the medical world askance — an indulgence that immediately dried up for me when I first arrived in the ER. All along, I’ve asked for the data and facts; what am living through now and what might this mean? Beyond this, I was encouraged to embrace the mysterious complexity of disease, data, determination, the universe’s toss of the dice. When I said, go ahead, make me more frail, I’ll endure, the Good Doctor made that possible.

I have not forgotten that I am alive by the grace of medicine and strangers, by my family, by illusive fate itself. I carry this knowledge as all day long I go about my life of writing and working, of watering the flowering nasturtiums, eating peaches, reading novels and poetry and cancer research beneath the apple tree, as I walk through the sultry July twilights, that this will someday — this year, or 30 years from now — change for me, too, as it changes for everyone.

But for now, luscious watermelon. Later, a family dinner on the back porch, summer sweet.

From Ruth Stone:

… send what you will, I will listen.
All things come to an end.
No, they go on forever.