Broken Down, Back on the Road

Before dawn, a crescent moon greets me silently through my kitchen window, hanging low in the sky, with glittering Venus and Jupiter. I stand there for a moment, imprinting that soundless beauty in my mind, like a talisman I might carry through the day. I leave in the dark, listening to VPR and watching the car’s thermometer dip down, down, as I drive up through the Woodbury Gulf. 14 below zero.

Not all that much later, I’m out of my car in Waterbury, pouring coolant into my overheating car, the water pump shot. It’s so cold the air is misty. I limp along into Waterbury, where I cluster with the other folks in the waiting room, drinking terrible K-cup coffee.

I’m nosy—I completely own up to this—as I “overlook” the woman’s laptop beside me as she books a hotel room in Charlotte. She wears enviably warm and stylish black leather boots. Beside me, I realize a man is somewhat surreptitiously scrutinizing my notebook, but I’m darned sure he can’t read my bad handwriting. Heck, I can hardly read it, and I’m the author. His phone rings, and I actually wonder if he’s speaking Greek. So much for my knowledge of other languages.

It’s that kind of day. By 11:30am, I’m back on the Interstate again—traffic is oddly light at that time—but the day seems basically shot. How much has already happened, and how much more lies ahead.

There’s the moon and those heavenly bodies, though. How much paler the day would have been, without those beauties.

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While I’m at work, the kids send me a photo of their cat’s displeasure with their afternoon snack.

Unfinished

My daughters’ gentle-pawed cats cry in the night, dragging a toy mouse around the hall and looking for company. Nearly 20 years a mother, the nether realms of nights are my familiars. I lie listening to wind chimes singing in the nighttime wind.

At the solstice, the darkness is no stranger to us now. The afterschool children ski around my library in the utter darkness.

While waiting for pasta water to boil, my 13-year-old and I slice and eat wedges of cheese — a Christmas gift. Around our little house, I imagine the moon making her steady, slow rise into the starry sky above our metal roof, the unbroken night pooling through this village, with its lit-up twinkling strings of white and colored Christmas lights.

So, the day funnels down into the night, this year into the next. She talks about our old house — unfinished was the word we always used for the house, and she says it again, unfinished. I push aside my stack of work papers. Between us is a little bonsai plant, a gift from her friend.

I keep listening to this girl — just her and me and the cats beginning for crumbles of cheese. Goodness, adolescence — clear and mysterious as the rising full moon. She stirs the boiling water.

You can contemplate existence all you want, at the end of the day someone needs to blow their nose and hand you a dirty tissue.

— Sarah Ruhl & Max Ritko, Letters From Max: a book of friendship

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Cracking Open the Door on Deafness

In my twenties, I was a typist for a novelist who not only had the misfortune to suffer from severe carpel tunnel, but was also profoundly deaf. The deafness had contributed to her divorce, and she holed in up in her parents’ summer house in rural Vermont. Once a professional musician, she cleaned houses before landing a teaching job and turning to writing children’s literature to make a living.

Sitting side by side with me, she dictated her novel.

One morning, an unfamiliar alarm rang out in her study, so piercingly loud I instinctively bent over. I heard nothing but that sound. Fearing it was a fire alarm, I stood up, panicked. Then I saw the novelist, sitting in her chair, was mystified by my actions. She was entirely oblivious to the noise. To her, that alarm didn’t exist.

A red flashing light on her computer power surge system warned that the power had gone out. I shut down her computer. I explained what had happened. Then I stood there, rattled — both from the physical shock and from my glimpse into her immense silence.

Here’s a line from Susan Orlean’s The Library Book:

… oh my God… do you think there are any conservative librarians?

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Lyndon, Vermont

Why I Hate the Corn Maze

Ever read the late David Foster Wallace’s A Supposedly Fun Thing I’ll Never Do Again?

Okay, that was about cruise ships. My supposedly fun thing was a corn maze which began as lots of fun, driving along maple-lined dirt roads, past hayfields, laughing with the kids about the mist we kept entering and exiting, apparently in the middle of rural-Vermont-nowhere.

In this amazing corn maze, hard-packed dirt paths wound between immensely high corn. An hour in, actually beginning to wonder if we might not get out, I dredged up what limited survival skills I might possess, and ordered the kids to follow “the rule of right” and only make right-hand turns — as if that was the key out. Even smarter, perhaps, we tagged behind a cheerful grandparent-ish couple who practically ran through the maze and got us out.

So much for fun mothering experiences, these few hours that seemed, honestly, a little too close to the marrow, a little too near my life — wander around and conjure some savvy to get out.

Much later that Sunday evening, picking up stray socks and library books and putting away laundry — getting ready for a working week — I realized I failed that metaphor for life: enjoy the journey. Take note.

Because here’s something else that’s weird but true: in the day-to day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship—be it JC or Allah, be it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles—is that pretty much anything else you worship will eat you alive.

— David Foster Wallace

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Late Night Rambles

My daughters and I often wonder where our cat Acer sleeps at night. His brother takes turns tucking among our feet, or curling on our faces.

In the middle of the other night, I walked into our upstairs glassed-in porch, looking for a book. On the little couch there, Acer sprawled, wide awake in the moonlight. I bent down and rubbed his velvety pink nose, this little cat who needed his own private room.

Here’s a few lines from the late master, Andre Dubus.

So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers…. Yet still I believe in love’s possibility, in its presence on the earth…. in an ordinary kitchen with an ordinary woman and five eggs. The woman sets the table She watches me beat the eggs. I scramble them in a saucepan…. I take our plates, spoon eggs on them, we sit and eat. She and I and the kitchen have become extraordinary; we are not simply eating; we are pausing in the march to perform an act together, we are in love; and the meal offered and received is a sacrament which says: I know you will die; I am sharing food with you; it is all I can do, and it is everything.

— Andre Dubus, Broken Vessels

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Ode to the Miraculous Melon

And then there’s this: at the very end of Vermont’s summer months — August 27th, a day of jumbled work and bruised adult egos, a day of existential pondering, after a moonlit night when I consider my very genuine failings as a parent to my oldest child, a day of humidity that ends with my daughters sitting on the bank of the pond while I swim with my friend, in all that cool water, its glassine surface broken in circular ripples with biting fish, and I long to keep swimming, swimming, we drive the 30 seconds home with a garden-grown cantaloupe cradled in my hands.

The melon had already split at its oblong end, vaguely skull- and exposed-brain-esque. As I carry the melon into the kitchen, the girls eye it skeptically. Already, that cracked end is clustered with fruit flies — where did they come from? — and I brush them away quickly with my hand and open the melon with a cleaver. The orange flesh bleeds juice.

With the cleaver, I slice off irregular squares, and then I’m eating it — famished not for the fruit, not for the sugar, not for the sticky liquid — but for the sheer miracle of a hard-shelled seed turned into such sweetness from soil and rain and sunlight, for all that this summer has been — both amazing beauty and clustering flies and ugliness of split rinds and quickly — hush, wait, yes — how just momentarily — we’ll all disintegrate back into that dust.

But not yet. Not this evening, with its creamy, rising nearly-full moon, two girls and two cats, a handful of chickens, and the crickets all night long, their songs still soldiering solidly.

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