Mechanic talk….

The garage I use wasn’t flooded this summer — the river simply swiped away the owner’s land in back, a great chunk, along with his plow truck and two customer cars. A few weeks later, I stood on a bridge, watching a towing company winch the truck free from the lowered river. For weeks, the two cars remained nearly submerged in a muddy wetland along the riverbank, badly beaten. Then one day, the cars had vanished, too.

Friday morning during what suffices as rush hour in Hardwick, Vermont, I park behind his garage. The three bay doors are open. We stand talking for a bit in the shadows of his garage, the autumn sunlight filtering through the great oak trees his great-grandfather had planted along the river, a few lifetimes ago.

I’ve been coming to the garage for years, from the crazed put-on-your-snow-tires season to this kind of September morning where we stand, in no rush, watching the parking lot dust drift in the honeyed sunlight. Curious, I ask about the town’s plans for the river tumbling so near to what remains of his back lot. In these dry autumn days, the river’s low, sunk among the rocks and boulders strewn by July’s flood.

He says simply, A lot of talking, many plans.

Last July, the bank where a motel was built was swept downstream, turned into silt, gone elsewhere. The town owns the property now. The mechanic tells me that people visit every day, fishing or wandering or simply enjoying the river sparkling in the sunlight. Weekends, families picnic.

Much later in the evening, as the moon hangs its three-quarters lamp in the clear sky, I wander there, too. The land slopes down gradually to the river. When the floods come again — and of course the floods will return — the water will rise here, stretching over Joe Pye weed and asters.

Along the river, the oaks and maple leaves splash gold and orange, early change. End of the summer, with its troubled river and kids on the banks, flying box kites.

Keeping On….

I drive home from a Selectboard meeting with my friend the moon who hangs over the dark mountain ridge, a creamy misshapen teardrop shot-through with crimson. It’s me and her. The clouds have scrimmed low enough that the Milky Way does not join our duet.

My house glows when I return home. The girls have chopped up the cherry tomatoes I left on the table and added these sweet chunks to couscous they bought in Santa Fe and cooked on their camping trip (and why do I never cook couscous, anyway?) The girls are familiar with the town and the people where I work. I tell stories about who’s there and what’s happening — the nuts-and-bolts of local truckers who’ve appeared for the bid openings, hoping to score more work — a man who lives nearby, has no electricity, comes to use the internet, and wanders in and out, curious, offering a few comments. People are angry about all kinds of things, the sheriff’s there and then not-there, a man yells, the chair regains control, decisions are made, bids are granted, that FEMA word with its trailing uncertainties rises and falls. There’s a pause about a bridge washed out in last year’s flood with a replacement price tag that’s beyond comprehension. A board member and I whisper commiseratingly about the days when we shared homemade cookies at meetings while kicking around decisions. He’s heading fishing this week.

The girls eat up my stories, share their own stories of their day. In the humid night, we stand on the back deck, listening to the foxes bark in the ravine, the crickets sizzle away these final summer days. The girls head out for a walk, in search of the moon and some adventure. My cat follows me as I walk around the house picking up dropped socks and empty bowls, clattering forks in the kitchen sink. Forget about national politics for a bit. It’s the same human stories: the mixture of ego and thrumming anger, a knight-like determination to serve others, the uncertainties of how do we get along?

The foxes keep at it. Eventually, I sleep, too, wake in the murky darkness, fed my cats, and then I keep on, too….

Messy democracy.

So this whole democracy thing? Since we’re in an election year and all?

I work in a small town for a Selectboard. Monday morning, I pull into work (late, again), and a Selectboard member is eating a blueberry muffin as fast as he can in the parking lot, a muffin I’m certain the town clerk made. I get out and make some comment roughly along the lines of it’s a good thing I don’t do drugs anymore because Your Town….

He counters with, Let’s get serious. What’s your cucumber and zucchini situation? I’m coming back at noon with four full boxes.

Monday morning, it’s revealed that people have stolen signs. People have written letters to the Selectboard and newspapers and the Sheriff about the theft. People arrive in the office with dogs and laptops and questions, eat muffins and disappear. I walk outside with the phone. It’s possible that the thief arrives. It’s also possible there’s some laughter. Or maybe I’m making all this up.

Democracy is messy, chaotic, often brutal. People arrive who look as though they’ve slept in ditches for their entire adult lives and complain about the flood. People complain about their neighbors. People run for election. In all of this, I take off my shoes and walk around barefoot. I do all the things I’m supposed to do and I keep wondering if I’m doing any of these right. I give an old woman a bottle of water. I am always trying to leave, disappearing into the asters around the lake, into the rooms upstairs where it’s just me and the wasps and the open windows. I am always trying to sew the pieces of my life together. Sometimes I crumple paper and throw it at my coworkers, which is not really at all charming or funny.

As a writer, I learned from reading. I learned so much from sugaring — the majesty of the world, the inarguableness of cause and consequence. I learned joy and love as a parent. I learned grief as a broken wife. Working for a small town, I’ve learned the peculiar American craziness of little towns and politics, of gossip. How to spy cowardice and when to lean against the courageous.

There’s not one damn thing perfect about any of this. Here I am as usual, half in, my head and heart filled with my garden gone rampart with rudbeckia and coneflowers. But we’re all that way…. July is the season of joy, January the season of despondence and loneliness. In the heart of midwinter, I leap from the snowy shore to the frozen lake. Far out, I sometimes lie down in the middle of the day, the ice a bed between my bones and the sludgy lightless waters. Overhead, the infinity of the heavens.

But today it’s Good Old July. In the afternoon, I walk with a woman along the forest trails she’s cut. She’s eased white quartz from the soil. The rocks gleam, as if freshly scrubbed with rain.

“The apparition of these faces in the crowd…”

In the Albuquerque airport, I’ve tucked myself into a corner, editing a manuscript and drinking coffee, when suddenly I see the small airport is jammed. I pack up my things. In search of my gate, I ask a man if he’s headed to Chicago. “Houston. We’ve been deplaned from the tarmac, twice, and I’m pretty sure everyone here is about to have a nuclear meltdown.” Edging away, I hear a woman cajole her child to “let daddy figure this out.” The ruddy-faced daddy glares at a monitor.

At the terminal’s far end, I join an elderly couple (retired psychiatrists), a pediatric oncologist, and a mechanic who’s hoping to visit his mother before her open heart surgery. They tell me the news of Biden’s withdrawal.

Our plane has not arrived, and we step to one side of the swirling crowd. The oncologist shares that he’s been a fan of Biden. Such suffering in that family, he says; it changed him. The psychiatrists nod, listening. He tells us that his experimental research department received a flood of funding, but that’s all ceased now, with staff layoffs in anticipation of the election. He plans to retire in a few years and return to Botswana to volunteer. I don’t want to be dismal, he says, but the need for help won’t end.

We spy two pilots, admire their youth — but not too young — and gladly note they disappear through a door towards the tarmac. The loudspeaker voice informs us the pilots will have a short meeting with the cabin crew and then we’ll board. We’re not quite sure what that huddle is about — go team? keep the plane in the air? — and the oncologist muses that airports are one of the few places he’s experienced where strangers keep the social fabric together. No one, he tells us, says anything to strangers on D.C. public transportation.

That does not bode well, I think.

Just before we board, we shake hands and wish each other well. All these matryoshka doll layers in us: I walk down the ramp with the sign maker, who confesses his worries about his mother. Like a kind of magic, then, we’re in the air. Hours later, I land in Burlington, Vermont. Under a crimson full moon, I cross the street. The night sprinklers are watering a swathe of grass. All those dark miles of driving ahead of me. At home, the hydrangeas shine in the moonlight, boughs weighted with blossoms touching the ground.

IN A STATION OF THE METRO

The apparition of these faces in the crowd:
Petals on a wet, black bough.

— Ezra Pound

The awful rowing towards God.

Hardwick, Vermont

My buddy Ben Hewitt writes about waking from a deep sleep where he’s lying in the back of a pickup driven by a woman with bejeweled fingers — but I wake from a dream where I reach under the bed for a bowl of brown rice and curried onions, strings of sautéed chard, diced tomatoes. Who dreams of that? But perhaps I’m dreaming of keeping cake beneath the bed from an old article my friend Dave showed me…. The cat sits in the screened window. Rain falls hard.

In the buttery dawn, my youngest and I walk around town, coffee cup in my hand. The river and brooks have taken over Hardwick again. A man sits on his porch, water a swirl around his house, and I sense he’s been sitting there all night. A year ago, to this day, the town broke apart in a flood.

Again, the river roars, mud-dark, boulders banging. Fall into that, and you’ll drown. The town reeks of clay and rot, the earth’s innards that are better off left unturned.

I’m working these days for a small nearby town Selectboard. This early morning there’s the stream of road crew and public, of the orchardist hired for last year’s FEMA reimbursement — which we’ve not yet received — who arrives in his orange vest. The phone rings and rings. The Selectboard members arrive with donuts and freshly made banana bread and a cheerful Irish Setter. The woman who’s just joined this limping Board (who, really, in their right mind would join a Selectboard these churned-up days?), explains in her calm way precisely her motivation. She’s neither young nor naive and says just simply that the world is falling apart; but this Vermont town doesn’t need to follow that course. In this strangely remarkable day of the world we know and broken badly again, I am caught in an upswell of her plain-spoken and can-do words, her confidence as she sets down that waxed-paper-wrapped sweet loaf. I am aligned. The alternative is narcissism or nihilism or simply foolishness, and I have been waiting for her words.

In this same unexpected morning, I sit with the Selectboard as the rain falls again. They agree on a mending plan which relies on that wing and a prayer of federal money. The town, well-off a year ago, is now running on debt.

In my own one-woman world, standing in the dark against my house that rainy night and listening to the river’s roar increase and gain, I especially miss the shelter I once had in a marriage when the world’s chaos smacks into my face, as happens more and more these days. But fiercely pounding waters are never one single thing; even the next morning, bleary-eyed and soaked, I can’t help but marvel at the creamy orbs of blooming hydrangeas, the gold rudbeckia. Drinking my bitter coffee, I think of Anne Sexton’s poem “The Awful Rowing Towards God.” I once chose to dig my oars into turbulent waters and pull myself and my daughters to dry land. Now my youngest, shimmering with the pollen of young womanhood, drives, her eyes wary over the dirty water.

Oh us, all of us, in our little boats, our dinky cars and pickups, our great complicated lives. These mud-choked whirlpools, the fallen trunks smashing into rubble, the rushing waters that have not yet stilled. Which way will we row? Remarkable, all of it, remarkable.

… I am rowing, I am rowing,
though the wind pushes me back
and I know that that island will not be perfect,
it will have the flaws of life,
the absurdities of the dinner table,
but there will be a door
and I will open it…

— Anne Sexton

Pay it forward: a debt.

In the local coffeeshop, a stranger kicks up a conversation, and we bat around our mutual appreciation for this early summer – the blossoms profuse. He buys his order and adds my coffee, too. Pay it forward, he says, and vanishes into the morning.

I take my coffee to the courtyard down the street, empty at this time of day. Ahead of me, after this bench work stint, the day sprawls. I move from eddy to eddy.

In the late morning, a friend I haven’t seen in a few years calls. I’m now in a dim basement room. As we talk, our conversation dips into the past. I feel as if I’m lifting silty strands of stories, stringing them through my hands, searching for clues to tie pieces together.

All day long, I ponder our conversation, how the actions of one person ripple through friends and acquaintances, shift through strangers’ lives, how I’ve always been interested in this since I was a teenager, holed up in my parents’ hammock, reading John Steinbeck’s East of Eden. Later in the day, still stuck on this, I stack firewood, listening to news about the Trump trial. In the hot June sunlight, the freshly cut wood is redolent with sap. An earthworm wriggles. The neighbor boys bike into my driveway, circle around through the grass, ever curious about whatever mundane thing I’m doing. Overhead, those turkey vultures circle their late afternoon sweep, ever hungry. Little snapshot of my terrain.

I believe that there is one story in the world, and only one. . . . Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. . . . There is no other story.

— John Steinbeck